On 09/10/2015 11:57, Br. Samuel Springuel wrote:
You have three options:
1) lilypond-book: This is a script that comes with LilyPond which
enables you to pseudo-include lilypond scores into TeX documents. It
preprocesses the document to extract the lilypond relavent bits, runs
them through li
You have three options:
1) lilypond-book: This is a script that comes with LilyPond which
enables you to pseudo-include lilypond scores into TeX documents. It
preprocesses the document to extract the lilypond relavent bits, runs
them through lilypond, and then creates a new TeX document where
On 08.10.2015 18:58, David Sumbler wrote:
Thanks for the response. It hadn't occurred to me to look in \paper
variables for 'footnote-separator-markup', though it probably should
have done.
Don’t worry. The footnote engine is not well documented.
Similarly, it hadn't occurred to me simply t
Dear All,
I’m very new to Lilypond, currently typesetting a document with plainsong
notation (with gregorio) and with occasional modern music. I am wondering if
you there’s any way to incorporate lilypond scores into my document?
Many thanks for your help!
Felix Yeung
__
2015-10-07 14:08 GMT+02:00 Thomas Morley :
> The code in my initial mail uses coord-rotate (not
> ly:stencil-rotate-absolute as in Jans suggestion)
> What do you think about this method?
>
> Ofcourse it was heavily simplified, maybe best to put up a patch to
> have the full code for more detailed
Hello Johannes, and welcome to the list.
On 09.10.2015 00:02, Johannes Waldmann wrote:
Hi.
The following snippet is interpreted
differently by 2.18.* and 2.19.* :
\score {
<<
\new Staff { \key a \minor \relative c'' {
a1 \new Voice { c2 d2 } e1
}}
\addlyrics { foo bar }
}
notes are disp
2015-10-08 12:39 GMT+02:00 David Kastrup :
> Thomas Morley writes:
>
>> 2015-10-08 11:21 GMT+02:00 :
>>> Can I set dash-definition on a RepeatTie? It appears that the answer is
>>> "no": that property is part of tie-interface and RepeatTies instead use
>>> semi-tie-interface. So the real quest
Hi.
The following snippet is interpreted
differently by 2.18.* and 2.19.* :
\score {
<<
\new Staff { \key a \minor \relative c'' {
a1 \new Voice { c2 d2 } e1
}}
\addlyrics { foo bar }
>>
}
notes are displayed identically,
but lyrics placement is changed:
with 2.18.2, foo -> a1, bar -> e1,
All,
Prompted by some discussions on the Finale user forums, a new
software-agnostic forum has been created to discuss general practice music
notation/engraving issues and questions. As far as I'm aware, all users are
welcome, regardless of what their software of choice is for music
engraving.
He
correct. Each movement has its own \score block, in which the starting
meter is set with a single \time command at the top. Subsequent meter
changes are handled by the \systembreaks variable.
On Thu, Oct 8, 2015 at 9:32 PM, David Kastrup wrote:
> "N. Andrew Walsh" writes:
>
> > duh, I am A Idio
"N. Andrew Walsh" writes:
> duh, I am A Idiot, sorry. That needed some extra code to work. Here's a
> more comprehensive version:
>
> \version "2.19.28"
> \time 2/4
[...]
Uh, this will set one score containing nothing but the time signature
change. But this change will not propagate in any way
Am 8. Oktober 2015 19:59:57 MESZ, schrieb Sven :
>Sorry, I didn't know this is a known issue.
>
>And thanks for correcting me on how to actually remove the second
>sharp,
>Urs: \once \omit Accidental get's rid of the bugger, while \once \hide
>Accidental makes it transparent, leaving its space in
duh, I am A Idiot, sorry. That needed some extra code to work. Here's a
more comprehensive version:
\version "2.19.28"
\time 2/4
VITympanoMusic = \new Voice \relative c {
\clef bass
\partial 8
r8 |
R2*54^\markup { \center-align TACET }
R2.*29^\markup { \center-align TACET }
}
VIsystembr
Sorry, I didn't know this is a known issue.
And thanks for correcting me on how to actually remove the second sharp,
Urs: \once \omit Accidental get's rid of the bugger, while \once \hide
Accidental makes it transparent, leaving its space in tact.
Sven
2015-10-08 19:14 GMT+02:00 David Kastrup :
Simon Albrecht writes:
> On 08.10.2015 16:38, Trevor Daniels wrote:
>> Furthermore, if the tie is removed the sharp on the final fis
>> is also removed. The issue is, without the \break the final fis
>> needs the sharp as the second fis doesn't have one, being tied
>> to the first fis. Adding t
Gerard and Edward,
On Thu, Oct 8, 2015 at 10:35 AM, Noeck [via Lilypond] <
ml-node+s1069038n182166...@n5.nabble.com> wrote:
> Hi Gerard and Edward,
>
> I guess the reasoning is: if you don't save the input ly file, you are
> probably not doing something persistent but just an interactive test.
>
Thanks for the response. It hadn't occurred to me to look in \paper
variables for 'footnote-separator-markup', though it probably should
have done.
Similarly, it hadn't occurred to me simply to put the asterisk into the
footnote string, even though this should have been an obvious solution!
I thi
Thanks to Harm and Simon for their responses, which were much as I
expected. I still can't see why others don't think my idea is a good
one, since it makes some things easier to do and makes nothing more
difficult than it is currently - unless Simon is really being serious
when he says he doesn't
On 08.10.2015 16:38, Trevor Daniels wrote:
Furthermore, if the tie is removed the sharp on the final fis
is also removed. The issue is, without the \break the final fis
needs the sharp as the second fis doesn't have one, being tied
to the first fis. Adding the \break causes the second fis to
ne
Hi Gerard and Edward,
I guess the reasoning is: if you don't save the input ly file, you are
probably not doing something persistent but just an interactive test.
Then the pdf is stored in /tmp because it needs to be stored somewhere
to be displayed in Frescobaldi. Both the input and the output on
Am 08.10.2015 um 15:40 schrieb Sven:
> Reading my way through Behind Bars by Elaine Gould, I'm trying to
> replicate some of the examples in LilyPond. One of them contains a tie
> over a system break:
>
> \version "2.18.2"
>
> \relative c'' {
> r2. fis,4~ | \break
> fis8 a16
Am 08.10.2015 um 18:09 schrieb Edward Ardzinski:
> I'm in the same boat, and was confused. Actually it seems that you can save
> the PDF when you do a preview also. For the midi files after I've played it
> in Windows Media Player I open the file folder up and copy the file to where
> I want.
I'm in the same boat, and was confused. Actually it seems that you can save
the PDF when you do a preview also. For the midi files after I've played it
in Windows Media Player I open the file folder up and copy the file to where
I want. Opening the folder this way gets me access tot he PDF to do
\markup{\huge\bold TACET}
solves you second question.
> Le 8 oct. 2015 à 18:04, Jacques Menu a écrit :
>
> Hello A,
>
> \version "2.19.28"
>
> VITympanoMusic = \new Voice \relative c {
> \clef bass
> \partial 8
> r8 |
> R2*54^\markup { \center-align TACET }
> R2.*29^\markup { \center-al
Hello A,
\version "2.19.28"
VITympanoMusic = \new Voice \relative c {
\clef bass
\partial 8
r8 |
R2*54^\markup { \center-align TACET }
R2.*29^\markup { \center-align TACET }
}
{
\VITympanoMusic
}
This has 29 times three quater notes, so if you use the default 4/4, then you
get:
"N. Andrew Walsh" writes:
> Hi List,
>
> I'm working on a collection of masses, which I've broken up into a tree of
> files: each mass is in its own directory, with separate files for each
> movement and a master file listing all the \includes. There are also now
> separate files for each movemen
Phil Holmes wrote Thursday, October 08, 2015 3:21 PM
> From: "Thomas Morley"
> To: "Sven"
> Cc: "lilypond-user"
> Sent: Thursday, October 08, 2015 3:10 PM
> Subject: Re: Accidentals tied over a system break
>
>
>> 2015-10-08 15:40 GMT+02:00 Sven :
>>> Reading my way through Behind Bars by El
Dear all,
Thank you all for your help! I think the best solution to my problem, as
someone of you suggested, to start the alternative at the beginnings of
bars and not somewhere in the middle. The only 'problem' then is that the
2nd volta bracket is not closed. It does make it easier to read.
B.t
Thomas Morley writes:
> 2015-10-08 15:40 GMT+02:00 Sven :
>> Reading my way through Behind Bars by Elaine Gould, I'm trying to replicate
>> some of the examples in LilyPond. One of them contains a tie over a system
>> break:
>>
>> \version "2.18.2"
>>
>> \relative c'' {
>> r2. fis,4~ | \break
>
- Original Message -
From: "Thomas Morley"
To: "Sven"
Cc: "lilypond-user"
Sent: Thursday, October 08, 2015 3:10 PM
Subject: Re: Accidentals tied over a system break
2015-10-08 15:40 GMT+02:00 Sven :
Reading my way through Behind Bars by Elaine Gould, I'm trying to
replicate
some of
2015-10-08 15:40 GMT+02:00 Sven :
> Reading my way through Behind Bars by Elaine Gould, I'm trying to replicate
> some of the examples in LilyPond. One of them contains a tie over a system
> break:
>
> \version "2.18.2"
>
> \relative c'' {
> r2. fis,4~ | \break
> fis8 a16 fis r8 r2 \bar "|."
>
Hi List,
I'm working on a collection of masses, which I've broken up into a tree of
files: each mass is in its own directory, with separate files for each
movement and a master file listing all the \includes. There are also now
separate files for each movement's \score block, so I can have differe
Reading my way through Behind Bars by Elaine Gould, I'm trying to replicate
some of the examples in LilyPond. One of them contains a tie over a system
break:
\version "2.18.2"
\relative c'' {
r2. fis,4~ | \break
fis8 a16 fis r8 r2 \bar "|."
}
LP puts a sharp in front of the first f# in me
Am 08.10.2015 um 12:59 schrieb Gerard McConnell:
> Hello, I've switched to Frescobaldi, it's great. How do I set up
> where the output files are stored? The initial setup sends them to a
> Windows/temp/ folder but I want to change that.
> Thanks for any help,
> Gerard
>
I'm not sure if that's
Hello, I've switched to Frescobaldi, it's great. How do I set up where the
output files are stored? The initial setup sends them to a Windows/temp/
folder but I want to change that.
Thanks for any help,
Gerard
___
lilypond-user mailing list
lilypond-us
Thomas Morley writes:
> 2015-10-08 11:21 GMT+02:00 :
>> Can I set dash-definition on a RepeatTie? It appears that the answer is
>> "no": that property is part of tie-interface and RepeatTies instead use
>> semi-tie-interface. So the real question is, how can I get a similar
>> effect?
>
> Wor
2015-10-08 11:21 GMT+02:00 :
> Can I set dash-definition on a RepeatTie? It appears that the answer is
> "no": that property is part of tie-interface and RepeatTies instead use
> semi-tie-interface. So the real question is, how can I get a similar
> effect?
>
> --
> Matthew Skala
> msk...@ansuz
Can I set dash-definition on a RepeatTie? It appears that the answer is
"no": that property is part of tie-interface and RepeatTies instead use
semi-tie-interface. So the real question is, how can I get a similar
effect?
--
Matthew Skala
msk...@ansuz.sooke.bc.ca People before p
Simon Albrecht mail.de> writes:
> >> Other than adding \shape overrides
> > Why do you want to avoid \shape overrides?
>
> Because they have to be done for each slur individually?
> At any rate, it would be easier to, say, \override Slur.attachment =
> #'Stem (as opposed to #'NoteHead).
If you
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