hey I tried but I lost the drum section could someone email me and I'll
send you the .Tg file
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On 13 August 2013 23:14, wrote:
> I see that lilypond supports a cool-looking No. glyph, which is great. I'd
> like to get in in front of each stave in order to number a series of
> exercises. See attached png for an example.
Funny to see this being asked, since at the same time I need to ask
th
k...@kalegood.com writes:
> I see that lilypond supports a cool-looking No. glyph, which is great.
Unless I'm mistaken, it's not Lilypond giving that cool-looking glyph,
it's the font they were using.
The Unicode designation for that glyph is U+2116 Numero Sign
Some fonts have it, others don't.
2013/8/14
> **
>
> I see that lilypond supports a cool-looking No. glyph, which is great. I'd
> like to get in in front of each stave in order to number a series of
> exercises. See attached png for an example.
>
> I'm working on making a version of Giuliani's 120 right hand studies for
> clasica
Kale Good-2 wrote
> I see that lilypond supports a cool-looking No. glyph, which is great.
> I'd like to get in in front of each stave in order to number a series of
> exercises. See attached png for an example.
>
> I'm working on making a version of Giuliani's 120 right hand studies for
> clasic
On 14 August 2013 00:19, wrote:
>
> Hello,
>
> I'm looking to create a double bar at the end of the line with a
> repeat sign at the beginning of the next line; this is for a series
> of exercises (see attached). Lilypond won't let me do
>
> \bar "."
>
> \break
>
> \bar ":|"
>
> It only takes one
Xavier:
Thank you for your reply, the suggestion, and the manual reference. I shall
experiment with them.
Mark
From: Xavier Scheuer [mailto:x.sche...@gmail.com]
Sent: Tuesday, August 13, 2013 12:57 PM
To: Mark Stephen Mrotek
Cc: lilypond-user Mailinglist
Subject: Re: Setting automatic
On 13-08-13 02:00 PM, Johan Vromans wrote:
Kieren MacMillan writes:
Was it NoteWriter?
http://debussy.music.ubc.ca/NoteWriter/index.html
>From reading the reference manual: no.
"All notes, except the whole note and double whole note (breve), require
two mouse clicks. The first mouse click pl
Kieren MacMillan writes:
> Was it NoteWriter?
I think it was MusicWorks.
http://macintoshgarden.org/apps/musicworks
I recognize the screen and when seeing it I can still hear the
mechanical reproduction of "Alla Turka"...
-- Johan
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lilypond-user
On Tue, 13 Aug 2013 21:55:27 +0200
Johan Vromans wrote:
> Richard Shann writes:
>
> > Yes modern GUI based tools are slow. The main problem with your
> > method, is that you have to look at the screen. Looking away from
> > the music you are transcribing is fraught with danger - you will
> > lo
On Tue, 13 Aug 2013 11:09:53 -0700
David Rogers wrote:
> Richard Shann writes:
>
> > You could have played the entire piece in by the time you have set
> > about looking for mistakes in the "automatic" entry systems.
>
>
> Richard: I think "playing the piece in" is what Johan is asking for,
>
Kieren MacMillan writes:
> Was it NoteWriter?
> http://debussy.music.ubc.ca/NoteWriter/index.html
>From reading the reference manual: no.
"All notes, except the whole note and double whole note (breve), require
two mouse clicks. The first mouse click places the head of the note, and
the second
On 13 August 2013 17:57, Mark Stephen Mrotek wrote:
>
> Hello:
>
> In a single voice (RightOnly.ly), setting automatic beam behavior
> produces the desired notation.
>
> When the left hand is added (Both.ly) the commands – identical in
> both files – do not take effect.
>
> Must I do something to
Richard Shann writes:
> Yes modern GUI based tools are slow. The main problem with your method,
> is that you have to look at the screen. Looking away from the music you
> are transcribing is fraught with danger - you will lose your place.
What's a problem for one doesn't have to be a problem fo
On Tue, 13 Aug 2013 21:11:59 +0200
Johan Vromans wrote:
> Richard Shann writes:
>
> > If you can read music fluently and have a lot of music to enter
> > sequentially into LilyPond then Denemo gives you a way of leveraging
> > your sight-reading skill to enter the music by allowing you to
> > e
Hi Johan,
> Almost 30 years ago I used a music program on Macintosh. I forgot the
> name but I think I may still be able to find the 400KB floppy somewhere
> in my attic :).
Was it NoteWriter?
http://debussy.music.ubc.ca/NoteWriter/index.html
At least, that's "the music program on Macintosh" *I*
Richard Shann writes:
> If you can read music fluently and have a lot of music to enter
> sequentially into LilyPond then Denemo gives you a way of leveraging
> your sight-reading skill to enter the music by allowing you to enter it
> "in music time" - that is you can keep track of where you are
Richard Shann writes:
> You could have played the entire piece in by the time you have set
> about looking for mistakes in the "automatic" entry systems.
Richard: I think "playing the piece in" is what Johan is asking for, and
is exactly what you're saying is a bad idea. I don't think what Dene
David,
Thank you for your reply and the reference. At the very least I can use the
file as a learning tool for Lilypond. At the most, it shall save a lot of time!
Mark
-Original Message-
From: David Rogers [mailto:davidandrewrog...@gmail.com]
Sent: Tuesday, August 13, 2013 10:16 AM
To:
"Mark Stephen Mrotek" writes:
> Andrew,
>
> Thank you for your reply. I know that I could manually beam and that
> would suitably work for a few measures. The piece, Chopin Black Key
> Etude, has 83 measures like this. Some “set it and forget it” global
> command would be most helpful.
Someone h
Martin Tarenskeen writes:
> ... writing LilyPond code directly is in fact easier and much faster
> than ... fixing errors.
Especially this. Most of the export and import processes end up with
some errors, and being forced to find and solve machine-made errors
(maybe obscure ones) is not easy if
On Tue, 13 Aug 2013 18:00:01 +0200
Johan Vromans wrote:
> Richard Shann writes:
>
> > here is your problem. You are hoping that the timing of your
> > keypress could be interpreted and a duration of note estimated from
> > it. Such systems have been tried many times, and are offered by
> > prog
On 12.08.2013, at 19:51, Thomas Morley wrote:
>
> I'll arrive Thursday, leave Tuesday, sleeping in my tent.
This applies to me, too!
See you soon!
patrick
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On Tue, 13 Aug 2013 11:50:16 -0400
Carl Peterson wrote:
> On Tue, Aug 13, 2013 at 11:19 AM, Richard Shann
> wrote:
>
> >
> > here is your problem. You are hoping that the timing of your
> > keypress could be interpreted and a duration of note estimated from
> > it. Such systems have been tried m
Carl,
Thank you for your reply.
Yes, the tuplets are only in the right hand. The left hand is just eighth
notes.
Mark
From: Carl Peterson [mailto:carlopeter...@gmail.com]
Sent: Tuesday, August 13, 2013 9:06 AM
To: Mark Stephen Mrotek
Cc: Mailinglist lilypond-user
Subject: Re: Se
On Tue, Aug 13, 2013 at 11:57 AM, Mark Stephen Mrotek
wrote:
> Hello:
>
> In a single voice (RightOnly.ly), setting automatic beam behavior produces
> the desired notation.
>
> When the left hand is added (Both.ly) the commands – identical in both
> files – do not take effect.
>
> Must I do someth
Richard Shann writes:
> here is your problem. You are hoping that the timing of your keypress
> could be interpreted and a duration of note estimated from it. Such
> systems have been tried many times, and are offered by programs that
> don't care if you succeed or not, as long as you buy the pro
Hello:
In a single voice (RightOnly.ly), setting automatic beam behavior produces
the desired notation.
When the left hand is added (Both.ly) the commands - identical in both files
- do not take effect.
Must I do something to the left hand? In the right hand?
Thank you for your kind
On Tue, Aug 13, 2013 at 11:19 AM, Richard Shann wrote:
>
> here is your problem. You are hoping that the timing of your keypress
> could be interpreted and a duration of note estimated from it. Such
> systems have been tried many times, and are offered by programs that
> don't care if you succeed
Richard Shann writes:
> On Tue, 13 Aug 2013 12:17:17 +0200
> Johan Vromans wrote:
>
>> Federico Bruni writes:
>>
>> > Denemo already supports this two pass input, you can find a
>> > screencast on Vimeo.
>>
>> Yes, I did look at Denemo. With Denemo you have to enter the durations
>> using pre
2013/8/13 Peter Toye :
> I want to put a tempo marking (e,g, Allegro) into a song above both the
> piano part and the vocal part. (I'm one of those people who believes in
> making life easier for the pianist). And I can't see how to do it.
>
> With the code as it is the "\tempo" indication is ignor
On Tue, 13 Aug 2013 12:17:17 +0200
Johan Vromans wrote:
> Federico Bruni writes:
>
> > Denemo already supports this two pass input, you can find a
> > screencast on Vimeo.
>
> Yes, I did look at Denemo. With Denemo you have to enter the durations
> using pre-defined
you can choose any key pr
I want to put a tempo marking (e,g, Allegro) into a song above both the piano
part and the vocal part. (I'm one of those people who believes in making life
easier for the pianist). And I can't see how to do it.
With the code as it is the "\tempo" indication is ignored.
If I move the "\tempo" ab
John S.L. wrote
> Thank you, I very much appreciate your quick reply...
> Well I upgraded to 2.16.2 and put it in Frescobaldi and it gave me an
> error...wouldn't compile.
hi John
I wonder what kind of error - I converted your code with Frescobaldi and it
compiled without any error/warning (versi
Johan Vromans writes:
> Federico Bruni writes:
>
>> Denemo already supports this two pass input, you can find a screencast
>> on Vimeo.
>
> Yes, I did look at Denemo. With Denemo you have to enter the durations
> using pre-defined keypad keys. In other words, you need to know
> beforehand whethe
Federico Bruni writes:
> Denemo already supports this two pass input, you can find a screencast
> on Vimeo.
Yes, I did look at Denemo. With Denemo you have to enter the durations
using pre-defined keypad keys. In other words, you need to know
beforehand whether the next note is 4, or 8, or 2. an
Christopher Reed writes:
> Hey everyone.
> I used tux guitar to create a song for my HSC music piece and i have saves
> it as a lilypond file and every time i attempt to open it with lilypond i
> always get a message similar to:
> *# -*-compilation-*-*
> *Processing `C:/Users/User/Desktop/Funk so
2013/8/13 Christopher Reed
> Hey everyone.
>
Hi Christopher,
Please avoid "HELP" as object, better use a simple explanation such as
"convert tux to lilypond".
> I used tux guitar to create a song for my HSC music piece and i have saves
> it as a lilypond file and every time i attempt to open i
Please "reply all" when answering replies from the lilypond user mailing
list - that way others get to see the information exchanged, and may be able
to help and may benefit.
OK - firstly, your minimal example still isn't as minimal as it could be -
and for me, some of that extra information o
Hey everyone.
I used tux guitar to create a song for my HSC music piece and i have saves
it as a lilypond file and every time i attempt to open it with lilypond i
always get a message similar to:
*# -*-compilation-*-*
*Processing `C:/Users/User/Desktop/Funk song 1.ly'*
*Parsing...*
*C:/Users/User/D
-- Forwarded message --
Date: Tue, 13 Aug 2013 10:20:30 +0200 (CEST)
From: Martin Tarenskeen
To: Marcos Press
Subject: Re:
On Tue, 13 Aug 2013, Marcos Press wrote:
Use to have Export to Lylipond in a menu or something like that. But I do
prefer it without anchovies.
Ther
2013/8/13 Johan Vromans
> What I think would be handy is two pass input. In the first pass, only
> register the durations of the notes. In the second pass register the
> actual notes. Is there any software that facilitates this? My platform
> is Linux. Rumor comes a step in the right direction, b
LypondTool for jEdit has midi keyboard input but I believe it is only for
pitches.
-Cole
On Tuesday, August 13, 2013, Johan Vromans wrote:
> Hi,
>
> I'm a lousy keyboard player...
>
> Nevertheless I think a MIDI keyboard could be a good companion to
> produce initial note input for LilyPond.
>
>
- Original Message -
From: "Francois Planiol"
To: "lilypond-user"
Sent: Monday, August 12, 2013 9:45 PM
Subject: Different figures on one bass (y-offset question)
Hello,
I am working at material for harmony-lectures and need different
figures one the same bass (showing different cho
Hi,
I'm a lousy keyboard player...
Nevertheless I think a MIDI keyboard could be a good companion to
produce initial note input for LilyPond.
What I think would be handy is two pass input. In the first pass, only
register the durations of the notes. In the second pass register the
actual notes.
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