Hi,
Im quite new to lilypond so my question can be irritating but I really couldn't
find any solution.
I would like to be able to print first a staff with many voices to be played
with piano and then from the same source (perhaps with little alteration) many
staffs with separate voices to be sung
Hi Colin,
Thanks for you response:
> I've checked your examples with 2.13.51, Bobby, and the
> ossia still has repeats. I'm not altogether clear on why
> you would *not* want the ossia repeated with the associated
> main voice?
I'll try to explain...
I am producing sheet music for various Afro
I just realized that I messed up when creating my "tiny example". I
accidentally pasted the repeat in front of the ossia. Here is the revised
example:
\version "2.12.3"
\new Staff = main \relative c'' {
c4 b d c
<<
\repeat volta 2 { r4 b d c }
\new Staff \with {
\rem
2011/2/17 Michael Dykes :
> Hullo all. I have resolved my earlier problem in my chant template that I am
> working on;
Great!
> however, unlike Tone 1 (whose spacing looks full and even), Tone
> 2, in particular, looks "bunched-up". What can I do to fix this?
It looks quite fine to me.
What do y
2011/2/20 Doug Ewell :
> First-time poster, so please be gentle.
We always are :)
Welcome to the community!
> I have an original piano score, just 50 measures long but with volta repeats
> and alternate endings and a coda, which I am relying on to create both the
> PDF and the MIDI output.
>
> I'
W dniu 20 lutego 2011 01:50:15 UTC+1 użytkownik James Lowe
napisał:
> Hello,
>
> From: Janek Warchoł
>>
>>2011/2/19 Phil Holmes :
>>> Just to back up my "either is OK" comment, here's a little bit from
>>> Chappell's version of the Gondoliers. Personally I think this is lazy,
>>> but
>>> it's ho
Am Sonntag, 20. Februar 2011, um 21:50:53 schrieb Ivo Bouwmans:
> Dear all,
>
> Changing the value of line-width (which according to the documentation sets
> the width of music systems), I noticed that the copyright notice changed
> position too. See the example in the attachment: it left-aligns w
process of converting
them manually to two separate voices:
8
becomes
<< { e8 f g a} \\ { c8 d e f } >>
With the function \extractNote of the snippet you have given (
http://lsr.dsi.unimi.it/LSR/Item?id=545 ), you can have something like that
:
splitIn
2011/2/20 Phil Holmes :
> - Original Message - From: "Werner LEMBERG"
> To:
> Cc: ; ;
>
> Sent: Saturday, February 19, 2011 5:34 PM
> Subject: Re: engraving question - slur across notes sung to different
> syllabes?
>
>>> Lo and behold, another example from the Gondoliers
>>
>> This
Hi,
my problem is solved.
I had a \markup command in my song-ly file. The markup was placed on the
left hand of the staff which introduced the additional space on the left
page margin.
Thanks for your time and reading my posts,
Daniel.
2011/2/18 Phil Hézaine
> Le 16/02/2011 21:57, Daniel Diet
Dear all,
Changing the value of line-width (which according to the documentation sets the
width of music systems), I noticed that the copyright notice changed position
too. See the example in the attachment: it left-aligns with the staves.
Is there a way to keep the copyright notice centred lik
On Sun, Feb 20, 2011 at 11:39 AM, Phil Holmes wrote:
> In the Gondoliers, the Contadine sing "Per voi, bei signori". According to
> Google translate, 'bei' does not exist. Is there an Italian speaker here
> who can say whether it is Italian, or whether Gilbert got it wrong?
When _preceding_ a n
On 21/02/11 01:15, Carl Sorensen wrote:
IIRC, the engraving books said that 3/4 beamed in two should probably be 6/8
instead of 3/4
I came across the problem in Var. 25 of the Goldberg variations, which
is in 3/4 and in both the Breitkopf & Härtel and Peters editions has the
eighth notes in the
Il giorno dom, 20/02/2011 alle 19.36 +0100, Marc Hohl ha scritto:
> Hi Federico,
>
> use \tabChordRepetition, and LilyPond is (again) your friend.
Thanks!
I should have checked the documentation:
http://lilypond.org/doc/v2.13/Documentation/notation/common-notation-for-fretted-strings#default-ta
I've added this as issue #1524, NIck. Thanks for the report and example.
Colin Campbell
LilyPond bug squad
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I've added your example and Carl's reply as issue 1525, Phil, with the note
that it may be related to Nick's issue 1524.
Colin
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Il giorno dom, 20/02/2011 alle 18.39 +, Phil Holmes ha scritto:
> In the Gondoliers, the Contadine sing "Per voi, bei signori". According to
> Google translate, 'bei' does not exist. Is there an Italian speaker here
> who can say whether it is Italian, or whether Gilbert got it wrong?
>
>
Le 20/02/2011 14:52, Peter Buhr a écrit :
>Le 19/02/2011 20:21, Peter Buhr a écrit :
>> I'm attempting to use lilypond-book but have run into the following
> anomaly.
>...
>I think you have to put the whole path for test.ind
>if your test.ind is one directory upstairs of out2 y
> In the Gondoliers, the Contadine sing "Per voi, bei signori".
> According to Google translate, 'bei' does not exist. Is there an
> Italian speaker here who can say whether it is Italian, or whether
> Gilbert got it wrong?
Gilbert got it right. Try the following google search (*including*
the
In the Gondoliers, the Contadine sing "Per voi, bei signori". According to
Google translate, 'bei' does not exist. Is there an Italian speaker here
who can say whether it is Italian, or whether Gilbert got it wrong?
Thanks.
--
Phil Holmes
___
li
Am 20.02.2011 19:33, schrieb Federico Bruni:
q forgets in which string a note is played and as a result you get a
wrong chord in TabStaff:
\version "2.13.49"
\new TabStaff {
% first chord is ok, second is "wrong"
4 q
2. q4
}
Is it possible to improve q?
Hi Federico,
use \tabChordR
q forgets in which string a note is played and as a result you get a
wrong chord in TabStaff:
\version "2.13.49"
\new TabStaff {
% first chord is ok, second is "wrong"
4 q
2. q4
}
Is it possible to improve q?
I couldn't find anything related in the open issues of the tracker.
Thanks,
Fe
First-time poster, so please be gentle.
I have an original piano score, just 50 measures long but with volta
repeats and alternate endings and a coda, which I am relying on to
create both the PDF and the MIDI output.
I'd like to display the dynamics between the two staves, but the "piano
cen
% Hi,
%
% How can I put "musica ficta" accidentals inside a slur?
% I tried \override AccidentalSuggestion #'avoid-slur = inside
% but it didn't help.
\version "2.13.50"
ficta = { \once \set suggestAccidentals = ##t }
\paper{ ragged-right = ##t }
\relative a' {
\key bes \major
a4 bes4.(a8
On 2/20/11 4:35 AM, "Phil Holmes" wrote:
> - Original Message -
> From: "Nick Payne"
> To:
> Sent: Sunday, February 20, 2011 3:37 AM
> Subject: Beaming eighth notes in threes in 3/4 time
>
>
>> Shouldn't this example have the notes in the second bar beamed three
>> together and thr
Le 19/02/2011 20:21, Peter Buhr a écrit :
> I'm attempting to use lilypond-book but have run into the following
anomaly.
...
I think you have to put the whole path for test.ind
if your test.ind is one directory upstairs of out2 you could also write:
\input{../test.ind}
So I tri
> According to my research following up your post, I think it's
> actually portamento, which is explicitly said to be a vocal
> technique indicated by slurs, as opposed to portato which is a
> string technique, and includes staccato marks.
Oops, sorry, you are right. Sorry for the sloppy wording.
Hi all,
I have two voice passages in music written out as chords, and since I
need separate beams (up and down), i'm in the process of converting
them manually to two separate voices:
8
becomes
<< { e8 f g a} \\ { c8 d e f } >>
Now I was wondering, is there a way I could do this in scheme? T
- Original Message -
From: "Nick Payne"
To:
Sent: Sunday, February 20, 2011 3:37 AM
Subject: Beaming eighth notes in threes in 3/4 time
Shouldn't this example have the notes in the second bar beamed three
together and three together? What I'm getting is three, then one, then
two:
- Original Message -
From: "Werner LEMBERG"
To:
Cc: ; ;
Sent: Saturday, February 19, 2011 5:34 PM
Subject: Re: engraving question - slur across notes sung to different
syllabes?
Lo and behold, another example from the Gondoliers
This slur has an exact meaning: It's a por
Le 19/02/2011 20:21, Peter Buhr a écrit :
> I'm attempting to use lilypond-book but have run into the following anomaly.
>
> The latex file below demonstrates the problem. There is a line
> \input{test.ind}
> to include the index file generated by the makeindex command. Normal procedure
> is to s
"Phil Holmes" writes:
> - Original Message -
> From: "Janek Warchoł"
>
>> Maybe, i must ask the composer.
>> Should a dashed slur be used in such a case?
>
> Lo and behold, another example from the Gondoliers
That would likely be a portamento slur.
--
David Kastrup
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