Shane Brandes grayskies.net> writes:
> I wish to place a key cancellation indication at the
> beginning of a piece, say from c-minor to c-major.
There is
\set Staff.keySignature = #`(( -1 . ,NATURAL)
( 2 . ,NATURAL)
(-2 . ,NATURAL)
Shevek saultobin.com> writes:
> I have a situation [with transposing instruments]
> and I would like to have the second key display as D flat,
> rather than as C sharp.
> \language "english"
> global = {\key c \major s1*2 \key b \major s1*2 }
In this situation (and also when transcribi
Hello all,
i have a bit of puzzle that hopefully someone has worked out an
answer to. I wish to place a key cancellation indication at the
beginning of a piece, say from c-minor to c-major. However, as it is a
new piece there is nothing to cancel from, hence the puzzle.
Shane
As a user, I would tend to prefer to just kick money into a general fund and
let someone figure out how it gets utilized for exactly the reason that was
mentioned: I might want feature X, but groundwork U V and W- about which I
know nothing- would have to precede the addition of feature X. Bou
On Tue, Jan 24, 2012 at 1:56 PM, David Kastrup wrote:
> Hayden Muhl writes:
>
> > Regardless of musical style, you should never* see text set like this.
> >
> > For unto us a child is bo___rn
> >
> > How you handle final consonants is going to be part of the styli
Janek Warchoł writes:
> I think that bounties will never have significant impact on Lily
> development if we don't organize them. It's because writing code is
> very expensive ($200-500 for a nontrivial patch?) compared to money
> average user can spend (few can afford $100 i think).
> I am seri
Hayden Muhl writes:
> Regardless of musical style, you should never* see text set like this.
>
> For unto us a child is bo___rn
>
> How you handle final consonants is going to be part of the stylistic
> convention of the music you're performing and personal choice.
2012/1/24 Nils :
> Francisco Vila wrote:
>> I think the whole matter is not 'we should' or not, but 'my publisher
>> wants me to' which is what Nils said.
>
> the whole matter was cleared nearly immediatly.
> And actually I asked for reasons for and against ___,
>
> Since no naked musicians are in
I think that bounties will never have significant impact on Lily
development if we don't organize them. It's because writing code is
very expensive ($200-500 for a nontrivial patch?) compared to money
average user can spend (few can afford $100 i think).
I am serious: there are at least 20 issues
Hi andy,
2012/1/24 AB :
>>
>
> Hi List, I'm trying to use connectArpeggios in tablature with no results.
> I started with this snippet: http://lsr.dsi.unimi.it/LSR/Snippet?id=294
> My "arrangement" for tab is this:
>
> \layout {
> \context {
> \TabStaff
> \consists "Span_arpeggio_engraver"
>
On Tue, 24 Jan 2012 21:24:12 +0100
Francisco Vila wrote:
> 2012/1/24 Hayden Muhl :
> > With regard to punctuation, I think if we don't put final consonants at the
> > end of extenders, we shouldn't put punctuation at the end of extenders. But,
> > that's just my opinion, and you know what they sa
2012/1/24 Werner LEMBERG :
>
>> I could agree if we were talking about a melisma that doesn't cross
>> a line break. When there's a line break involved, having
>> punctuation before it makes the part after the break look totally
>> unconnected to anything. Just some notes and a line, how one is
>
Il 24/01/2012 19:12, Shane Brandes ha scritto:
Sounds like a really useful idea. It would just need a bounty hunter,
i.e., someone to clearly put the offered sum or sums in a readily
apparent spot.
I think that the Sponsoring page should just provide a link to the list
of issues labelled as B
2012/1/24 Hayden Muhl :
> With regard to punctuation, I think if we don't put final consonants at the
> end of extenders, we shouldn't put punctuation at the end of extenders. But,
> that's just my opinion, and you know what they say about opinions.
I think the whole matter is not 'we should' or n
On 2012-01-23 01:56, Nils wrote:
Is there no way to make a bass-figure transparent oder set the color to white for one
figure in a "chord" only?
I always use \markup{" "} (notice the space!), e.g.
<\markup {" "} \markup { " " } _+> <9 7 _+>
Cheers,
Reinhold
On Sat, 21 Jan 2012 21:00:00 +0100
Il 24/01/2012 20:37, AB ha scritto:
Hi List, I'm trying to use connectArpeggios in tablature with no results.
I started with this snippet: http://lsr.dsi.unimi.it/LSR/Snippet?id=294
My "arrangement" for tab is this:
\layout {
\context {
\TabStaff
\consists "Span_arpeggio_engraver"
>
Hi List, I'm trying to use connectArpeggios in tablature with no results.
I started with this snippet: http://lsr.dsi.unimi.it/LSR/Snippet?id=294
My "arrangement" for tab is this:
\layout {
\context {
\TabStaff
\consists "Span_arpeggio_engraver"
}
}
\new TabStaff
{
\set Staff.connect
On Tue, Jan 24, 2012 at 1:29 AM, Jan-Peter Voigt wrote:
>
> well, I wouldn't call it illegal - but not appropriate to typeset music
> following "classical" rules like Bach or Händel (or Reger or Mahler or ...).
> But for the Sinatra example: How would you notate it for an actor,
> impersonating h
>> Remember that if we sing, say,
>>
>> a - stray:_
>>
>>
>> we actually do
>>
>> a - stra_y:
>>
>> so putting just the punctuation after the melisma is illogical.
>
> I could agree if we were talking about a melisma that doesn't cross
> a line break. When there's a line break
Sounds like a really useful idea. It would just need a bounty hunter,
i.e., someone to clearly put the offered sum or sums in a readily
apparent spot.
Shane
On Tue, Jan 24, 2012 at 11:07 AM, Federico Bruni wrote:
> 2012/1/24 Tim McNamara :
>>
>> On Jan 24, 2012, at 5:57 AM, Graham Percival wr
2012/1/24 Tim McNamara :
>
> On Jan 24, 2012, at 5:57 AM, Graham Percival wrote:
>
>> On Tue, Jan 24, 2012 at 01:50:13AM +0100, Janek Warchoł wrote:
>>>
>>> 2012/1/23 Xavier Scheuer :
why I never *demand*
developers to fix an issue, even if it is one that is really annoying
my ego in
Tim McNamara writes:
> It's not clear how to offer a bounty on a specific issue through the
> Website, if that is even possible. Also, it's not clear there is any
> way to contribute to some sort of general fund to pay for server
> space, bandwidth, other operating expenses. Maybe those things
David Kastrup writes:
> "Christopher R. Maden" writes:
>
>
>> That means that the users are most likely to speak when something is
>> wrong, and it is easy to mistake that for complaining.
>
> A sentence starting with "I am disappointed that ..." is not really hard
> to "mistake" for complaining
On Jan 24, 2012, at 5:57 AM, Graham Percival wrote:
> On Tue, Jan 24, 2012 at 01:50:13AM +0100, Janek Warchoł wrote:
>>
>> 2012/1/23 Xavier Scheuer :
>>> why I never *demand*
>>> developers to fix an issue, even if it is one that is really annoying
>>> my ego in almost every score I typeset.
>>
2012/1/24 Graham Percival :
> Our published materials says "24 hours":
>
> [...] we should update that accordingly.
http://codereview.appspot.com/5575047/ and stop worrying.
:)
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/m
Hi there,
I'm pleased to inform you that I've submitted a portfile for the development
version of Lilypond to Macports.
It should be up now so to install last (command line only) version of lilypond,
you can do:
sudo port install lilypond-devel
Next step would be to add Frescobaldi ;)
Greetin
Janek Warchoł writes:
> Recently i seriously offended David without intentions to do so at all
> - it was also a miscommunication :(
Not really. I was offended at the way you saw things, not the way you
communicated them.
And the title of this thread again suggests that "developers" are a
sepa
2012/1/24 Werner LEMBERG :
>> Please consider this example too (see attachment) - it's taken from
>> Haendel's "Messiah". I find placing the semicolon before extender
>> very awkward here - notice the line break. It seems much more "in
>> place" when punctuation is after the extender.
>
> I disag
On Tue, Jan 24, 2012 at 12:27:56PM -, Phil Holmes wrote:
> >Of course, a 96-hour reponse rate isn't precisely fantastic, but
> >it's a start.
>
> Well - TBH time isn't of the essence as a general rule. Whether a
> bug gets added to the tracker in one day or 3 rarely affects the
> overall deve
"Christopher R. Maden" writes:
> That means that the users are most likely to speak when something is
> wrong, and it is easy to mistake that for complaining.
A sentence starting with "I am disappointed that ..." is not really hard
to "mistake" for complaining.
--
David Kastrup
- Original Message -
From: "Graham Percival"
To: "Janek Warchoł"
Cc: ; "lilypond-user"
Sent: Tuesday, January 24, 2012 11:57 AM
Subject: user vs. user (was: User vs Developer: Round 2 (and
half-time?)(was: Re: music font)
Let's take a look at the current statistics, shall we?
htt
On Tue, Jan 24, 2012 at 01:50:13AM +0100, Janek Warchoł wrote:
>
> 2012/1/23 Xavier Scheuer :
> > why I never *demand*
> > developers to fix an issue, even if it is one that is really annoying
> > my ego in almost every score I typeset.
>
> One thing comes to my mind: you are talking about bugs t
Hello,
On 24 January 2012 09:10, David Kastrup wrote:
>
> Frank Sinatra is not generally considered the epitome of cultured
> vocalization.
Oh dear.
I don't know even where to begin with this one ;)
James
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lilypond-user mailing list
lilypond-us
Shevek writes:
> I have a situation like the following, and I would like to have the second
> key display as D flat, rather than as C sharp. I can't figure out a way to
> do this without duplicating the global variable (but that would defeat the
> purpose of the global variable, wouldn't it?). Ha
I have a situation like the following, and I would like to have the second
key display as D flat, rather than as C sharp. I can't figure out a way to
do this without duplicating the global variable (but that would defeat the
purpose of the global variable, wouldn't it?). Has anyone else come up wi
Am 24.01.2012 um 10:04 schrieb Werner LEMBERG:
>>> Remember that if we sing, say,
>>>
>>> a - stray:_
>>>
>>>
>>> we actually do
>>>
>>> a - stra_y:
>>>
>>> so putting just the punctuation after the melisma is illogical.
>>
>> I've been asking myself why, if that's the rul
Francisco Vila writes:
> 2012/1/24 David Kastrup :
>
>> Frank Sinatra is not generally considered the epitome of cultured
>> vocalization.
>
> His recordings are still used by language teachers as examples of good
> pronunciation.
Not by classical singing teachers, and not likely by native langu
2012/1/24 David Kastrup :
> Francisco Vila writes:
>
>> 2012/1/24 Werner LEMBERG :
Please consider this example too (see attachment) - it's taken from
Haendel's "Messiah". I find placing the semicolon before extender
very awkward here - notice the line break. It seems much more "i
Werner LEMBERG writes:
>> I've been asking myself why, if that's the rule (which I don't deny)
>> eg. Frank Sinatra sings:
>>
>> Ne York
>> and
>> M way
>>
>> instead of New or M[aa...]y
>
> Well, non-operatic singing follows different rules, obviously :-)
>
> But try th
>> Remember that if we sing, say,
>>
>> a - stray:_
>>
>>
>> we actually do
>>
>> a - stra_y:
>>
>> so putting just the punctuation after the melisma is illogical.
>
> I've been asking myself why, if that's the rule (which I don't deny)
> eg. Frank Sinatra sings:
>
> Newww
Francisco Vila writes:
> 2012/1/24 Werner LEMBERG :
>>> Please consider this example too (see attachment) - it's taken from
>>> Haendel's "Messiah". I find placing the semicolon before extender
>>> very awkward here - notice the line break. It seems much more "in
>>> place" when punctuation is
2012/1/24 Werner LEMBERG :
>> Please consider this example too (see attachment) - it's taken from
>> Haendel's "Messiah". I find placing the semicolon before extender
>> very awkward here - notice the line break. It seems much more "in
>> place" when punctuation is after the extender.
>
> I disag
2012/1/24 Julia :
> I am having a devil of a time!
>
> I confirmed that lilypond is working.
> The log says my compilation is successful.
> But neither the ps or pdf file were created.
> I downloaded the 2.14 version for windows xp.
>
> I don't know how to fix that.
>
> Please help!!!
>
> Thank you
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