Thank you Pierre and Dominic that was the solution.
Jay
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Hi again,
another solution would have been to put the ossia as a markup, e.g. :
\version "2.18.2"
ossia =
\tweak self-alignment-X #RIGHT
\tweak padding #3
\mark\markup\score {
\new Staff
\with {
alignAboveContext = #"myStaff"
\omit Clef
\omit TimeSignature
fontSize = #-3
Simon Albrecht mail.de> writes:
> Am 29.08.2014 um 08:53 schrieb Keith OHara:
>
> > You should do something similar for the \together segments.
> > As you have it now, the together segments are un-tagged, so are
> > included in all three staves (two of which are not printed).
Oops. We need the '
The slur should be attached to the end of the 'fis', not the beginning of the
'd', like this:
/fis,1(
\time 3/4
d'2.)/
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Hi Jay,
2014-08-30 21:54 GMT+02:00 :
> the slur from fis1 to the d'2. doesn't work here but did in the full
> score. So what do I do to make this work in the part?
>
Try :
\version "2.18.0"
horn = \relative c, {
\clef "bass_8"
\key c \major
\time 4/4
fis,1 (
\time 3/4
d'2.)
Hi Peter,
2014-08-30 18:42 GMT+02:00 Peter Van Kranenburg <
peter.van.kranenb...@meertens.knaw.nl>:
I can't figure out how to make the ossia stop right at the bar line.
>
No clue right now but here's a workaround :
\context Staff = "ossia" {
\override Staff.StaffSymbol.width = #73.4 % o
I have gotten this to work in score but not in the part
\version "2.18.0"
horn = \relative c,
{
\clef "bass_8"
\key c \major
\time 4/4
fis,1
\time 3/4
(d'2.)
\bar "|."
}
\score {
\new Staff \horn
\layout {
}
}
the slur from fis1 to the d'2. doesn't work here but did in the full
score
> Message: 8
> Date: Sat, 30 Aug 2014 08:34:40 -0700 (PDT)
> From: Paul Morris
> To: lilypond-user@gnu.org
> Subject: Re: lilypond input filename access
>
> Patrick or Cynthia Karl wrote
>> Is there a way to access the input filename that lilypond was invoked with
>> in order to include it in te
Dear List,
If right after an ossia there is a key change in the other parts, the
staff of the ossia extends with the length of the key signature. See
below for an example. I can't figure out how to make the ossia stop
right at the bar line.
I tried to do \set Staff.explicitKeySignatureVisibi
Am 29.08.2014 um 08:53 schrieb Keith OHara:
Janek Warchoł gmail.com> writes:
I'm working on putting together a set of functions for handling parts
that split into multiple voices and/or staves
Attachment (definitions.ily): text/x-lilypond, 2359 bytes
Attachment (example.ly): text/x-lilypon
Am 30.08.2014 16:04, schrieb Brian Barker:
Does this help:
http://osdir.com/ml/lilypond-user-gnu/2011-04/msg00625.html ?
Yes, that's great. With the Lilypond 2.18 syntax I use:
\override TrillSpanner.bound-details.left.text = #'() and
\override TrillSpanner.bound-details.left.padding =
Patrick or Cynthia Karl wrote
> Is there a way to access the input filename that lilypond was invoked with
> in order to include it in text output to the pdf file generated?
This snippet shows how:
http://lsr.di.unimi.it/LSR/Item?id=197
HTH,
-Paul
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Is there a way to access the input filename that lilypond was invoked with in
order to include it in text output to the pdf file generated?
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At 15:22 30/08/2014 +0200, Helge Kruse wrote:
I am transcribing some drum notes. I found two kinds of spanners
that look similar to a trill spanner that have been tweaked a bit.
Both have the wavy line but don't include the \trill in front of the line.
[...]
But how can I get the tweaked spanne
On Sat, 2014-08-30 at 15:09 +0200, Johan Vromans wrote:
> Richard Shann writes:
>
> >> You may wish to take a look at the playtab program.
> >
> > What LilyPond (& Denemo) can bring to the party is transposition,
> > playback, adding (non-printing) drum tracks, using the same music for a
> > lead
Hello,
I am transcribing some drum notes. I found two kinds of spanners that
look similar to a trill spanner that have been tweeked a bit. Both have
the wavy line but don't include the \trill in front of the line.
The first spanner starts at the note and stops at the end of the measure.
The s
Richard Shann writes:
>> You may wish to take a look at the playtab program.
>
> What LilyPond (& Denemo) can bring to the party is transposition,
> playback, adding (non-printing) drum tracks, using the same music for a
> lead sheet and a wealth of other stuff - dynamics, repeat bars etc.
Playt
On Fri, 2014-08-29 at 19:17 +0200, Johan Vromans wrote:
> Richard Shann writes:
>
> > I have been developing LilyPond code to enable the generation of "Chord
> > Charts" such as the one attached here.
>
> You may wish to take a look at the playtab program.
>
> http://johan.vromans.org/software/
2014-08-29 8:53 GMT+02:00 Keith OHara :
> Janek Warchoł gmail.com> writes:
>
>> I'm working on putting together a set of functions for handling parts
>> that split into multiple voices and/or staves
>
>
>> Attachment (definitions.ily): text/x-lilypond, 2359 bytes
>> Attachment (example.ly): text/x
Hi,
The thread went into another direction, so I'll reepeat my question:
Is there any difference between
\header {
tagline = ""
}
and
\header {
tagline = ##f
}
?
Maybe the first example takes vertical space on a page, the second
doesn't?
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