Hi Oscar,
On Wed, Sep 26, 2012 at 2:30 AM, Oscar Dub wrote:
> I'm trying to typeset a score that uses the notation shown in the attached
> image to represent whole rests.
>
> As I see it there are two stages to achieving this in LilyPond:
> – Creating the necessary glyph (I assume the simplest w
ole writes:
> thanks, but than my example look like this (see attached .jpg)
That jpg is interesting. I would never have chosen to print it the way
they did, and I think it can and should be done differently. (But still
interesting to try for that result if you want.)
--
David R
I want large note names with EasyHeadsOn for teaching.
I did the following hacks:
1. commented out the explicit setting of "NoteHead #'font-size" in EasyHeadsOn
so I could increase the font size.
2. changed the constant dividend in Brew-ez-stencil:
(radius (/ (+ staff-space line-thi
Hi,I'm trying to typeset a score that uses the notation shown in the attached image to represent whole rests.As I see it there are two stages to achieving this in LilyPond:– Creating the necessary glyph (I assume the simplest way would be to edit scripts.ufermata from Feta, but am completely unsure
On 2012-09-26 00:25, David Kastrup wrote:
Urs Liska writes:
before you try this out, please search for a \shape Slur function.
We discussed it here on the list, but as far as I know it is now also
built in.
It _massively_ simplifies the handling of the control points.
And judging from your scre
Urs Liska writes:
> Am 25.09.2012 23:25, schrieb ole:
I'am typesetting a jazz walz etude for my son which have a slur
going to first and second alternative.
Is that possible (see attached screenshot)?
>>> You may get some ideas by reading this:
>>>
>>> http://code.google.com/p/lily
Am 25.09.2012 23:25, schrieb ole:
I'am typesetting a jazz walz etude for my son which have a slur going to first
and second alternative.
Is that possible (see attached screenshot)?
You may get some ideas by reading this:
http://code.google.com/p/lilypond/issues/detail?id=2591
especially comme
>
>> I'am typesetting a jazz walz etude for my son which have a slur going to
>> first and second alternative.
>> Is that possible (see attached screenshot)?
>
> You may get some ideas by reading this:
>
> http://code.google.com/p/lilypond/issues/detail?id=2591
>
> especially comment 9. A c
Ole, you wrote Tuesday, September 25, 2012 9:17 PM
> I'am typesetting a jazz walz etude for my son which have a slur going to
> first and second alternative.
> Is that possible (see attached screenshot)?
You may get some ideas by reading this:
http://code.google.com/p/lilypond/issues/detail?i
On 26/09/12 06:17, Ole Schmidt wrote:
> Hi,
>
>
> I'am typesetting a jazz walz etude for my son which have a slur going to
> first and second alternative.
> Is that possible (see attached screenshot)?
Make one a slur and the other a phrasing slur:
\relative c''{
\repeat volta 2 {
c1 c(\(
Am 25.09.2012 10:30, schrieb Phil Holmes:
Another attempt. One thing we'd not been taking note of (and I now
notice because of reading the NR about lyrics again) is that in
lyricmode the syllables themselves have a duration. So we can therefore
write them with their own rhythm and they'll be clos
On 25 sept. 2012, at 13:25, michael.str...@boehringer-ingelheim.com wrote:
> Hi Mike,
> Thanks for your feedback. First i have to repeat one thing i already
> mentioned in my first mail. I know that some of these things are doable with
> lilypond, the problem is more the effort or the requested
On Tue, Sep 25, 2012 at 4:25 AM,
wrote:
> Thanks for your example for “tieing” from one Voice to another. I think this
> is a very good example for what I’m struggling with… because, you are
> tweaking here for the entire score ( putting the Tie-engraver from voice to
> the Staff context). I’d hav
writes:
> piano music with lilypond
>
> Hi Mike,
>
> Thanks for your feedback. First i have to repeat one thing i already
> mentioned in my first mail. I know that some of these things are
> doable with lilypond, the problem is more the effort or the requested
> know how for implementation. And …
Hi Mike,
Thanks for your feedback. First i have to repeat one thing i already
mentioned in my first mail. I know that some of these things are doable with
lilypond, the problem is more the effort or the requested know how for
implementation. And ... all the developers of lilypond did a tremendous
"m...@mikesolomon.org" writes:
> - Multiple slurs beginning on one note
>
>
>
>
> This is an easier fix than the other ones - it'd just require work in
> Slur_engraver and Phrasing_slur engraver.
Not really. The work has been completed quite some time ago, and parts
of it are
Hey Michael,
You've managed to list several of what I think are the biggest areas for
improvement for LilyPond. LilyPond being an open source project written mostly
in C++, we are always looking for help in improving any of these things. As
you are a C++ developer, if you wanted to help us wi
Hi,
I want to share some thoughts about piano music with you.
For many years I have been using Score/WinScore for writing music. Since my
main interest is the piano I wrote a lot of piano scores.
The learning curve of Score is steep but once you get used to it, it will
enable you to produce really
- Original Message -
From: "Helge Kruse"
To: "Phil Holmes"
Cc: "Helge Kruse" ;
Sent: Monday, September 24, 2012 6:23 PM
Subject: Re: Suppressing staff
Am 23.09.2012 19:26, schrieb Phil Holmes:
Give the piano the lyrics?
\score {
<<
\new Staff { << \new Voice = "one" \singer
Nick Payne-3 wrote
> You can add whiteout to the ChordParentheses, but that also results in
> the staff lines disappearing underneath them:
>
> \override ChordParentheses #'whiteout = ##t
Thanks, I layered the glissandi and chord-parentheses below the staff lines.
--
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