On May 9, 2011, at 10:25 PM, Kurt Kroon wrote:
> On May 9, 2011, at 7:46 AM, Francesco Spiga wrote:
>
>> Is it possible, in figured bass, having just an accidental in brackets
>> instead of the whole figure?
>>
>> For example:
>>
>> [#]6
>> 4
>>
>> I tried with this, but the result isn't n
On May 9, 2011, at 7:46 AM, Francesco Spiga wrote:
> Is it possible, in figured bass, having just an accidental in brackets
> instead of the whole figure?
>
> For example:
>
> [#]6
> 4
>
> I tried with this, but the result isn't nice:
>
> <\markup { [ \teeny \sharp ] \tiny \number 6} 4>
On 11-05-09 06:08 PM, Father Gordon Gilbert wrote:
Phil,
What you have there is not a glissando, but rather a bar where
alternating notes are to be played as sixteenths (the two beams) for
the entire bar (the dotted half). I'm not sure how to render this
particular thing in Lilypond, but you co
Phil,
What you have there is not a glissando, but rather a bar where
alternating notes are to be played as sixteenths (the two beams) for
the entire bar (the dotted half). I'm not sure how to render this
particular thing in Lilypond, but you could simply write out all the
sixteenths. But (withou
- Original Message - From: "Bill Mooney"
Aaaah - the subtleties of LP and its grammar/syntax! :)
Should the spacing thing be submitted as a bug?
I have enough trouble getting to grips with the simple things that
submitting a bug report is quite beyond me! :) - if it is a
On 05/09/2011 01:31 PM, Ed Gordijn wrote:
Hi Paul,
You can use:
\tempo \markup {\fontsize #2 "mark" }
Thanks. I had just tried #+2 It also looks like I will need to apply
that to all \tempo \markup or change the font for the tempo indication
following the rehearsal mark.
To obtain the
Hi Paul,
You can use:
\tempo \markup {\fontsize #2 "mark" }
To obtain the correct size.
I faced a similar problem and was thinking that it would be great if I
could write a markup function that would return the current rehearsal
mark as a markup object but that challenge was to big for me. M
Le 05/05/2011 21:44, Reinhold Kainhofer disait :
Am Donnerstag, 5. Mai 2011, 20:45:48 schrieb J.-Charles Malahieude:
On my way to typing "King Arthur", I'm trying to reproduce what is
on the attached image: the choir enters on the last syllables of
the soloist.
Is there an easier to achieve thi
On 9 May 2011 02:49, Paul Scott wrote:
> I need to to place a fermata over a bar line at the end of a line and have a
> rehearsal mark at the beginning of the next line. I would normally use
> \mark to place the fermata over the bar line but then I don't know how to
> reuse \mark for the rehears
On 05/09/2011 01:33 AM, James Lowe wrote:
Paul
From: lilypond-user-bounces+james.lowe=datacore@gnu.org
[lilypond-user-bounces+james.lowe=datacore@gnu.org] on behalf of Paul Scott
[waterho...@ultrasw.com]
Sent: 09 May 2011 02:49
To: lilypond-user@
OK. Thanks. That's it!
Philippe
- Mail Original -
De: "Phil Holmes"
À: "phil auclair" , lilypond-user@gnu.org
Envoyé: Lundi 9 Mai 2011 17h50:42 GMT +01:00 Amsterdam / Berlin / Berne / Rome
/ Stockholm / Vienne
Objet: Re: Is this some sort of glissando ?
- Original Message -
F
- Original Message -
From:
To:
Sent: Monday, May 09, 2011 4:22 PM
Subject: Is this some sort of glissando ?
Hi,
I have come across a notation I'm not sure I understand.
The time signature is 6/8. The measure contains two dotted halves
connected with a double beam. This may be a gli
Phil,
Thank you for your suggestion. I'm very reluctant to take up forum message
space with large chunks of my testfile code. I can do it if you'd like. But I
think I might be able to do something similar to what you proposed by using the
standard volta and alternative by (1) including the f
Hi,
I have come across a notation I'm not sure I understand.
The time signature is 6/8. The measure contains two dotted halves connected
with a double beam. This may be a glissando, with length one dotted half, and
pitch beginning with the first note and ending with the second. Could this be
ri
Is it possible, in figured bass, having just an accidental in brackets
instead of the whole figure?
For example:
[#]6
4
I tried with this, but the result isn't nice:
<\markup { [ \teeny \sharp ] \tiny \number 6} 4>
Thanks in advance!
F.
___
li
Thank you for your help! I really appreciate the timidity advice too.
Now exploring MIDI files that don't have to sound like 8-bit Nintendo music
anymore,
Heather
On Mon, May 9, 2011 at 12:29 AM, Shane Brandes wrote:
> Heather,
>
> If you want also you can use zynadsubfx or Qsynth to alter your
- Original Message -
From: "Bill Mooney"
Aaaah - the subtleties of LP and its grammar/syntax! :)
Should the spacing thing be submitted as a bug?
I have enough trouble getting to grips with the simple things that
submitting a bug report is quite beyond me! :) - if it is a bug coul
pkx166h wrote:
>
>
> There are some machinations that you can do to get two 'marks' on the same
> bar line but above and below thus:
>
> http://lsr.dsi.unimi.it/LSR/Item?id=735
>
> and
>
> http://lsr.dsi.unimi.it/LSR/Item?id=736
>
>
>
or http://lsr.dsi.unimi.it/LSR/Item?u=1&id=202
http:
Paul
From: lilypond-user-bounces+james.lowe=datacore@gnu.org
[lilypond-user-bounces+james.lowe=datacore@gnu.org] on behalf of Paul Scott
[waterho...@ultrasw.com]
Sent: 09 May 2011 02:49
To: lilypond-user@gnu.org
Subject: 2.13.61 2 rehearsal marks
Am 08.05.2011 22:36, schrieb Ivan Kuznetsov:
If I can trouble you yet again, here is a second snippet
with a similar issue, I would like the triplet E natural
in the top voice to take the same space as the E natural
half note in the bottom voice and then "disappear".
Well, from the readers' sig
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