On Fri, 31 Mar 2017, Brian Barker wrote:
At 01:08 31/03/2017 +0200, Martin Tarenskeen wrote:
I found this (broken?) link on
http://lilypond.org/doc/v2.19/Documentation/web/easier-editing
So what happened to this Elysium website?
You might want contact its author; see http://thsoft.hu/en/C
At 01:08 31/03/2017 +0200, Martin Tarenskeen wrote:
Searching for Esysium, (LilyPond IDE for Eclips), I'm getting a 404
on the link http://elysium.thsoft.hu/
I found this (broken?) link on
http://lilypond.org/doc/v2.19/Documentation/web/easier-editing
So what happened to this Elysium website
Searching for Esysium, ( LilyPond IDE for Eclips), I'm getting a 404 on
the link http://elysium.thsoft.hu/
I found this (broken?) link on
http://lilypond.org/doc/v2.19/Documentation/web/easier-editing
So what happened to this Elysium website?
--
MT
Just maybe to the wings of a butterfly. I got what I would (not at the best)
by using Abraham suggestion.
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_
Who in the world is this addressed to?
On Thu, Mar 30, 2017 at 5:31 PM, Son_V wrote:
> Hi, I've tried to use your solution, bu I didn't got a good file; if I send
> it to you, may you work on it to obtain what I would?
> Thanks.
--
Jeffery Shivers
jefferyshivers.com
soundcloud.com/jefferyshi
Michael, and everyone else that is interested, I have begun a thread on
musicnotation.org's forum to discuss my format in a more relevant place,
complete with links to documentation.
My apologies for any disruption the earlier discussion may have caused.
- Original Message - S
Hi, I've tried to use your solution, bu I didn't got a good file; if I send
it to you, may you work on it to obtain what I would?
Thanks.
--
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Sent from the User mailing list a
Sorry I would have answered to another person. Excuse me.
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___
lilypond-
2017-03-30 22:51 GMT+02:00 Son_V :
> Hi, I've tried to use your solution, bu I didn't got a working file; if I
> send it to you, may you work on it to obtain what I would?
Hi,
first, please make clear whom you adress. You likely mean me, at least
I think so.
And no, I'll not work on your file,
Jacques—
Personally, I would prefer to have a line-breaking script that works
directly on the LilyPond code. Although solving the messy XML import
problem is priority right now, my wish is to eventually have a more complex
“reformat” script.
I will send you the file in a private email.
-Devon.
Hi, I've tried to use your solution, bu I didn't got a working file; if I
send it to you, may you work on it to obtain what I would?
--
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Sent from the User mailing list archiv
Excellent, \extendLV works for me. Many thanks!
cheers,
Hendrik
Thomas Morley schrieb am Do., 30. März 2017 um
10:41 Uhr:
> 2017-03-30 10:02 GMT+02:00 Andrew Bernard :
>
> > Better, using laissezVibrer in combination with the nifty \extendLV
> function
> > (from Thomas Morely if I recall).
>
Hello Devon,
Can you send me one those XML files privately? I’d like to perform some
experiments.
Thanks!
> Le 30 mars 2017 à 21:48, m.tarensk...@zonnet.nl a écrit :
>
>
>
> Verzonden vanaf mijn Huawei mobiele telefoon
>
>
> Oorspronkelijk bericht
> Onderwerp: Re: Lilypon
2017-03-30 20:43 GMT+02:00 Son_V :
> Hi,
> if the field in "poet = " is too long, the words mix over the words of the
> field "composer = ".
>
> How can I get rid of this? Thanks.
The default bookTitleMarkup (see titling-init.ly) prints poet and
composer in one line.
Basically like: \markup fill-
Verzonden vanaf mijn Huawei mobiele telefoon Oorspronkelijk bericht Onderwerp: Re: Lilypond document reformatting script?Van: m.tarensk...@zonnet.nlAan: Devon LePage Cc: Maybe an alternative option is to write a python script to manipulate the musicxml code, befóre feeding it to mus
On Thu, Mar 30, 2017 at 1:24 PM, Son_V [via Lilypond] <
ml-node+s1069038n201763...@n5.nabble.com> wrote:
> \header {
> title = "Jesu Rex admirabilis"
>poet = "Simone Verovio (1575 – 1607) - dal 'Diletto Spirituale'"
>composer = "Attrib. Giovanni Pierluigi da Palestrina (1525 ca. – 1594)"
\header {
title = "Jesu Rex admirabilis"
poet = "Simone Verovio (1575 – 1607) - dal 'Diletto Spirituale'"
composer = "Attrib. Giovanni Pierluigi da Palestrina (1525 ca. – 1594)"
tagline = "24 marzo 2017"
}
But even if Frescobaldi says that it has been successfully completed, I
don't
Hello Son,
Can you supply a minimal example?
JM
> Le 30 mars 2017 à 20:43, Son_V a écrit :
>
> Hi,
> if the field in "poet = " is too long, the words mix over the words of the
> field "composer = ".
>
> How can I get rid of this? Thanks.
>
>
>
> --
> View this message in context:
> http:/
Hi,
if the field in "poet = " is too long, the words mix over the words of the
field "composer = ".
How can I get rid of this? Thanks.
--
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Down in Oregon.
---
Knute Snortum
(via Gmail)
On Wed, Mar 29, 2017 at 1:42 PM, Juan Cristóbal Cerrillo <
jccerri...@gmail.com> wrote:
> Hello,
>
> Also down in Mexico.
>
> best,
> jc
>
> On Mar 29, 2017, at 11:10 AM, Xavier Scheuer wrote:
>
> Hello everybody,
>
> It is down here (ERR_CONNECTIO
Rémy—
Whenever I use musicxml2ly on a MusicXML file generated by Smart Score X2,
I get LilyPond code that looks something like this:
{
a4 b4 c4 d4 e4 f4
g2 g8 f8 e8 d8 c8
b8 \times 2/3 {
a8 b8 c8
}
}
I would like to create a Python script that would reformat the code to l
Urs—
Here are 2 gists that contain “messy" excerpts from a MusicXML file:
https://gist.github.com/devonlepage/7b6b373bd4a16aac92eae68f7534113e
https://gist.github.com/devonlepage/6c92575e38f3e6e2bd78d07b35c6059c
These are from a transcription of a John Coltrane performance, unrelated to
my main
Am 30.03.2017 um 10:45 schrieb Devon LePage:
> I’m currently working on a project that involves importing a lot of
> music into LilyPond via MusicXML. (Before this, the music is scanned
> and OCR-ed in Smart Score X2, if that is relevant.)
>
> Unfortunately, the resulting LilyPond code is a bit m
Hi Devon,
As a Python programmer I could help you, but I did not understand what is the
job to do...
Could you send me some files and explain with a example what you'ld like ?
Thanks a lot
Rémy
> Message du 30/03/17 10:45
> De : "Devon LePage"
> A : "Lilypond-User Mai
I’m currently working on a project that involves importing a lot of music
into LilyPond via MusicXML. (Before this, the music is scanned and OCR-ed
in Smart Score X2, if that is relevant.)
Unfortunately, the resulting LilyPond code is a bit messy and difficult to
read. I'd like to reformat these f
2017-03-30 10:02 GMT+02:00 Andrew Bernard :
> Better, using laissezVibrer in combination with the nifty \extendLV function
> (from Thomas Morely if I recall).
Well, I uploaded
http://lsr.di.unimi.it/LSR/Item?id=794
to demonstrate usage of LaissezVibrerTie in alternatives, but
'extendLV' itself i
On 03/30/2017 09:40 AM, Richard Shann wrote:
On Thu, 2017-03-30 at 07:38 +, Hendrik Fuß wrote:
Dear Jan-Peter and Andrew,
thanks for your feedback. \laissezVibrer comes close, but in the case
of a chord, I get a tie for every note of the chord. So it does not
look like a slur.
{ }
perh
Hi Andrew,
> Is there any way to achieve a hairpin with an open end, so rather than
> converging to a single point, the hairpin finishes prematurely, in effect,
> and vice versa for the other way around? This is useful in some scores I
> need to engrave where the intermediate dynamics are indicat
Hello Hendrik,
Better, using laissezVibrer in combination with the nifty \extendLV
function (from Thomas Morely if I recall). I often use the back shifted
LV's in my music.
Andrew
== snip
\version "2.19.58"
extendLV =
#(define-music-function (parser location further) (number?)
#{
\onc
HI Hendrik,
A bit of a hack but produces something close.
Andrew
== snip
\version "2.19.58"
{
c'4 d' e' f'
\bar "||"
\grace { \once \hideNotes g16_( } 2) _(
) _(
\grace { \bar "" \once \hideNotes a16) \bar "|" }
\bar "||"
c'4 d' e' f'
}
== snip
_
On Thu, 2017-03-30 at 07:38 +, Hendrik Fuß wrote:
> Dear Jan-Peter and Andrew,
>
>
> thanks for your feedback. \laissezVibrer comes close, but in the case
> of a chord, I get a tie for every note of the chord. So it does not
> look like a slur.
{ }
perhaps,
Richard
___
Dear Jan-Peter and Andrew,
thanks for your feedback. \laissezVibrer comes close, but in the case of a
chord, I get a tie for every note of the chord. So it does not look like a
slur.
@Andrew: Sorry if my example wasn't clear. My intention was to provide a
collection of patterns for accompaniment.
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