2013/12/22 Federico Bruni
> maybe the next appendix?
>
> http://www.lilypond.org/doc/v2.17/Documentation/notation/common-chord-modifiers
>
This shows the modifier names. I was looking for that thingee that gives me
that small zero. Yes, I could try all or I could learn how each modifier is
named
Kieren MacMillan sympatico.ca> writes:
> > >> I don't understand why, if you want a four measure rest you would> >>
write 2+2. For the vast majority of cases, if there are 48 bars> >> between
two rehearsal marks I'm happy to see |=48=| between them.> >> So, why write
anything but R1*48 in the pa
Janek Warchoł writes:
> Ok, probably my last lily email for a few days...
>
> 2013/12/22 David Kastrup :
>> Well, if you take a look at things like
>> http://code.google.com/p/lilypond/issues/detail?id=3723>, the
>> amount of feedback is, uh, underwhelming. It focuses on indentation
>> (I have t
On Sun, Dec 22, 2013 at 12:21 PM, Janek Warchoł
wrote:
> [...]
>
> Nathan, i am very sorry about the fact that your email in October
> didn't get any replies. I saw it back then and was interested in it
> (actually i wanted to include it in openlilylib/snippets myself, after
> trying it out), but
Ok, probably my last lily email for a few days...
2013/12/22 David Kastrup :
> Well, if you take a look at things like
> http://code.google.com/p/lilypond/issues/detail?id=3723>, the
> amount of feedback is, uh, underwhelming. It focuses on indentation
> (I have to admit, though, that I had forgo
Kieren MacMillan sympatico.ca> writes:
> You can write R1*48 in the *part*, but if a shared variable (say, a
global with other changes in it) is simultaneous-ed with it, the R1*48 gets
broken by Lilypond. This is what I'm trying to avoid.
>
Let's try it out, then, using music functions. I th
Hi David,
> >> I don't understand why, if you want a four measure rest you would
> >> write 2+2. For the vast majority of cases, if there are 48 bars
> >> between two rehearsal marks I'm happy to see |=48=| between them.
> >> So, why write anything but R1*48 in the part in question?
You can write
Janek Warchoł writes:
> 2013/12/17 Noeck :
>> I have to emphasize once more that the real work has been done by
>> Nathan Ho. I just included it to oll. He also wrote the README.
>>
>> Contact with him also showed how LP loses skilled contributors: He
>> didn't get a single reply to his mail abou
2013/12/22 Helge Kruse
> I am currently discovering new capabilities (for me) of Lilypond. When I
> want to write chords I can find a lot of help here
> http://www.lilypond.org/doc/v2.17/Documentation/notation/displaying-chords
>
> But it's a bit try and error to find the right attribute for the
I am currently discovering new capabilities (for me) of Lilypond. When I
want to write chords I can find a lot of help here
http://www.lilypond.org/doc/v2.17/Documentation/notation/displaying-chords
But it's a bit try and error to find the right attribute for the attribute.
So it took a while to g
Hi all (especially Nathan),
2013/10/3 Nathan :
> Back in May, Daniel Spreadbury announced the creation of a new music
> font, Bravura, for his scoring application.
>
> I liked the look of the font, so I gave a shot at implementing it in
> LilyPond by tweaking LilyJAZZ. [.]
2013/12/13 Noeck
2013/12/21 Thomas Morley
> There are several comments in the code, ask if anything isn't clear.
>
There are so many things I don't understand. Fortunately I understood some
little things so that I was able to integrate it in the whole score. e.g. I
realized that it helps to split the staff defini
Thanks so much, Nathan. I'm glad I'm not the only one who finds it tricky!
I'm not concerned with MIDI output at all, so your solution works perfectly.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Two-voices-two-clefs-one-staff-tp156263p156396.html
Sent from the User m
In data dom 22 dic 2013 15:30:35, hai scritto:
yes, because the PDF file is much larger also, people who don't know lilypond
will likely
click on the links and think that lilypond produces buggy PDFs
oiram/bin/selom
Da ognuno secondo le proprie capacità ad ognuno secondo i propri bisogni.
MIB
I'm not sure what it does, like I said I just upgraded it to be compatible
with 2.17.95. Given your error I assume you're using 2.16.x, before a
certain change in syntax became usable, so changing it to
\override ChordName #'extra-spacing-width = #'(-1.25 . 1.25)
should work. If it displays well
In data dom 22 dic 2013 15:30:35, hai scritto:
How do you collect money using altervista? (I don't see ads in your website)
Yes! The banners are there! Probably your active brouwser has a few options
that inhibits
the banners.
PS The PDFs uploded to your website have point and click And this
Marten Visser planet.nl> writes:
Follow-up:
if I leave out
\override ChordName.extra-spacing-width = #'(-1.25 . 1.25)
it works, and indeed the seventh is displayed the way I'd like.
What is the \override good for? From the name I gather it adds some extra
spacing somewhere, but where is it in
Alex Loomis gmail.com> writes:
>
>
> Here is the file. Convert-ly upgraded the syntax but something happened
in an internal fine that made a large part of it that changed the way
accidentals look not work, so I commented that part out. I'm not familiar
with pop notation, so if there's anythi
Would you mind explaining that code? My scheme is, alas, nearly nonexistent,
and I have a project where I would like to change what is page one.
On Dec 21, 2013, at 7:23 PM, Kieren MacMillan
wrote:
> Hi Jean-Charles,
>
> Thanks for the response.
>
>> Have you looked at Nicolas Sceaux's work
That could be a useful feature but should not me the default. Perhaps an
override such as
\override MultimeasureRest #'condense-all = ##t
would be helpful. That way the default would still be the intuitive way (2+2
gives two separate groups) whereas the other is still an option for those who
w
2013/12/22 Mario Moles
> In data sab 21 dic 2013 12:12:13, hai scritto:
>
> Thanks for sharing! I'll propose it to my guitar ensemble. Why don't you
> add it to Mutopia?
>
> Mutopia I like and I like to share .. but not working, with altervista
> I collect some money!
>
How do you collect m
In data sab 21 dic 2013 12:12:13, hai scritto:
Thanks for sharing! I'll propose it to my guitar ensemble. Why don't you add it
to Mutopia?
Mutopia I like and I like to share .. but not working, with altervista I
collect some money!
I see that the license you chose is compliant with mutopia
In data sab 21 dic 2013 12:25:04, hai scritto:
Wow, nice, thank you very much indeed. grtz,
oiram/bin/selom
Da ognuno secondo le proprie capacità ad ognuno secondo i propri bisogni.
MIB-kernellinux-tester
http://mariomoles.altervista.org/[1]
Linux[2]
MIB[3] Lilypond[4] Frescobaldi[5] Rosegarde
> I think one of the things that bothers me about this thread is that
> I don't understand why, if you want a four measure rest you would
> write 2+2. For the vast majority of cases, if there are 48 bars
> between two rehearsal marks I'm happy to see |=48=| between them.
> So, why write anything
The only guidance in Gould is where she writes "Repeat 3 times" in a horizontal
bracket.
--
Phil Holmes
- Original Message -
From: Xavier Noria
To: Nathan
Cc: lilypond-user
Sent: Sunday, December 22, 2013 11:16 AM
Subject: Re: 3x repeats
On Sun, Dec 22, 2013 at 9:08
On Sun, Dec 22, 2013 at 9:08 AM, Nathan wrote:
On Sat, Dec 21, 2013 at 6:25 PM, Xavier Noria wrote:
> > Is this idiomatic notation for repeating those two bars three times?
>
> It'd be better with the text at the beginning or end of the passage.
> My personal favorite, however, is putting the me
- Original Message -
From: "Werner LEMBERG"
To: bobr...@centrum.is
Cc: lilypond-user@gnu.org
Sent: Sunday, December 22, 2013 9:53:36 AM
Subject: Re: [Feature Request] \compressFullBarRests improvement(s)
> I would like to echo Simon's concern as well. Furthermore, I don't
> see why:
>
> I would like to echo Simon's concern as well. Furthermore, I don't
> see why:
>
> R1*2 R1*2
>
> ...producing two multimeasure rests of two measures duration is
> troublesome.
It is a fundamental problem of separating contents from layout. In
many cases it is of great importance to structure
- Original Message -
From: "Simon Bailey"
To: "Werner LEMBERG"
Cc: jamshar...@gmail.com, lilypond-user@gnu.org
Sent: Sunday, December 22, 2013 9:07:11 AM
Subject: Re: [Feature Request] \compressFullBarRests improvement(s)
On 22 Dec 2013, at 06:56, Werner LEMBERG wrote:
> I also suppo
>> I also support this request. Another reason is that in many parts
>> of percussion instruments, say, there is `tacet' for a very long
>> time, e.g. from rehearsal number 20 to 76. A potential new
>> implementation of \compressFullBarRests (or a variant as suggested
>> by David K.) should allo
On Sunday, December 22, 2013 5:07:11 PM HKT, Simon Bailey wrote:
I also support this request. Another reason is that in many parts of
percussion instruments, say, there is `tacet' for a very long time,
e.g. from rehearsal number 20 to 76. A potential new implementation
of \compressFullBarRests
On 22 Dec 2013, at 06:56, Werner LEMBERG wrote:
> I also support this request. Another reason is that in many parts of
> percussion instruments, say, there is `tacet' for a very long time,
> e.g. from rehearsal number 20 to 76. A potential new implementation
> of \compressFullBarRests (or a va
I discovered this setting yesterday. Then added it to the main layout file and
compiled some of my scores (more complex). Everything was fine. Perhaps
NoteHead.extra-spacing-height = #'(-inf.0 . +inf.0) should be set as default in
Lily?
___
lilypon
On Sat, Dec 21, 2013 at 6:25 PM, Xavier Noria wrote:
> Is this idiomatic notation for repeating those two bars three times?
It'd be better with the text at the beginning or end of the passage.
My personal favorite, however, is putting the measures in a large
horizontal bracket labeled "3x."
Am 22.12.2013 04:11, schrieb Carl Peterson:
2) Is it possible to interleave two repos so that in one folder in the
main repo, the main repo ignores PDF and MIDI files and the secondary
repo*only* tracks PDFs and MIDIs? The files that are actually
compiled are in a subfolder of the main repositor
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