On 25 December 2014 at 13:23, Kieren MacMillan
wrote:
> Hello all!
>
> I’m about to dive in to [re]engraving a choral piece.
>
> Like many choral works, it regularly alternates between “choral unison”
> (which can effectively be displayed using a single staff), homophonic
> sections (which requi
Joel.
On Thu, Dec 25, 2014 at 12:06 PM, David Nalesnik
wrote:
>
>
>
> I can't test it with the example the OP has given, since it doesn't
> compile.
>
Ah, I see the note about changing the language of the example on GitHub.
--David
___
lilypond-user
On Thu, Dec 25, 2014 at 10:49 AM, Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> Hi,
>
> > This will prevent it showing up in the output, but it'll still show up
> in the midi, won't it?
>
> Hmmm… I think it probably will. So maybe use tags instead? e.g. (warning:
> UNTESTED CODE!):
>
On Thu, Dec 25, 2014 at 11:37 AM, David Nalesnik
wrote:
> This should do the trick then:
>
> \version "2.19.15"
That worked; thank you.
--Joel
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hi,
> This will prevent it showing up in the output, but it'll still show up in the
> midi, won't it?
Hmmm… I think it probably will. So maybe use tags instead? e.g. (warning:
UNTESTED CODE!):
barsSixToEight = {
<< \new Voice { \voiceOne
d'8 cs d fs4->-\tag #’first
On 12/25/2014 10:50 AM, Kieren MacMillan wrote:
>> As indicated, I do not want the arpeggio in the second repetition.
>> Is there a way to achieve what I'm trying to do?
>
> Something along the lines of
>
>\barsSixToEight
>\override Arpeggio.stencil = ##f \barsSixToEight \revert Arpeggio.
Hi,
On Thu, Dec 25, 2014 at 10:01 AM, Ted Lemon wrote:
> On Dec 25, 2014, at 10:50 AM, Kieren MacMillan <
> kieren_macmil...@sympatico.ca> wrote:
> > \override Arpeggio.stencil = ##f \barsSixToEight \revert
> Arpeggio.stencil
>
> This will prevent it showing up in the output, but it'll still s
On Dec 25, 2014, at 10:50 AM, Kieren MacMillan
wrote:
> \override Arpeggio.stencil = ##f \barsSixToEight \revert Arpeggio.stencil
This will prevent it showing up in the output, but it'll still show up in the
midi, won't it?
___
lilypond-user maili
Hi Joel,
> As indicated, I do not want the arpeggio in the second repetition.
> Is there a way to achieve what I'm trying to do?
Something along the lines of
\barsSixToEight
\override Arpeggio.stencil = ##f \barsSixToEight \revert Arpeggio.stencil
(or some similar variant) should work.
H
I've got a bit of music that repeats -- except there's an arpeggio
that's only there the first time. I've defined a music variable thus:
barsSixToEight = {
<< \new Voice { \voiceOne
d'8 cs d fs4->\arpeggio e8 |
d8 cs b cs4->
I went trolling about the web this morning looking for public-domain scores
of some of the pieces on the Boston Camerata's excellent album /A Baroque
Christmas/. Most of them are too obscure to have made it onto IMSLP, except
Marc-Antoine Charpentier's breezy and charming /Messe de minuit sur de
This version detects major/minor key by counting the accidentals from
'pitch-alist and the tonic from 'tonic.
\version "2.18.2"
%{ P Gentry 25December 2014 12:36
;; Modified version of the LilyPond snippet enharmonic.ly (probably better as
enharmonic.ily)
;; This script will enharmonically spel
On 12/24/2014 11:15 PM, I wrote:
> I’m trying to figure out a generic way to do a *shallow* copy of
> heterogeneous structures (i.e., to traverse and copy unmodified as a
> starting point, before introducing the few small modifications I want
> to make). Searching hasn’t turned up anything other
Hi Kieren,
no answer but I'm extremely interested in the topic too as I'm very soon going
to tackle the choir parts of our Fried score.
Urs
Am 25. Dezember 2014 03:23:01 MEZ, schrieb Kieren MacMillan
:
>Hello all!
>
>I’m about to dive in to [re]engraving a choral piece.
>
>Like many choral wor
14 matches
Mail list logo
