On Apr 20, 2016, at 12:41 PM, David Kastrup wrote:
>
> Kieren MacMillan writes:
>
>> Hi Dan,
>>
>> \version "2.19.39"
>>
>> \score {
>> \new Staff \relative c' {
>> \key ees \major
>> \time 2/4 \clef treble
>> 4
>> 4
>> 4
>> <\tweak Accidental.stencil ##f aeses des>4
>> 4 a~
>>
Kieren MacMillan writes:
> Hi Dan,
>
> \version "2.19.39"
>
> \score {
> \new Staff \relative c' {
> \key ees \major
> \time 2/4 \clef treble
> 4
> 4
> 4
> <\tweak Accidental.stencil ##f aeses des>4
> 4 a~
> 2
>}
> }
\tweak Accidental.stencil ##f
may be written a
Hi Dan,
\version "2.19.39"
\score {
\new Staff \relative c' {
\key ees \major
\time 2/4 \clef treble
4
4
4
<\tweak Accidental.stencil ##f aeses des>4
4 a~
2
}
}
??
It does look like a bug, though.
Hope this helps!
Kieren.
Kieren MacMi
When there’s an accidental on the uppermost note in a chord which is tied over
a bar line, Lilypond makes space in the next bar as if the accidental were
reprinted when two other conditions are true: there’s an accidental in a lower
chord note, and--no surprise--if the interval between the notes
Thomas, it works fantastically well!
> So why? I don't see any advantage.
I'm writing a kind of library to write accordion music. Let me finish the
work and then I will post it here so that others can take advantage of it
(I hope so) and/or suggest a better way to do it.
Thanks again!
g.
___
2016-04-20 10:34 GMT+02:00 Gianmaria Lari :
> To generate the dominant seventh chord of c we use
>
> \chordmode {c:7}
>
>
> Does exist any way to make the same thing but starting from a variable
> containing a note?
>
> Something like this:
>
> mynote = {c}
> \chordmode { \mynote:7 }
Well, I coul
To generate the dominant seventh chord of c we use
\chordmode {c:7}
Does exist any way to make the same thing but starting from a variable
containing a note?
Something like this:
mynote = {c}
\chordmode { \mynote:7 }
Thank you, g.
___
lilypond-user
