At 12:22 04/10/2014 -0700, Vincenzo Auer wrote:
I've searched on "beyond bars" 2011 ed. ...
That's *Behind* Bars, in fact: it's a pun on the expression meaning
"in prison".
... but I wasn't able to find a reference to this problem.
Any excuse to consult the bible! Page 484, under "Bar num
On Sat, Oct 04, 2014 at 03:17:19PM -0400, Kieren MacMillan wrote:
> Hi all,
>
> I want to use quoteDuring to pull soprano+alto music into the tenor+bass
> staff
> for one section (16 mm.), for a “choral unison” section.
> The music is coded in absolute pitch (e.g., a’); I want it to show up an
Am 04.10.2014 um 23:13 schrieb Peter Crighton:
As you can see in the following code and the attached image, there is
a possible bug when using \RemoveEmptyStaves with voices in different
keys (such as in a score with transposing instruments): key signatures
appearing only in hidden empty staves
As you can see in the following code and the attached image, there is a
possible bug when using \RemoveEmptyStaves with voices in different keys
(such as in a score with transposing instruments): key signatures appearing
only in hidden empty staves are still causing space in the shown staves.
\ve
Am 04.10.2014 um 21:22 schrieb Son_V:
If a piece starts with an incomplete measure this measure doesn't have a
number
Well, thanks. I've searched on "beyond bars" 2011 ed. but I wasn't able to
find a reference to this problem. Nor I was able to found a way in the
index: no "irregular beats". Ma
On Sat, 2014-10-04 at 20:54 +0200, Urs Liska wrote:
> Am 04.10.2014 20:40, schrieb Son_V:
> > Sorry, I can't understand; with MuseScore I see the bar numbers as
> > "correct",
> > as far I can understand. The first beat, that have just one note, is not
> > numbered, but the following one is labell
- Original Message -
From: "Son_V"
To:
Sent: Saturday, October 04, 2014 8:22 PM
Subject: Re: losing a bar number when the first beat is irregular
If a piece starts with an incomplete measure this measure doesn't have a
number
Well, thanks. I've searched on "beyond bars" 2011 ed. bu
Hello Pierre,
Great, that’s what I was looking for.
Thanks a lot!
JM
Le 4 oct. 2014 à 21:47, Pierre Perol-Schneider
a écrit :
> Hi Jacques,
>
> 2014-10-04 21:20 GMT+02:00 Jacques Menu :
>
> Is there a way to place the hairpin at the right of the trill instead of
> above it?
> Didn’t find
Hi Jacques,
2014-10-04 21:20 GMT+02:00 Jacques Menu :
> Is there a way to place the hairpin at the right of the trill instead of
> above it?
> Didn’t find that in the notation or snippets manuals.
>
Try :
\version "2.18.2"
myTrill = #(make-dynamic-script (markup #:musicglyph "scripts.trill"))
> If a piece starts with an incomplete measure this measure doesn't have a
number
Well, thanks. I've searched on "beyond bars" 2011 ed. but I wasn't able to
find a reference to this problem. Nor I was able to found a way in the
index: no "irregular beats". Maybe it's hidden in another chapter.
But
Hello folks,
In a song voice with piano accompaniment, I need to have the hairpins up, but
then the following is not very nice-looking :
\version "2.18.2"
{
\time 3/4
\key b \major
\dynamicUp
ais2 \trill \> b4 \! | % 14
r8 b8 \p dis8 ( [ b8 ) ] ais8 ( [ b8 ) ] | % 15
}
Is there a way to pla
Hi all,
I want to use quoteDuring to pull soprano+alto music into the tenor+bass staff
for one section (16 mm.), for a “choral unison” section.
The music is coded in absolute pitch (e.g., a’); I want it to show up an octave
lower in the TB staff (e.g., a).
How is that [best] accomplished?
Thank
Am 04.10.2014 20:40, schrieb Son_V:
Sorry, I can't understand; with MuseScore I see the bar numbers as "correct",
as far I can understand. The first beat, that have just one note, is not
numbered, but the following one is labelled by the number "2". I thought
that this was correct. In Lilypond,
Sorry, I can't understand; with MuseScore I see the bar numbers as "correct",
as far I can understand. The first beat, that have just one note, is not
numbered, but the following one is labelled by the number "2". I thought
that this was correct. In Lilypond, the bar numbers are all a -1 in respect
On Fri, Oct 3, 2014 at 8:30 AM, Peter Crighton
wrote:
> Sorry for reviving this old conversation …
>
> \new Staff <<
> \new Voice {
> \voiceOne r2. r4
> }
> \new Voice {
> \voiceTwo r2. r4
> }
>>>
>
> \layout {
> \context {
> \Staff
> \consists #merge-rests-engraver
> }
On Sat, 2014-10-04 at 08:55 -0700, Son_V wrote:
> you can put
> \set Score.currentBarNumber = #2
> in the first full bar to cause this to be numbered as bar 2.
>
>
> MANY THANKS. That solved.
I'm still baffled by your question - I notice that Musescore does not
generate this "incorrect" or "unc
you can put
\set Score.currentBarNumber = #2
in the first full bar to cause this to be numbered as bar 2.
MANY THANKS. That solved.
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On Sat, 2014-10-04 at 06:57 -0700, Son_V wrote:
> Yes ... bar numbering. I used it in the subject of the post, but misspelled
> it here.
In that case you can put
\set Score.currentBarNumber = #2
in the first full bar to cause this to be numbered as bar 2.
This is not the conventional numbering -
But I've made no copy or paste. And this is just the first time I post the
question; I've had that problem any time I had an anacrusis. May I post my
file? I can't see how to solve this little but annoying problem.
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2014-10-04 17:25 GMT+02:00 Son_V :
> 2.18.2, the stable one.
>
So maybe a copy/paste error. Code works perfectly from my side. ;)
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2.18.2, the stable one.
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"putting in a \layout that I already found in the file produced "via"
MuseScore"
I forgot to say, at the end of the file.
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Sent from the User mailing list archive at
Hi, I removed the first empty staff from a chorus score, but I don't know
what an "ambitus" is, nor I found it in "behind bars" (and I'm just a
beginner). So I don't expect this could be useful, but at least ...
In my scores, that I write whit Musescore and then I export to an xml file
that I impo
2014-10-04 15:59 GMT+02:00 Son_V :
> Sorry, I wasn't unable to make your examples to work. :-(
>
Which version are you using ?
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Hi Knute,
Am 3.10.2014 um 17:21 schrieb Knute Snortum :
> I'm not sure what you're trying to do. For example, why not one Staff and
> Voice?
I try to do the following: I have five voices (v1 - v5) and want to have
ambitus (:) at their first appearance. It should look like this:
———8<—SCHNIP
Sorry, I wasn't unable to make your examples to work. :-(
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Yes ... bar numbering. I used it in the subject of the post, but misspelled
it here.
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_
As Richard noticed, I suppose you're talking about "bar numbering".
Try :
\version "2.18"
\relative c' {
\time 4/4
\set Timing.measureLength = #(ly:make-moment 1/4)
% mes.0
c4
\unset Timing.measureLength
% mes. 1-5
\repeat unfold 5 c1
\break
% mes. 6-10
% measure number shows
Shoudn't it be a work for programs like Textreme,
http://www.jollybean.co.uk/page12.html , or SCR
http://www.soft-central.net/scr.php ?
HTH
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When you say "beat numbering" do you mean "bar numbering"?
Richard
On Sat, 2014-10-04 at 06:20 -0700, Son_V wrote:
> Thanks Simon (for your patience, in the first place). Well, it's an
> anacrusis, I forgot to say it. And MS can handle a correct numbering. What
> I'm not able to do is to make Lil
Thanks Simon (for your patience, in the first place). Well, it's an
anacrusis, I forgot to say it. And MS can handle a correct numbering. What
I'm not able to do is to make LilyPond to understand that the fist beat, the
anacrusis, should be numbered as "beat 1". If I use \clef "treble" \key es
\ma
> My guess, based admittedly on partial evidence, is that these are in
> fact intended as indications of a seventh chord, not some sort of
> Tasto Solo indication or ... After all, a player of the period would
> have had as much difficulty distinguishing that symbol from a 7 as
> we have after stu
Am 04.10.2014 um 14:33 schrieb Son_V:
Hi all, as I have said i use Musescore to write down the notes and lyrics,
then I export to .xml to import the file in Frescobaldi. I encounter a
humble problem. If the score I'm transcribing has just one note in the first
beat, to have a correct visual corre
Hi all, as I have said i use Musescore to write down the notes and lyrics,
then I export to .xml to import the file in Frescobaldi. I encounter a
humble problem. If the score I'm transcribing has just one note in the first
beat, to have a correct visual correspondence with the original score, I
mus
On Sat, 2014-10-04 at 09:57 +, Helena K. wrote:
> Hi,
> it is from Joseph Umstatt - early classic. The manuscript not digitized
> and it is from one monastary collection - I can't publish it all. Rather -
> if I manage to finish it, the whole score will be published in Juny for
> free (mayb
Oups,
\musicglyph #"rests.3"
should be the right grob...
Cheers,
Pierre
2014-10-04 12:30 GMT+02:00 Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com>:
> Hi Helena,
>
> 2014-10-02 19:41 GMT+02:00 Helena K. :
>
>> Hi,
>> is there somebody, who can some way, how I can write rests in figu
Hi Helena,
2014-10-02 19:41 GMT+02:00 Helena K. :
> Hi,
> is there somebody, who can some way, how I can write rests in figured
> bass? I need is necessary for one Oratory - my masterthese...
>
How about :
\version "2.18.2"
<<
\new FiguredBass
\figuremode {
\set figuredBassAlterationDir
Hi,
it is from Joseph Umstatt - early classic. The manuscript not digitized
and it is from one monastary collection - I can't publish it all. Rather -
if I manage to finish it, the whole score will be published in Juny for
free (maybe IMSLP too).
There are seventh as well as 1/8th note rests.
2014-10-03 17:30 GMT+02:00 Peter Crighton :
> I found that dotted rests don’t behave quite satisfyingly with this code –
> there are two dots appearing.
> How can this be fixed?
>
See : http://lsr.di.unimi.it/LSR/Item?id=336
HTH
Pierre
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