In most music I see out there, I've noticed that related dynamics (and often
markup) are usually parallel (such that if you drew a horizontal line, it
would meet both at the same vertical position). In fact, I'm hard pressed to
think of a situation where they're not in the sheet music I've seen
pu
Thanks! Works well, even if it takes a little time.
James Bailey-4 wrote:
>
> I would do this:
> soprano = \relative c'' {
> …
> c4. d8 es4. as,8| %11
> b2 r4
> }
> sopranoDynamics = {
> …
> s2 s4\< s8\! s\>| %11
> % or possibly
> % s2 s8\<
On Oct 19, 2010, at 7:06 AM, Cordilow wrote:
>
> I have a situation where there are only two notes considered, side by side.
> One has a crescendo and the next has a decrescendo. Any ideas on how to do
> this? I looked at the documentation and could only find something doable
> with a three note
I have a situation where there are only two notes considered, side by side.
One has a crescendo and the next has a decrescendo. Any ideas on how to do
this? I looked at the documentation and could only find something doable
with a three note combination, or with both on a single note (as with
\esp
Hi Tim,
On Mon, 18 Oct 2010 11:09:37 -0700
Tim Reeves wrote:
> >
> > There is also a discrepancy between the transposition direction
> > (down 5th or up 4th). Some scores actually place an ambitus-sort-of
> > note at the beginning of the horn staff to indicate the
> > transposition direction.
On 18 October 2010 20:53, Vicente Solsona wrote:
>
> Janek, note that this line in your code raises an error:
>
>> fis4 d4 d'4-> \tweak #'extra-offset #'( 2 . 4) ^\f d4->
>
> extra-offset does not affect spacing and can't be "tweaked" afaik (you'd
> have to \override it to work); in your case, you
On Mon, 18 Oct 2010 12:43:18 +0200, James wrote:
On 18/10/2010 06:21, Xavier Scheuer wrote:
2010/10/18 Janek Warchoł:
I've tried doing some things described here, but i don't understand
them
well enough and it didn't work like i wanted :(
The reason is that while the previous example in th
Thank's to all!
For now i have solved with this example from
http://lists.gnu.org/archive/html/lilypond-user/2007-04/msg00422.html
and i have hope in the solution the bug \acciaccatura group!
Cheers!
--
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> Message: 4
> Date: Mon, 18 Oct 2010 06:25:50 -0400
> From: David Santamauro
> Subject: Re: orchestral template, please comment
> To: "Trevor Daniels"
> Cc: Keith E OHara , lilypond-user@gnu.org
> Message-ID: <20101018062550.370d4...@debussy>
> Content-Type: text/plain; charset=US-ASCII
>
>
>
On Mon, 18 Oct 2010 10:18:52 +0100 "Trevor Daniels" wrote:
Shouldn't the music for the Horn in F be printed in D major?
I will add a comment "% Key signature is often omitted for horns".
As a user, I can easily insert it if I want it. The previous version omitted
this key sig (showing off a
Since LilyPond is a GNU project, FSF could help with that.
Including regular donations and feature requests.
(just an idea)
2010/10/18 Valentin Villenave :
> On Mon, Oct 18, 2010 at 4:49 PM, Bernardo Barros
> wrote:
>> What is the procedure to donate money for lilypond and/or feature requests?
>>
On Mon, Oct 18, 2010 at 4:49 PM, Bernardo Barros
wrote:
> What is the procedure to donate money for lilypond and/or feature requests?
> Through the Free Software Foundation?
For now, you don't send money to "the LilyPond project" as a whole,
but to a specific developer who has been working on an
Through the Free Software Foundation?
2010/10/18 Bernardo Barros :
> What is the procedure to donate money for lilypond and/or feature requests?
>
> 2010/10/18 Valentin Villenave :
>> On Mon, Oct 18, 2010 at 3:06 PM, Bernardo Barros
>> wrote:
>>> Well, this hack can be a start for a proper implem
What is the procedure to donate money for lilypond and/or feature requests?
2010/10/18 Valentin Villenave :
> On Mon, Oct 18, 2010 at 3:06 PM, Bernardo Barros
> wrote:
>> Well, this hack can be a start for a proper implementation! Right?
>
> It is waaay too hackish to be integrated as is. But hav
On Mon, Oct 18, 2010 at 3:06 PM, Bernardo Barros
wrote:
> Well, this hack can be a start for a proper implementation! Right?
It is waaay too hackish to be integrated as is. But having this
request in the bug-tracker will certainly help. However, the few
skilled developers we have are busy working
Well, this hack can be a start for a proper implementation! Right?
2010/10/18 Valentin Villenave :
> On Mon, Oct 18, 2010 at 2:07 PM, Trevor Daniels wrote:
>> No, it's not.
>
> It is, but with a hack:
> http://lsr.dsi.unimi.it/LSR/Item?id=721
>
> I've also opened a tracker page about it:
> http:/
Hi Mario,
I understand the acciacatura, when I write my sketches I use it too. I
think it is not really necessary with LilyPond because the acciacatura
has a smaller font size anyway, andthe meaning is very clear in my
opinion. The slash sigh is not so important, I can live without it.
But, yes,
On Mon, Oct 18, 2010 at 2:07 PM, Trevor Daniels wrote:
> No, it's not.
It is, but with a hack:
http://lsr.dsi.unimi.it/LSR/Item?id=721
I've also opened a tracker page about it:
http://code.google.com/p/lilypond/issues/detail?id=1333
GLHF
Valentin
___
Mario Moles wrote Monday, October 18, 2010 12:45 PM
In data lunedì 18 ottobre 2010 13:39:12, hai scritto:
What does this line through the beams mean
This is acciaccatura group in the contemporany composition!
This is possible with lilypond?
Thank's!
No, it's not.
Notation Reference 1.2.6 Gr
As mentioned frequently on this mailing list, this is a known limitation of
lilypond. See the message at:
http://lists.gnu.org/archive/html/lilypond-user/2007-04/msg00422.html
On Oct 18, 2010, at 1:45 PM, Mario Moles wrote:
> In data lunedì 18 ottobre 2010 13:39:12, hai scritto:
> > What does th
In data lunedì 18 ottobre 2010 13:39:12, hai scritto:
> What does this line through the beams mean
This is acciaccatura group in the contemporany composition!
This is possible with lilypond?
Thank's!
--
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lily
Hello
On 17/10/2010 19:46, Mario Moles wrote:
Hi lilyponders!
How i can make this graphic option!
Regards!
What does this line through the beams mean?
James
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Hello,
On 18/10/2010 06:21, Xavier Scheuer wrote:
2010/10/18 Janek Warchoł:
I've tried doing some things described here, but i don't understand them
well enough and it didn't work like i wanted :(
The reason is that while the previous example in the documentation
*does* move the symbol aroun
On Mon, 18 Oct 2010 10:18:52 +0100
"Trevor Daniels" wrote:
> Shouldn't the music for the Horn in F be printed in D major?
It is very common for key signatures to be omitted for Horn. As the
notes themselves are correct transpositions, it looks ok.
There is also a discrepancy between the transp
Thanks Phil
Keith E OHara wrote Saturday, October 16, 2010 10:27 PM
Having heard no complaints, a snippet with these changes is in
the
LSR awaiting approval.
Keith
Looks good to me. I'd be happy to use this as the orchestral
template in
the Learning Manual, but I'm no composer. I'd like
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