On Mon, 4 Apr 2016, Gianmaria Lari wrote:
Ciao Martin,
if you can, could you please check the folder
\Program Files (x86)\LilyPond\usr\bin
to see if you have python.exe inside it? I'm curious to know if the
lilypond installer installed the bundled python even if you unchecked it.
That's
On Mon 04 Apr 2016 at 17:47:03 (+), Joseph Chrestien wrote:
> Thanks David and Simon for your kind help. I used David's solution and it
> works brilliantly. Very nice. I didn't know of this NullVoice context, I'll
> take a look at it.
My view would be to use David's solution where you have a
On Tue 05 Apr 2016 at 01:04:40 (+0200), Thomas Morley wrote:
> 2016-04-04 23:58 GMT+02:00 David Sumbler :
> >
> > Just a thought - perhaps one day somebody who understands Lilypond well
> > might write a section for the docs, starting with the basic
>
> Well, the full quote:
>
> LilyPond treats i
On Mon 04 Apr 2016 at 23:30:00 (+0200), Sharon Rosner wrote:
> Hi all,
>
> I’m getting a bunch of "programming error: insane spring distance requested,
> ignoring it” etc errors when compiling the following:
>
> \version "2.19.37"
>
> music = \relative c' {
> c1 d e f \bar "||"
> \set Scor
On 16-04-04 05:12 PM, Sharon Rosner wrote:
Sharon Rosner wrote
In addition, the music is cut immediately after the last note, and does
not show the bar line that I’m explicitly asking for:
For anyone who's interested, I've found a workaround technique based on code
in music-functions.scm. The c
Sharon Rosner wrote
> In addition, the music is cut immediately after the last note, and does
> not show the bar line that I’m explicitly asking for:
For anyone who's interested, I've found a workaround technique based on code
in music-functions.scm. The code is here:
https://gist.github.com/ci
2016-04-04 23:58 GMT+02:00 David Sumbler :
>
> Just a thought - perhaps one day somebody who understands Lilypond well
> might write a section for the docs, starting with the basic
Well, the full quote:
LilyPond treats input like this:
\relative {
c''4 a d c
}
as shorthand for this:
> \book {
On Mon 04 Apr 2016 at 12:46:37 (+0200), Bernard wrote:
> On 03-04-16 22:56, David Kastrup wrote:
> >Bernard writes:
> >>That does help. I found out \with is a very special statement.
> >Not really. \with can be part of other constructs, just like "else" can
> >be part of other constructs in many
On 04.04.2016 22:19, Johannes Waldmann wrote:
The docs do make considerable effort to explain, e.g.,
http://lilypond.org/doc/v2.18/Documentation/learning/contexts-and-engravers
.
If at all, I might criticize this for being in the wrong order:
2. Common Notation, 3. Fundamental Concepts - but ho
On Mon, 2016-04-04 at 16:12 -0400, lilypond-user-requ...@gnu.org wrote:
> > From: Noeck
> > To: lilypond-user@gnu.org
> > Subject: Re: Lilypond structure / implicit - explicit / with
> > statement
> > Date: Mon, 4 Apr 2016 22:11:51 +0200
> >
> > Would the table in the previous mail be helpful for
Am 04.04.2016 um 23:30 schrieb Sharon Rosner:
> Hi all,
>
> I’m getting a bunch of "programming error: insane spring distance
> requested, ignoring it” etc errors when compiling the following:
>
> \version "2.19.37"
>
> music = \relative c' {
> c1 d e f \bar "||"
> \set Score.skipTypesetting
Colin Campbell writes:
> On 16-04-04 02:57 PM, David Kastrup wrote:
>> Noeck writes:
>>
>>> … and enjoy your climbing! I hope I don't produce much more
>>> misinformation until you are safely back ;)
>> Uh, I'm already back. I'm only enjoying the open spots on my fingertips
>> now. They'll clo
Hi all,I’m getting a bunch of "programming error: insane spring distance requested, ignoring it” etc errors when compiling the following:\version "2.19.37"music = \relative c' { c1 d e f \bar "||" \set Score.skipTypesetting = ##t g a b c}{ \music }In addition, the music is cut immediately after
On 16-04-04 02:57 PM, David Kastrup wrote:
Noeck writes:
… and enjoy your climbing! I hope I don't produce much more
misinformation until you are safely back ;)
Uh, I'm already back. I'm only enjoying the open spots on my fingertips
now. They'll close up in the next few days, and in 10 days
Noeck writes:
> … and enjoy your climbing! I hope I don't produce much more
> misinformation until you are safely back ;)
Uh, I'm already back. I'm only enjoying the open spots on my fingertips
now. They'll close up in the next few days, and in 10 days or so the
fingers (mostly) will start pee
… and enjoy your climbing! I hope I don't produce much more
misinformation until you are safely back ;)
Cheers,
Joram
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hi David,
On 04.04.2016 22:22, David Kastrup wrote:
> Noeck writes:
>
>> Alternatively, you can put this into a layout block:
>>
>> \layout {
>> \context {
>> \Staff
>> clefPosition = 2
>> }
>> }
>> %or
>> \layout {
>> \set Staff.clefPosition = 2
>> }
>
> This is not the same.
Noeck writes:
> Alternatively, you can put this into a layout block:
>
> \layout {
> \context {
> \Staff
> clefPosition = 2
> }
> }
> %or
> \layout {
> \set Staff.clefPosition = 2
> }
This is not the same. The first affects only the "Staff" context
definition. The second also aff
interesting discussion!
> My ultimate question boils down to how to assign
> a value to a property. That should not even be a question.
That ("should not be a question") depends on the mental model.
Why do you assume that a property is assignable, or in fact
that a (sub)program should consist of
Would the table in the previous mail be helpful for the docs here?
http://lilypond.org/doc/v2.19/Documentation/notation/overview-of-modifying-properties
I could write it and some text around it if there is a general feeling
that it would help.
Cheers,
Joram
__
Hi Bernard,
I would like to try and explain it in other words as the manual:
music with implicit voice and staff:
{ c' }
music with explicit staff and implicit voice:
\new Staff { c' }
adding a with statement:
\new Staff \with { clefPosition = 2 } { c' }
Please note here: There must be no { af
On 04.04.2016 21:54, David Kastrup wrote:
The only "inconsistency" I am able to see is that context modifications
(like context definitions) omit a context name for their sets/overrides,
and that they use assignment syntax without \set unlike to how context
properties are set inside of actual mus
Bernard writes:
> On 04-04-16 18:35, David Kastrup wrote:
>> Bernard writes:
>>
>>>
>>> I think I am getting quite close now. Thanks,
>> I have no idea what you think you are doing but I have severe doubts
>> that you are getting close to anything useful. It looks to me like you
>> are just ran
Hi Bernard,
I’m sorry you’ve had such difficulty learning Lilypond.
On Apr 4, 2016, at 3:20 PM, Bernard wrote:
> My ultimate question boils down to how to assign a value to a property. That
> should not even be a question.
The main problem you’re having, I think, is that there are different wa
On 04-04-16 18:35, David Kastrup wrote:
Bernard writes:
I think I am getting quite close now. Thanks,
I have no idea what you think you are doing but I have severe doubts
that you are getting close to anything useful. It looks to me like you
are just randomly putting syntactic entities into
>Message: 1
>Date: Fri, 1 Apr 2016 15:56:03 +0200
>From: Ziad Gholam
>To: lilypond-user@gnu.org
>Subject: How to generate a Tambourine "shake" (or any "trill" sound)
> in MIDI file ?
>Message-ID:
>
>
>Content-Type: text/plain; charset="utf-8"
>
>Hello to all
>
>
>I am using version 2
Thanks David and Simon for your kind help. I used David's solution and it works
brilliantly. Very nice. I didn't know of this NullVoice context, I'll take a
look at it.
Nice day to all of you
Joseph
On Mon, Apr 4, 2016 at 7:57 AM -0700, "Simon Albrecht"
mailto:simon.albre...@mail.de>> wrote:
> On Mar 9, 2016, at 6:27 PM, David Kastrup wrote:
>
> \version "2.19.28"
>
> show =
> #(define-music-function (mup item) (markup? symbol-list-or-music?)
> (propertyTweak 'stencil
> (lambda (grob)
>(grob-interpret-markup grob mup))
> item))
>
> \relative c' \new Staff {
> \show \marku
> On Apr 4, 2016, at 6:46 AM, Bernard wrote:
>
> I have attached some more real live code using /with and and example I tried
> to skip the /with section and assign properties directly, which fails.
Here’s how to fix your example (without \with) that was not working:
\score {
\new DrumStaff
Bernard writes:
> On 04-04-16 16:51, Simon Albrecht wrote:
>> On 04.04.2016 12:46, Bernard wrote:
>>> I have attached some more real live code using /with and and
>>> example I tried to skip the /with section and assign properties
>>> directly, which fails.
>>
>> instrumentName, drumStyleTable &c
Hi Bernard,
> \score {
> \new DrumStaff {
> \override DrumStaff.StaffSymbol.line-count = #3
> \set DrumStaff.instrumentName = "Djembe 2"
> \set DrumStaff.drumStyleTable = #(alist->hash-table djembe)
> }
> \djEen
> }
If, like me, you prefer separating musical content from presentation as much as
On 04.04.2016 17:36, Bernard wrote:
On 04-04-16 16:51, Simon Albrecht wrote:
On 04.04.2016 12:46, Bernard wrote:
I have attached some more real live code using /with and and example
I tried to skip the /with section and assign properties directly,
which fails.
instrumentName, drumStyleTable
Hi.
Is there a way to send raw MIDI messages
(that is, sequences of bytes) from a description
inside a lilypond text? (possibly embedded LISP)
my application: to an external synthesizer device
that accepts a lot of control messages.
Base case: I want to send "program changes" where the argument
On 04-04-16 16:51, Simon Albrecht wrote:
On 04.04.2016 12:46, Bernard wrote:
I have attached some more real live code using /with and and example
I tried to skip the /with section and assign properties directly,
which fails.
instrumentName, drumStyleTable &c. are context properties. Inside
m
On 04.04.2016 15:19, Maria Jesus Marin wrote:
Good afternoon,
I have one problem with one composition. My problem is that I have writted
the composition in Musescore, but when I export to xml and I import the xml
file in to Frescobaldi the staff duplicate lines.
I attach the musescore file, xml
Hi.
turns out my previous question already is answered in the docs:
http://lilypond.org/doc/v2.18/Documentation/notation/repeats-in-midi
and it handles \alternative correctly as well.
- J.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://li
Hi Joseph,
a more common approach to the situation is using a separate music
variable containing information common to all parts. E.g.
%
aux = {
\tempo 4 = 100
s1
\bar "|."
}
musicOne = { e'1 }
musicTwo = { c'1 }
\score {
<<
\new Staff <<
\new NullVoice \aux
On 04.04.2016 12:46, Bernard wrote:
I have attached some more real live code using /with and and example I
tried to skip the /with section and assign properties directly, which
fails.
instrumentName, drumStyleTable &c. are context properties. Inside music,
these are set with the \set command,
On Mon, 4 Apr 2016, Maria Jesus Marin wrote:
Good afternoon,
I have one problem with one composition. My problem is that I have writted
the composition in Musescore, but when I export to xml and I import the xml
file in to Frescobaldi the staff duplicate lines.
I attach the musescore file, xm
Joseph Chrestien <_...@live.com> writes:
> Hi all,
>
> is it possible to change all notes in a voice to skips through a function ?
>
> E.g. ` \silence c4 \tempo 4=100 f8\p g8 ` would be compiled as ` s4 \tempo
> 4=100 s8\p s8 `. Note all other events would stay the same.
\version "2.19.32"
silen
Hi all,
is it possible to change all notes in a voice to skips through a function ?
E.g. ` \silence c4 \tempo 4=100 f8\p g8 ` would be compiled as ` s4 \tempo
4=100 s8\p s8 `. Note all other events would stay the same.
Below are the context and minimal code.
Thanks!
Jo Chrestien
-
PS. C
On 2016-04-04 11:03, Gianmaria Lari wrote:
Ciao Federico,
regarding [configure Frescobaldi to reference a specific phyton
compiler] you wrote:
You must add it to the path in system preferences, as explained here:
http://lilypond.org/windows.html
Yes, I can change the system path b
On 03-04-16 22:56, David Kastrup wrote:
Bernard writes:
Hi Paul,
That does help. I found out \with is a very special statement.
Not really. \with can be part of other constructs, just like "else" can
be part of other constructs in many programming languages (including
Scheme). It is not a
Ciao Federico,
regarding [configure Frescobaldi to reference a specific phyton compiler]
you wrote:
You must add it to the path in system preferences, as explained here:
> http://lilypond.org/windows.html
Yes, I can change the system path but this is something I wanted to avoid.
I have other s
Il giorno lun 4 apr 2016 alle 8:19, Gianmaria Lari
ha scritto:
> You set it on the Frecobaldi Preferences page
(Edit/Preferences/Helper
> Applications).
In the Frescobaldi Preferences page (Edit/Preferences/Helper
Applications) I can set the path for the following applications: Pdf,
Midi, SV
Hi Daniel,
Am 04.04.2016 um 07:07 schrieb Daniel E. Moctezuma:
Thanks for your reply.
The samples from http://lsr.di.unimi.it/LSR/Item?id=954 look nice for solo
pieces, but my use case is for multiple instruments.
Imagine a rock band where the bass has 4 bars that will be repeated, but the
re
46 matches
Mail list logo
