2011/2/16 Disc Magnet :
> I have attached the PDF output with this email. In his score, the
> treble clef is supposed to be played with right hand and the bass clef
> with left hand. However, in the treble clef (right hand), we have two
> notes ('a' and 'g') which are below the middle C and thus re
Disc Magnet writes:
> I have attached the PDF output with this email. In his score, the
> treble clef is supposed to be played with right hand and the bass clef
> with left hand. However, in the treble clef (right hand), we have two
> notes ('a' and 'g') which are below the middle C and thus repr
Hullo all. I am creating chant templates for the 8 tones, and need repeat
barlines at the beginning of each section. I know how to acheive that in the
gregorian.ly style, but how do I do this if I do not have that feature on?
i.e. no gregorian.sty and cadenzaOn? Before, I would type:
\repeat volta
On 2/16/11 12:07 PM, "Disc Magnet" wrote:
>
> I have attached the PDF output with this email. In his score, the
> treble clef is supposed to be played with right hand and the bass clef
> with left hand. However, in the treble clef (right hand), we have two
> notes ('a' and 'g') which are below t
Disc Magnet,
-Original Message-
From: Disc Magnet
Date: Thu, 17 Feb 2011 00:37:04 +0530
To: lilypond-user
Subject: Right hand notes have too many ledger lines.
>This is the code:
>
>\version "2.12.3"
>\score {
>\new PianoStaff <<
>\set PianoStaff.midiInstrument = "acoustic g
Matthias Hüsken wrote:
What I'd like to achieve:
When ending a bar with the repetition sign ":|",
I need double lines ("||") at the beginning of the next bar.
It looks as though you actually mean ending/beginning lines, not bars.
[...]
(":||" . (":|" . "||"))
[...]
Unfortunately, this does n
Hi,
currently I'm working on a song book with lilypond-book.
I would like to have equal page margins on the left and right of 1 cm. So I
configured the page layout with the LaTex geometry package. Lilypond-book
adopts the staff length accordingly: The right space from the end of a staff
line to t
Thanks Neil, those are good tips. I'm a long time vim user so
shortcuts are certainly a possibility. OTOH, I've recently found that
JEdit + LilyPondTool makes a real difference in my productivity
compared to vim + some helper scripts I had put together.
I know JEdit has its own Java-based macro
2011/2/16 Disc Magnet :
> This is the code:
>
> \version "2.12.3"
> \score {
> \new PianoStaff <<
> \set PianoStaff.midiInstrument = "acoustic grand"
> \tempo 4 = 120
> \new Staff {
> \relative c' {
> c d c b
> a c d c
>
I can't answer your question, but I have two responses to the dilemma.
First, R2. is more compact than R1*3/4, and R1*2 is better than
R1*8/4. Same with R4*5 vs R1*5/4.
Also, if you happen to use Vim -- I keep all my time signatures in a
separate file from the notes. It's then simple to map tim
This is the code:
\version "2.12.3"
\score {
\new PianoStaff <<
\set PianoStaff.midiInstrument = "acoustic grand"
\tempo 4 = 120
\new Staff {
\relative c' {
c d c b
a c d c
c d c b
g c d c
Ok, I give up for tonight - obviously, before writing my last mail I tested
while having the new barline definitions in scm/output-lib.scm (instead of
reverting that file).
Which means I cannot get things to work without modifying scm/output-lib.scm.
Any ideas how to put this into a .ly file ar
I'm currently transcribing parts from music with frequently changing
meters and segments where a part is resting. The sequence below is
typical.
\time 3/4 R1*3/4 |
\time 3/8 R1*3/8 |
\time 4/4 R1*8/4 | % 2 bars
\time 3/8 R1*3/8 |
Does anyone know how to write a music function th
Sorry for the noise on the mailing list - I knew it was some stupid mistake...
I tried to override the wrong value, it should have been
\override Score.BarLine #'break-glyph-function = #my-bar-line::calc-glyph-name
instead of
\override Staff.BarLine #'glyph-name = #my-bar-line::calc-glyph-name
- Original Message -
From: "Xavier Scheuer"
To: "Matthias Hüsken"
Cc:
Sent: Wednesday, February 16, 2011 5:32 PM
Subject: Re: Use custom font's flat (b) and sharp (#) symbols for
chords(solved)
2011/2/16 Matthias Hüsken :
Hi again,
thanks a lot for the pointers in the right dire
- Original Message -
From: "Xavier Scheuer"
To: "Neil Puttock"
Cc: "Janek Warchoł" ; "lilypond-user"
Sent: Wednesday, February 16, 2011 1:23 PM
Subject: Re: engraving question - changing stem direction to avoid
levitatingslur
2011/2/15 Neil Puttock :
You might try adding the
Hi again,
while trying to change LilyPond's behaviour concerning bar lines, I stumbled
upon some strange behaviour. What I'd like to achieve: When ending a bar with
e repetition sign ":|", I need double lines ("||") at the beginning of the
next bar.
I found bar-glyph-alist in scm/output-lib.sc
On 2/16/11 2:29 AM, "Matthias Hüsken"
wrote:
> Hi again,
>
> thx so far. Sorry for my English, I think I did not make myself clear enough,
> so I'll try to elaborate a little more.
Your English is great. I just think that none of us knew how to answer you.
>
> So, what I would ideally like t
2011/2/16 Matthias Hüsken :
>
> Hi again,
>
> thanks a lot for the pointers in the right direction, I finally got my problem
> solved. It is based on the solution found here:
> http://www.mailinglistarchive.com/lilypond-user@gnu.org/msg02286.html
>
> In case someone else stumbles upon this problem,
Hi again,
thanks a lot for the pointers in the right direction, I finally got my problem
solved. It is based on the solution found here:
http://www.mailinglistarchive.com/lilypond-user@gnu.org/msg02286.html
In case someone else stumbles upon this problem, here is my (shortened)
solution:
% co
Yes - this is a known issue:
http://code.google.com/p/lilypond/issues/detail?id=1412
Just ignore the error message.
--
Phil Holmes
- Original Message -
From: Mario Moles
To: lilypond-user@gnu.org
Sent: Wednesday, February 16, 2011 11:06 AM
Subject: Re: strange output
I
On Sat, Feb 12, 2011 at 6:04 AM, Jan Warchoł <
lemniskata.bernoulli...@gmail.com> wrote:
> 2011/2/12 Trevor Daniels :
> >
> > Jan Warchoł wrote Saturday, February 12, 2011 9:25 AM
> >
> >> I agree too, but in my opinion it's a less important problem than the
> >> one marked in red in the attachmen
> > So, what I would ideally like to have is a way of making Lilypond use "b"
> > and "#" from a custom font, but exclusively in chord mode. I did quite
> > some searching but did not come up with anything useful, so I already
> > feared it might not be easy (or doable at all...).
>
> I think you c
Neil Puttock wrote:
On 15 February 2011 14:25, Rob Canning wrote:
where lies the error or is there a better way to do this - am slightly
suprised there is not a build in function for this... maybe there is?
There are several parser limitations you're encountering here. The
only way
Hi everyone,
I'm new to Lilypond and impressed with the ease of writing music and the
quality of the output.
For writing lead sheets, I changed Lilypond's standard font for printing chord
names to a custom font. While this works perfectly, the style difference
between the chord symbols and Lil
2011/2/15 Neil Puttock :
>
> You might try adding the Melody_engraver for this: it changes the
> neutral-direction based on the stem directions of surrounding notes
> (but only in the current bar, I think):
Wow, I did not know the existence of this engraver!
It is not mentioned in the doc (except
In data martedì 15 febbraio 2011 13:52:32, hai scritto:
> See "Known issues and warnings" in the Notation Reference, section 1.2.6,
> Grace notes.
>
> --
> Phil Holmes
>
Ok! Solved!
But now this is the log:
Processing `Impromptu.ly'
Analisi...
Interpreting music...
Preprocessing graphical object
Am 16.02.2011 10:29, schrieb Matthias Hüsken:
Hi again,
thx so far. Sorry for my English, I think I did not make myself clear enough,
so I'll try to elaborate a little more.
What I have:
- I am setting notes and chords.
- I changed the font for the chords to a custom one (real book style).
- N
Hi again,
thx so far. Sorry for my English, I think I did not make myself clear enough,
so I'll try to elaborate a little more.
What I have:
- I am setting notes and chords.
- I changed the font for the chords to a custom one (real book style).
- Notes (and related accidentals like flat and sha
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