At 19:36 26/12/2015 -0600, Steve Fullerton wrote:
Fiddle tunes usually have 2 parts, each with 8 measures. In
tablature that works out to 2 lines of 3 measures and 1 line of 2
measures followed by a \break. The line with 2 measures will be
stretched out to fill the page because ragged-right = #
Fiddle tunes usually have 2 parts, each with 8 measures. In tablature that works out to 2 lines of 3 measures and 1 line of 2 measures followed by a \break. The line with 2 measures will be stretched out to fill the page because ragged-right = ##f. This looks odd.I would like the 2 measure line to
On 26/12/2015 22:14, Patrick Karl wrote:
> On 12/26/15 12:49 PM, Jacques Menu wrote:
>> Hello Patrick,
>>
>> Does:
>>
>> SWithCues = \relative c'' {
>>% R1
>>\new Voice {
>> \cueDuring #"A" #UP R1% 1
>>}
>>g4 a b c % 2
>> }
>>
>> solve your pro
On 12/26/15 12:49 PM, Jacques Menu wrote:
Hello Patrick,
Does:
SWithCues = \relative c'' {
% R1
\new Voice {
\cueDuring #"A" #UP R1% 1
}
g4 a b c % 2
}
solve your problem?
Yes, indeed. Can you tell me why? And why does the initial R1 avoid
In order to make keeping up with the development version of Lilypond
easier, I'm thinking of transitioning to the MacPorts version (as then
keeping it up to date would automatically be part of my normal MacPorts
maintenance). However, I've noticed that the lilypond-devel port has
dependencies
Hello Patrick,
Does:
SWithCues = \relative c'' {
% R1
\new Voice {
\cueDuring #"A" #UP R1% 1
}
g4 a b c % 2
}
solve your problem?
JM
> Le 26 déc. 2015 à 17:00, Patrick Karl a écrit :
>
> The output from the following snippet seems odd:
>
> \vers
The output from the following snippet seems odd:
\version "2.19.32"
A = \relative c'' {
c4 b a g c b a g% 1-2
}
\addQuote "A" \A
SWithCues = \relative c'' {
% R1
\cueDuring #"A" #UP R1% 1
g4 a b c % 2
}
{ \SWithCues }
The notes in the
Am 26.12.2015 um 15:51 schrieb Federico Bruni:
Hi LilyPonders
How would you write the following music?
My favorite is the first one...
The second example is a bug or a limitation of doubleSlurs?
Concerning the normal staff, I'd prefer 1, but in terms of tablature,
I'd go for the second exampl
Hello David,
I had no expectations, just seemed strange that there was no other mention of
it in the docs.
Thanks for the explanation!
JM
> Le 26 déc. 2015 à 17:56, David Kastrup a écrit :
>
> Menu Jacques writes:
>
>> I found in the notation reference manual that one can use that to renam
Menu Jacques writes:
> I found in the notation reference manual that one can use that to rename the
> input file:
>
> • At any point in a file, any of the following lexical instructions can be
> entered:
>
> • \version
> • \include
> • \sourcefilename
> • \sourcefileline
> • A single-
Hello folks,
I found in the notation reference manual that one can use that to rename the
input file:
• At any point in a file, any of the following lexical instructions can be
entered:
• \version
• \include
• \sourcefilename
• \sourcefileline
• A single-line comment, introduced by a
Hi LilyPonders
How would you write the following music?
My favorite is the first one...
The second example is a bug or a limitation of doubleSlurs?
The third is probably the worse (for tablature).
\version "2.19.34"
\paper {
ragged-last = ##t
}
myMusic = \relative {
\set doubleSlurs = ##t
On 26/12/2015 13:44, judson collins wrote:
> Hi Greg
> Thanks
> yes I realised I could edit the scale that was presented mulike editing
> a web page.
> So now I have done dozens of tests trying to figure what the codes are.
> octaves, durations etc.
> I will lok at frescobaldi tomorrow. Is there
On 26/12/2015 12:55, Jud wrote:
> Hi all
> First post.
> I have downloaded Lilypond for windows 7.
> I went through the test that confims that Lily is working.
> I have been presented with the welcome notes as well as
> a command propt box. Where am I supposed to start typing text?
> The command
Hello Jud and Welcome to the wonderful pond!
I would really recommend you to download and install Frescobaldi.
http://frescobaldi.org/
Frescobaldi is an Editor/IDE for creating Lilypond files.
Lilypond take on (or multiple) text files with commands for how it
should create the sheet music.
You
Hi all
First post.
I have downloaded Lilypond for windows 7.
I went through the test that confims that Lily is working.
I have been presented with the welcome notes as well as
a command propt box. Where am I supposed to start typing text?
The command box does not want to take any text.
Looing at
Hello Greg,
Now that’s quality service, also suggesting that layout could factorize things
out!
JM
> Le 26 déc. 2015 à 12:38, Greg a écrit :
>
> On 26/12/2015 11:26, Menu Jacques wrote:
>> Hello Greg,
>>
>> Yes, exactly, thanks for the trick!
>>
>> JM
>>
>>> Le 26 déc. 2015 à 11:54, Greg
Many Thanks! Works well, even with "R" instead of "I". Perfect!
On 26.12.2015 12:57, pls wrote:
BB writes:
\markup
\override #'(fret-diagram-details . (
(number-type . arabic)
(finger-code . in-dot))) {
\fret-diagram #"s:3;f:1;6-3-2;5-2-1;5-5-4;4-4-3;"
% percent sign is for comments
% s:3 tel
BB writes:
> \markup
> \override #'(fret-diagram-details . (
> (number-type . arabic)
> (finger-code . in-dot))) {
> \fret-diagram #"s:3;f:1;6-3-2;5-2-1;5-5-4;4-4-3;"
> % percent sign is for comments
> % s:3 tells lilypond to make diagram 3x normal size
> % f:1 is to show finger #'s in circle on
On 26/12/2015 11:26, Menu Jacques wrote:
> Hello Greg,
>
> Yes, exactly, thanks for the trick!
>
> JM
>
>> Le 26 déc. 2015 à 11:54, Greg a écrit :
>>
>> On 26/12/2015 09:40, Menu Jacques wrote:
>>> Hello folks,
>>>
>>> I find it convenient when I don’t have to play for a number of measures to
I tried to use bar numbers but I didn't know how to force the bar numbers to
be shown at the center of each measure.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Boxed-Measure-Counter-tp185073p185084.html
Sent from the User mailing list archive at Nabble.com.
___
Hello Greg,
Yes, exactly, thanks for the trick!
JM
> Le 26 déc. 2015 à 11:54, Greg a écrit :
>
> On 26/12/2015 09:40, Menu Jacques wrote:
>> Hello folks,
>>
>> I find it convenient when I don’t have to play for a number of measures to
>> decompose the multiple rests in portions corresponding
\markup
\override #'(fret-diagram-details . (
(number-type . arabic)
(finger-code . in-dot))) {
\fret-diagram #"s:3;f:1;6-3-2;5-2-1;5-5-4;4-4-3;"
% percent sign is for comments
% s:3 tells lilypond to make diagram 3x normal size
% f:1 is to show f
On 26/12/2015 09:40, Menu Jacques wrote:
> Hello folks,
>
> I find it convenient when I don’t have to play for a number of measures to
> decompose the multiple rests in portions corresponding to what the others
> play, and to have bar numbers showing up here and then to help catching up
> when
Hello folks,
I find it convenient when I don’t have to play for a number of measures to
decompose the multiple rests in portions corresponding to what the others play,
and to have bar numbers showing up here and then to help catching up when I’ve
got to blow again.
What I don’t understand in t
Merry christmas dear all Lilyponder!
Sry for my late reaction on this one - I finally got to work through
all these mails and tried the example code provided by Malte:
> This depends on whether you really have an upbeat (f.e. Scherzo ends
> with full measure, Trio starts with upbeat) or an "incom
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