"and...@andis59.se" writes:
> I have just made my first Lilypond function!
> but somehow it doesn't do what I want it to do...
> The box with the number isn't located at the same position and it's a
> bigger size.
> WHY?
Because it is a rehearsal mark rather than a text script? If you write
the
I have just made my first Lilypond function!
but somehow it doesn't do what I want it to do...
The box with the number isn't located at the same position and it's a
bigger size.
WHY?
// Anders
%% Start of file
\version "2.14.2"
fN = #(define-music-function (parser location fretp ) (string?)
Hi, Neil!
On Sat, Jun 23, 2012 at 5:46 PM, Neil Thornock wrote:
> I'm using music expressions, each with their own time signatures, in
> random orderings. I won't know when two measures will have the same
> time signature in a row, so I'm wondering if there is some way to
> check for the time sig
I'm using music expressions, each with their own time signatures, in
random orderings. I won't know when two measures will have the same
time signature in a row, so I'm wondering if there is some way to
check for the time sig of the previous measure and, if it is the same
as the current measure, tu
m...@apollinemike.com wrote:
>
> On 20 juin 2012, at 22:10, -Eluze wrote:
>
>
Federico + MS
thank you both for pointing me to these tools - I will need some time to
study them!
Eluze
--
View this message in context:
http://old.nabble.com/utility-to-create-files-for-a-score-or-book-tp340451
My main instrument is the Pedal Steel Guitar. One of the different
things about this instrument is that it has pedals that re-tune specific
strings.
I want to be able to add strings to my score.
This is close to the result I want, but it would be nice to use a
similar syntax as for string ind
On 24/06/12 04:38, Anders Eriksson wrote:
I'm trying to study Music Theory and Lilypond is a really good tool!
I want to create a sheet with all the diatonic chords in all Major
scales, and I'm almost there.
The goal is to have each key on a separate line. My problem is that
the new key sign
On 2012-06-23 22:28, David Kastrup wrote:
The visibility of such explicit key signature and clef changes is
controlled by the explicitKeySignatureVisibility and
explicitClefVisibility properties.
A really big THANK YOU!
I need to learn how to read the documentation...
// Anders
_
"and...@andis59.se" writes:
> On 2012-06-23 21:39, David Kastrup wrote:
>
> http://lilypond.org/doc/v2.15/Documentation/notation/visibility-
> of-objects#using-break_002dvisibility>
>
> I can't figure this out. I have tried all permutations of the vector
> format but it still displays th
"Dr. med. Kai Lautenschläger" writes:
> and got the following errors (this is just the first few of many many errors:
>
> ---8<---SNIP---
> »/Users/kailautenschlager/Documents/02_Musik
> (SugarSync)/LP/BuchTest/BuchTest.ly« wird verarbeitet
> Analysieren...
> /
On 2012-06-23 21:39, David Kastrup wrote:
http://lilypond.org/doc/v2.15/Documentation/notation/visibility-of-objects#using-break_002dvisibility>
I can't figure this out. I have tried all permutations of the vector
format but it still displays the KeySignature at the last bar or each line
Her
Am 23.06.2012 um 16:37 schrieb Phil Holmes:
> - Original Message - From: ""Dr. med. Kai Lautenschläger""
>
> To: "lilypond-user User"
> Sent: Saturday, June 23, 2012 2:53 PM
> Subject: combining pieces in one book
>
>
>> I have many pieces for male choir, that are stored as .ly-files
Anders Eriksson writes:
> I'm trying to study Music Theory and Lilypond is a really good tool!
>
> I want to create a sheet with all the diatonic chords in all Major
> scales, and I'm almost there.
>
> The goal is to have each key on a separate line. My problem is that
> the new key signature sta
On 2012-06-23 21:05, Nick Baskin wrote:
Anders,
It looks like you're using a GMail address; in my experience, GMail
generally doesn't like to show messages you send to a list in your
inbox. I think it's operating under the assumption that you, the
sender, don't need to read the e-mail that yo
Anders,
It looks like you're using a GMail address; in my experience, GMail
generally doesn't like to show messages you send to a list in your inbox. I
think it's operating under the assumption that you, the sender, don't need
to read the e-mail that you just sent, but I agree that it can be
frust
I have configured so that it says that I should get my own mail, but I
don't!
Why?
// Anders
--
Computer says No!
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I'm trying to study Music Theory and Lilypond is a really good tool!
I want to create a sheet with all the diatonic chords in all Major
scales, and I'm almost there.
The goal is to have each key on a separate line. My problem is that the
new key signature starts at the last bar on the previou
- Original Message -
From: ""Dr. med. Kai Lautenschläger""
To: "lilypond-user User"
Sent: Saturday, June 23, 2012 2:53 PM
Subject: combining pieces in one book
Hi to all,
If this has been answered before, please point me there. I searched the
manual several times, but couldn't find
- Original Message -
From: "David Kastrup"
To:
Sent: Saturday, June 23, 2012 2:45 PM
Subject: Re: Highlighting staves
"Phil Holmes" writes:
With Sibelius, you can highlight part or all of a stave. It's
intended as an aid to composition, to highlight where work is needed,
but as a
Il 23/06/2012 15:53, "Dr. med. Kai Lautenschläger" ha scritto:
Hi to all,
If this has been answered before, please point me there. I searched
the manual several times, but couldn't find an answer, that helped
me.
I'm CCing lilypond-bug, because I believe that missing index entries for
book a
On 06/23/2012 09:53 AM, "Dr. med. Kai Lautenschläger" wrote:
> I have many pieces for male choir, that are stored as .ly-files in a
> directory with a subdirectory for every piece. All of them use some
> files via \include command. Those files are situated in the parent
> directory.
>
> Now I woul
Hi to all,
If this has been answered before, please point me there. I searched the manual
several times, but couldn't find an answer, that helped me.
I have many pieces for male choir, that are stored as .ly-files in a directory
with a subdirectory for every piece. All of them use some files v
"Phil Holmes" writes:
> With Sibelius, you can highlight part or all of a stave. It's
> intended as an aid to composition, to highlight where work is needed,
> but as a singer trying to find my stave amongst (quite often) seven
> others, I think it's useful. Is there a way of colouring the
> ba
Hi Phil,
On Sat, Jun 23, 2012 at 8:23 AM, Phil Holmes wrote:
> With Sibelius, you can highlight part or all of a stave. It's intended as
> an aid to composition, to highlight where work is needed, but as a singer
> trying to find my stave amongst (quite often) seven others, I think it's
> usefu
On Sat, 23 Jun 2012, Martin Tarenskeen wrote:
Hi,
Don't know what was wrong lately, but today I tried http://lilybin.com or
http://www.lilybin.com com and - hurray - it's working again!
And there is MIDI export too now!
--
MT
___
lilypond-user
With Sibelius, you can highlight part or all of a stave. It's intended as
an aid to composition, to highlight where work is needed, but as a singer
trying to find my stave amongst (quite often) seven others, I think it's
useful. Is there a way of colouring the background to a stave in Lily?
Hi,
Don't know what was wrong lately, but today I tried
http://lilybin.com or http://www.lilybin.com com and -
hurray - it's working again!
--
MT
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lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond
On 2012-06-19 11:32, m...@apollinemike.com wrote:
I want foo and bar to be partcombined when bar is on staff A and qux and bar to
be partcombined when bar is on staff B. bar spends its time hopping between
the two staves. Is there a way to do this?
No,
Cheers,
Reinhold
--
-
On 2012-06-19 11:15, m...@mikesolomon.org wrote:
Is there a way to turn off partcombine so that I can change staves and then
turn it back on when the voice comes back to its original staff?
No, but you can call part-combine only on those sections where you want
the two voices combined on the
It's almost certainly that you have simultaneous notes in 2 different voices,
but have not told Lilypond how to avoid them occupying the same space. Check
the notation reference for \voiceOne and \oneVoice. Oh - and the current
released version is 2.14, with the current development version bei
On 23/06/12 18:49, -Eluze wrote:
Nick Payne-3 wrote:
I'm reproducing a score that contains the construct shown in the
attached image example.png, with four 32nd notes below the stave inside
braces. With the ly code below I can get the output attached in
test.png, but I haven't managed to figure
Nick Payne-3 wrote:
>
> I'm reproducing a score that contains the construct shown in the
> attached image example.png, with four 32nd notes below the stave inside
> braces. With the ly code below I can get the output attached in
> test.png, but I haven't managed to figure out how to raise the
I'm reproducing a score that contains the construct shown in the
attached image example.png, with four 32nd notes below the stave inside
braces. With the ly code below I can get the output attached in
test.png, but I haven't managed to figure out how to raise the beamed
notes so that they are b
English is not my first language and I have some trouble understanding
what this means
"If notes from two voices with stems in the same direction are placed at
the same position, and both voices have no shift or the same shift
specified, the error message "warning: ignoring too many clashing n
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