Hey all,
On 10/24/10 9:13 PM, "Valentin Villenave" wrote:
> On Mon, Oct 25, 2010 at 1:36 AM, Mike Solomon wrote:
>> I forget if I sent this out or not - sorry in advance for any double
>> postings! A score I wrote using the graphics notation package that I
>> developed for Lilypond will hav
On Nov 1, 2010, at 4:14 PM, ander...@notam02.no wrote:
> Hello. Im doing some testing on Rachmaninovs C-minor praeludium.
>
> Q: How Can i separate handling of rests from stem-directions in
> polyphonic voice-handling?
>
> Id actually want the default behavior of \voiceOne, except for pointing
2010/11/1 Michael Dykes
> On Mon, Nov 1, 2010 at 3:57 AM, Jan Warchoł <
> lemniskata.bernoulli...@gmail.com> wrote:
>
>> 2010/11/1 Michael Dykes
>>
>> I have a score for some of my Liturgical Music I am working on, & need the
>>> bass to have a C (2nd space-bass clef) quarter note, *and *two eig
On Nov 1, 2010, at 6:17 PM, Patrick Karl wrote:
> The following snippet:
>
>> \version "2.12.3"
>> T = \relative b' { cis2. c4 }
>> \score {
>> \new Staff { \T }
>> \layout {
>> \context { \Voice \consists "Ambitus_engraver" }
>> }
>> }
>
> generates the following
The following snippet:
> \version "2.12.3"
> T = \relative b' { cis2. c4 }
> \score {
> \new Staff { \T }
> \layout {
> \context { \Voice \consists "Ambitus_engraver" }
> }
> }
generates the following in the log file:
> Preprocessing graphical objects...
> progr
On Mon, 01 Nov 2010 12:25:12 -0700, wrote:
Q: How Can i separate handling of rests from stem-directions in polyphonic
voice-handling?
Hello Anders,
I would also have expected Rest 'direction to do what you asked. It does
change the placement of rests in columns with only rests, but wh
Hello. Im doing some testing on Rachmaninovs C-minor praeludium.
Q: How Can i separate handling of rests from stem-directions in
polyphonic voice-handling?
Id actually want the default behavior of \voiceOne, except for pointing
the stems down.
<<
\new Voice {\voiceTwo \override Rest #'directi
Valentin
On 01/11/2010 17:33, Valentin Villenave wrote:
On Mon, Nov 1, 2010 at 5:18 PM, James wrote:
After doing some '\transposition a bes { ... }' I noticed that LilyPond will
add an additional 'natural' sign along with a sharp sign when a 'Double
sharp' note drops to a single sharp note in
Thanks, that simplifies it. Almost there.
But I noticed as we move the Timing-translator all the bar-numbers are
also gone. That's a pity. According to what I read in the manual the
Timing_translator is responsible for these bar-numbers, but apparantly
it works different in a different cont
On Mon, Nov 1, 2010 at 5:18 PM, James wrote:
> After doing some '\transposition a bes { ... }' I noticed that LilyPond will
> add an additional 'natural' sign along with a sharp sign when a 'Double
> sharp' note drops to a single sharp note in the same bar.
You may be looking for the extraNatural
I'm glad to see you've made some progress, considering how often you have ossia
measures, you may want to consider just starting and stopping the staff
whenever you need it:
\version "2.12.3"
\paper { indent = 0\mm }
music = {
\override Staff.TimeSignature #'style = #'()
\override S
Hello,
After doing some '\transposition a bes { ... }' I noticed that LilyPond
will add an additional 'natural' sign along with a sharp sign when a
'Double sharp' note drops to a single sharp note in the same bar.
While I am not convinced that that is 'standard' notation practice
(technicall
On Mon, Nov 1, 2010 at 2:57 PM, Vicente Solsona wrote:
> surprisingly:
> http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Moving-objects
Absolutely! Moreover, this is the very first link given in
http://lilypond.org/doc/v2.13/Documentation/notation/formatting-text#text-alignment
Hi James,
Thanks for pointing out. I upgraded now and I took a look in the new
learning manual. You are right, once in a while one has to re-read
(parts of) the documentation although you might think you know it all,
and I didn't. Apologies.
I found clues on how to run the different \time
On Mon, 01 Nov 2010 14:27:10 +0100, Stephan Elliot Perez
wrote:
How can I move other objects? I would like, for example to move dynamic
symbols and text into the system itself. I know how to move text around
within a markup with /lower and /hspace , but not through other objects.
There is proba
How can I move other objects? I would like, for example to move dynamic
symbols and text into the system itself. I know how to move text around
within a markup with /lower and /hspace , but not through other objects.
There is probably a section of the notation reference I need to read, but I
am not
Good day,
Could someone please tell me ho to change the vertical position of the
/textSpanner ?
Best regards,
Stephan
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
2010/11/1 胡海鹏 - Hu Haipeng :
> I'm checking the title page layout of my overture. I tried to use
> showFirstLength = R1
> but the log says syntax error. Where must I place the string? I use 2
> bookparts, in the second one there goes the music, and the first one for
> unnumbered 2 title pages.
G
Hello Michael,
If I could extent that to the scope of the current typesetted score, it might
do what I want.
Here I do not understand how this can help you.
What is a big deal to access (to "read") upper header in your case?
I want to read the score-header on a level - the footer - t
Hello,
I'm checking the title page layout of my overture. I tried to use
showFirstLength = R1
but the log says syntax error. Where must I place the string? I use 2
bookparts, in the second one there goes the music, and the first one for
unnumbered 2 title pages.
Regards
Haipeng
__
2010/11/1 Michael Dykes
> I have a score for some of my Liturgical Music I am working on, & need the
> bass to have a C (2nd space-bass clef) quarter note, *and *two eighth note
> C's (the first 2nd space, and the second, middle C) to show to options for
> the bass which then continues over the n
21 matches
Mail list logo
