Hi Zoran,
Try :
\version "2.18.2"
\score {
<<
\new Staff = "staff_I" \with { } << \relative c' { c2 c2 } >>
<<
\new StaffGroup = "sgStrings" \with { } <<
\new Staff = "staff_II" \with { } << \relative c' { c1 } >>
\new Staff = "staff_III" \with { } << \rela
On Tue, Mar 17, 2015 at 10:21:55AM -0700, H. S. Teoh wrote:
>
>
> http://lilypond.org/doc/v2.18/Documentation/notation/special-rhythmic-concerns#aligning-to-c
adenzas
Wow, those functions are almost buried in the docs. I don't see
either of them in the index, and I would never have guessed
Zoran Kesic gmail.com> writes:
>
> Hi,
>
> Although relatively new to Lilypond, I was able to find solutions to my
> needs so far, thanks to this forum and fantastic supporting documentation
> for Lilypond.
>
> However, there is one thing that is driving me mad and I was hoping someone
> would
Hi,
Although relatively new to Lilypond, I was able to find solutions to my
needs so far, thanks to this forum and fantastic supporting documentation
for Lilypond.
However, there is one thing that is driving me mad and I was hoping someone
would be able to help me with this code:
\score { <<
On Tue, Mar 17, 2015 at 06:06:58PM +0100, Urs Liska wrote:
> Hi,
>
> I'm looking for a way to create a MultiMeasureRest of exactly the same
> length as a music variable.
I've mentioned before that extractMusic is in my standard bag of
tricks. If it were me, I'd use that. It's easier than writi
Is it possible to change the vertical space between the two staves of a
PianoStaff on a single line? I get how to do it for the entire context, you
simply put "\override StaffGrouper.staff-staff-spacing.minimum-distance =
#number" in \with of the pianostaff, but I would just like to do it on a
sing
Brilliant, thanks much Paul !
2015-03-17 21:58 GMT+01:00 Paul Morris :
...
> How did you get those path coordinates? Maybe from SVG output?
>
No, purely manual: I've tried to get those from svg but the result is long,
complicate and far from being perfect.
Actually I have some tricks to do it
2015-03-17 15:52 GMT+01:00 Kevin Barry :
> If I knew more about mathematics I might know how to calculate the
>tangent to a
> bezier curve at the end point (to know how much to rotate the arrowhead)
>and the
> function wouldn't be such a hack.
The tangent to a bezier curve at the endpoint is t
2015-03-17 15:52 GMT+01:00 Kevin Barry :
> Just as a follow up to Stephen's question: for analytic examples I have to
> draw curved lines all the time, usually with arrow-heads attached at the
> end, so I made a function to do it given just the coordinates of the
> desired destination. Using curve
Schneidy wrote
> Hi List, Hi Paul,
>
> Paul, do you remember this snippet we committed something like 2 years
> ago:
> http://lsr.di.unimi.it/LSR/Item?id=890 ?
> Well, a recent discussion regarding the '\path' command made me think
> about
> the following changes.
> Major advantages :
> - one can
Am 17.03.2015 um 20:49 schrieb Marc Hohl:
Am 17.03.2015 um 20:14 schrieb Marc Hohl:
Am 17.03.2015 um 20:02 schrieb Urs Liska:
Am 17.03.2015 um 20:00 schrieb Marc Hohl:
Am 17.03.2015 um 11:56 schrieb Urs Liska:
Am 17.03.2015 um 09:57 schrieb Marc Hohl:
Now I deleted every version directory
Am 17.03.2015 um 20:13 schrieb Noeck:
Hi Kieren,
thanks for your reply. I know this issue you linked and for sure a real
solution would be best.
I have a few follow-up questions:
- Can you point me to the edition engraver?
- How do you move dynamics? extra-offset or X/Y-offset?
I ask because
Am 17.03.2015 um 20:14 schrieb Marc Hohl:
Am 17.03.2015 um 20:02 schrieb Urs Liska:
Am 17.03.2015 um 20:00 schrieb Marc Hohl:
Am 17.03.2015 um 11:56 schrieb Urs Liska:
Am 17.03.2015 um 09:57 schrieb Marc Hohl:
Now I deleted every version directory (there were 2.19.16 and 2.19.17)
in /usr/lo
Hi Kieren,
I have two more questions:
Is there a way to force the centering of the dynamics context (sometimes
it is shifted to the upper staff by notes in the lower staff, even if
there is enough space to have it centered between the staves)?
How can I move a whole line consistently up or down?
Am 17.03.2015 um 20:02 schrieb Urs Liska:
Am 17.03.2015 um 20:00 schrieb Marc Hohl:
Am 17.03.2015 um 11:56 schrieb Urs Liska:
Am 17.03.2015 um 09:57 schrieb Marc Hohl:
Now I deleted every version directory (there were 2.19.16 and 2.19.17)
in /usr/local/share/lilypond/
Did you also remove t
Hi Kieren,
thanks for your reply. I know this issue you linked and for sure a real
solution would be best.
I have a few follow-up questions:
- Can you point me to the edition engraver?
- How do you move dynamics? extra-offset or X/Y-offset?
I ask because the effect is not clear to me because I
Am 17.03.2015 um 20:00 schrieb Marc Hohl:
Am 17.03.2015 um 11:56 schrieb Urs Liska:
Am 17.03.2015 um 09:57 schrieb Marc Hohl:
Now I deleted every version directory (there were 2.19.16 and 2.19.17)
in /usr/local/share/lilypond/
Did you also remove the entries in /usr/local/bin?
Yes, but th
Am 17.03.2015 um 11:56 schrieb Urs Liska:
Am 17.03.2015 um 09:57 schrieb Marc Hohl:
Now I deleted every version directory (there were 2.19.16 and 2.19.17)
in /usr/local/share/lilypond/
Did you also remove the entries in /usr/local/bin?
Yes, but there's only *one* entry for lilypond and lil
Hi all,
>> you might be true in this special case, but I (in my personal view)
>> consider this to be inconsistent. And that is why:
>> Csus2 =
>> Cadd9 =
>> Csus4 =
>> Cadd11 =
> I think you misread Kieren's comment.
> He was suggesting add2 as a clearer alternative to add9.
> Not sus2, but
Hi,
I'm looking for a way to create a MultiMeasureRest of exactly the same
length as a music variable. I think having read about exactly this but I
don't seem to be able to find anything, so I hacked a solution that
actually seems to work. But somehow I feel there should really be a
better so
On Tue, Mar 17, 2015 at 06:06:58PM +0100, Urs Liska wrote:
> Hi,
>
> I'm looking for a way to create a MultiMeasureRest of exactly the same
> length as a music variable. I think having read about exactly this but
> I don't seem to be able to find anything, so I hacked a solution that
> actually se
On Tue, Mar 17, 2015 at 11:04:52AM -0400, Peter Teeson wrote:
[...]
> But I didn't see anything about being able to choose the MIDI channel
> for a specific instrument. All that it says is:
> "The MIDI output allocates a channel for each staff, and reserves channel 10
> for drums.
> There are on
Thank you very much for your examples.
I looked at them and a lot of it is beyond my present knowledge.
But the link to the Internals documentation for MIDI has been bookmarked.
<
http://www.lilypond.org/doc/v2.18/Documentation/internals/midi_005fcontrol_005ffunction_005fperformer>
respect….
Pe
Just as a follow up to Stephen's question: for analytic examples I have to
draw curved lines all the time, usually with arrow-heads attached at the
end, so I made a function to do it given just the coordinates of the
desired destination. Using curveto is very slow because of all the trial
and error
Thank you very much for your advice….
I did attach my .ly file and as you can see I had already made use of variables.
But I didn't think of two separate scores - thanks for that idea.
You help is truly appreciated but before posting I had already gone through all
the MIDI Notation, Learning and
Hi Joram,
> What do you do for piano music?
I use a Dynamics context exclusively. Actually, I use up to three: (*always*)
the standard one between the piano staves, and (*as needed*) one above the top
piano staff and/or below the bottom piano staff for dynamics which are
exclusive to music in
Am 17.03.2015 um 09:57 schrieb Marc Hohl:
Now I deleted every version directory (there were 2.19.16 and 2.19.17)
in /usr/local/share/lilypond/
Did you also remove the entries in /usr/local/bin?
___
lilypond-user mailing list
lilypond-user@gnu.org
ht
Am 17.03.2015 um 11:20 schrieb Marc Hohl:
Am 17.03.2015 um 10:57 schrieb Urs Liska:
Am 17.03.2015 um 10:53 schrieb Marc Hohl:
Am 17.03.2015 um 10:27 schrieb Urs Liska:
[...]
does not help here, lilypond-book has ceased to work, obviously.
I checked the contents of lilypond-book in a nu
Hi,
I am coming back to this often discussed problem in order to decide on a
working solution for my use case:
I want to have dynamics properly printed between the two staffs of a
piano staff.
My *experience* is (I hope this table is legible)
methodPro Con
Am 17.03.2015 um 10:57 schrieb Urs Liska:
Am 17.03.2015 um 10:53 schrieb Marc Hohl:
Am 17.03.2015 um 10:27 schrieb Urs Liska:
[...]
does not help here, lilypond-book has ceased to work, obviously.
I checked the contents of lilypond-book in a number of installations and
have the impression
Am 17.03.2015 um 10:53 schrieb Marc Hohl:
Am 17.03.2015 um 10:27 schrieb Urs Liska:
[...]
does not help here, lilypond-book has ceased to work, obviously.
I checked the contents of lilypond-book in a number of installations and
have the impression there's a quite serious bug (if I'm not co
Am 17.03.2015 um 10:27 schrieb Urs Liska:
[...]
does not help here, lilypond-book has ceased to work, obviously.
I checked the contents of lilypond-book in a number of installations and
have the impression there's a quite serious bug (if I'm not completely
mistaken) as all paths seem to be ha
Am 17.03.2015 um 09:57 schrieb Marc Hohl:
Am 17.03.2015 um 09:36 schrieb Urs Liska:
Am 17.03.2015 um 09:32 schrieb Marc Hohl:
Hi list, hi Abraham,
I asked about this subject before, but now I think I did everything
right, but still ...
I use the self-compiled lilypond and install it after
Hi,
Am , schrieb Johan Vromans:
On Tue, 17 Mar 2015 01:33:52 +0100
Jan Kohnert wrote:
Version 2 whould probably be read more quickly and correct by Jazz
musicians, version 1 is more "correct" for a non-expert,
I doubt this. Even a non-expert needs to know a few basic things. E.g.,
C is
a
Am 17.03.2015 um 09:36 schrieb Urs Liska:
Am 17.03.2015 um 09:32 schrieb Marc Hohl:
Hi list, hi Abraham,
I asked about this subject before, but now I think I did everything
right, but still ...
I use the self-compiled lilypond and install it after complilation:
sudo make install
After that
Am 17.03.2015 um 09:32 schrieb Marc Hohl:
Hi list, hi Abraham,
I asked about this subject before, but now I think I did everything
right, but still ...
I use the self-compiled lilypond and install it after complilation:
sudo make install
After that, there is
/usr/local/share/lilypond/2.1
Hi list, hi Abraham,
I asked about this subject before, but now I think I did everything
right, but still ...
I use the self-compiled lilypond and install it after complilation:
sudo make install
After that, there is
/usr/local/share/lilypond/2.19.18/
on my system (Ubuntu 14.04 LTS, by the
Dear Elaine,
> In terms of the latter musical context, the add9 is ambiguous, since it
> leaves open the question of whether the chord functions as a dominant or
> not. Yes, we all understand that when you write add9 you don't want to
> hear a 7th. But that does not mean that in the tonal musica
Hi List, Hi Paul,
Paul, do you remember this snippet we committed something like 2 years ago:
http://lsr.di.unimi.it/LSR/Item?id=890 ?
Well, a recent discussion regarding the '\path' command made me think about
the following changes.
Major advantages :
- one can modify the outline thickness.
- one
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