On Sep 5, 2010, at 6:19 AM, Christopher Meredith wrote:
> I have a couple of markup blocks which are currently left aligned
> which I would like to be centered on the page. The following snippet
> is the section in question and it contains solutions from the LSR as
> well as other projects. In ot
On Sep 3, 2010, at 4:55 PM, Marten Visser wrote:
> Hi, I'm trying to create tablature for guitar from regular notes. I have a
> piece with chords and melody, formatted for a piano staff.
>
> For conversion to tablature, Lilypond guesses the string and fret to play the
> note on. This may lead
“Troisième livre d’orgue des huit tons de l’eglise” by Guillaume-Gabriel
Nivers is now available at
http://imslp.org/wiki/Troisi%C3%A8me_livre_d%E2%80%99orgue_des_huit_tons_de_l%E2%80%99%C3%A9glise_%28Nivers,_Guillaume-Gabriel%29
imslp . The music (but not the prefatory text) was typeset in Lilyp
I have a couple of markup blocks which are currently left aligned
which I would like to be centered on the page. The following snippet
is the section in question and it contains solutions from the LSR as
well as other projects. In other words, I know it works but I don't
know exactly how.
http://p
On 9/4/10 5:07 PM, "Nick Payne" wrote:
> I haven't been able to reproduce this behaviour with a small example,
> but I'm getting some staves in a score where lilypond tries to fit too
> many bars and the stave goes past the margin and off the right-hand edge
> of the page, and others where the th
On 5 September 2010 00:22, Paul Scott wrote:
> I have reduced the problem to the presence of a \tempo command:
Thanks for the report, Paul.
The segfault is triggered by the presence of the full-bar rest in the
lower stave: it prevents the setting of a horizontal parent for the
MetronomeMark, wh
On 5 September 2010 01:39, michael webster wrote:
> yes indeed, setting Score.tempoHideNote = ##f will force lily to display
> redundant makings like \tempo 4 = 80.
>
> but is there also a way to force lily to show redundant tempo markups like
> this one?:
Try adding \null to the end of the se
howdy all - a refinement to my question.
yes indeed, setting Score.tempoHideNote = ##f will force lily to display
redundant makings like \tempo 4 = 80.
but is there also a way to force lily to show redundant tempo markups like this
one?:
\score{
\new Staff{
c d e f
%%%
with this code:
\score { \new Staff { \tempo 4 = 80 c d e f \tempo 4 = 80 g a b c }}
lilypond does not display the second (redundant) tempo indication.
is there a way to force lilypond to display it? I am using dotted quarter =
quarter metronome marks in succession and lilypond is refusing to
On 5 September 2010 00:28, Toine Schreurs wrote:
> I don't know why it works, but changing, within your fourtoms definition,
> the float-numbers syntax by surrounding the dots with spaces helps.
The values following the dots are ignored, so it's equivalent to this:
#(define fourtoms '((hightom d
On 5 September 2010 00:07, Nick Payne wrote:
> I haven't been able to reproduce this behaviour with a small example, but
> I'm getting some staves in a score where lilypond tries to fit too many bars
> and the stave goes past the margin and off the right-hand edge of the page,
> and others where t
I don't know why it works, but changing, within your fourtoms definition,
the float-numbers syntax by surrounding the dots with spaces helps.
\version "2.12.2"
%%% four Toms
#(define fourtoms '((hightom default #t 4)
(himidtom default #t 1 . 4)
(lowmidtom de
On Fri, Sep 03, 2010 at 11:30:58PM -0700, Paul Scott wrote:
> I'm getting a seg. fault with 2.13.32. I haven't got the exact
> cause yet but one variable is that I only see the fault when I add a
> second \new Staff in a StaffGroup. I have two parts based on the
> same score which both succeed wh
Hi!
You might try *very carefully* checking each of your measures to make sure
they have exactly the correct value of notes/rests. I have found this same
kind of situation when I inadvertently had too many sixteenths, or some
such.
Gordon+
--
Fr. Gordon Gilbert
Penetanguishene, ON
I cannot figure out how to indicate the following repeat pattern for this
music. I want the player to repeat the first line 4 times, repeat the second
line 2 times, play the last line, and then start this pattern over again (until
they get bored). Any help would be appreciated.
==
Fixed. For proof, see pudding attached.
(And I see this was hardly a new issue.)
Thanks Jay!
Pete
Original Message
Subject: Overlap Beams in Time?
Date: Sat, 04 Sep 2010 14:53:49 -0400
From: PMA
To: lilypond-user@gnu.org
Dear List:
First, thank you for Lilypond -- this wonde
On 9/4/10 12:53 PM, "PMA" wrote:
> Dear List:
>
> First, thank you for Lilypond -- this wonderful tool -- and for
> accepting my subscription.
>
> I am placing noteheads, and using beams, in a way that has little to do
> with common usage.
> Lilypond has to a considerable extent "played along",
{\time 9/8
\repeat volta 2
{ e8[ e b' e,] c'[ c b g g] a[ a d a] f'[ f e c c] }
\alternative {
{ \time 7/8 a[ a] bes a[ a] f[ f] }
{ \time 7/8 g[ a] g[ g] f g[ g] }
}
}
--
oiram/bin/selom
___
lilypond-user mailing list
On Saturday 04 September 2010 09:28:36 Phil Holmes wrote:
> - Original Message -
> From: "David Raleigh Arnold"
> No-one cares, and it's not going to be changed.
Thanks for the discussion. :-) Regards, daveA
http://www.openguitar.com/refs/leger-line.html
--
For beginners: very easy gu
On Sat, Sep 4, 2010 at 11:53 AM, PMA wrote:
> Does anybody know a way around this predicament? I've scoured the docs and
> wiki in vain.
The prelude to bach's cello suite no.1 has something like that I
believe (http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=517).
Is this what you're look
I have a strange issue with time signatures in alternatives:
\time 9/8
\repeat volta 2
{ e8[ e b' e,] c'[ c b g g] a[ a d a] f'[ f e c c] }
\alternative {
{ \time 7/8 a[ a] bes a[ a] f[ f] }
{ \time 7/8 g[ a] g[ g] f g[ g] }
}
This results in the proper 7/8 time
Dear List:
First, thank you for Lilypond -- this wonderful tool -- and for
accepting my subscription.
I am placing noteheads, and using beams, in a way that has little to do
with common usage.
Lilypond has to a considerable extent "played along", as you'll see in
the attached example.
But
On 3 September 2010 13:58, Stefan Thomas
wrote:
> What I don't understand: in the below quoted snippet the positions of the
> last three drum notes are the same.
> Why is it so and how can I change it?
Only integers are allowed for 'line-positions in a DrumStaff. This
can be easily fixed, thoug
Hi Mike,
Thanks! Works great.
Heather
On Fri, Sep 3, 2010 at 10:27 PM, Mike Solomon wrote:
> \version "2.13.32"
>
> <<
> \relative c' { \repeat unfold 64 { a b c d } }
> { \repeat unfold 8 { \mark "foo" s1*8 } }
>>>
>
> The only Scheme programming you'd need is if you didn't know exactly how
> lo
- Original Message -
From: "David Raleigh Arnold"
You continue to ignore the evident fact that the English "ledger"
and French "leger" are not the same word. Since the spelling
"leger" was in use to indicate the slight lines, and since
"leger" was not used for a beam or large book, the
> That's a pretty sorry performance, don't you think?
Before it's getting personal: It's quite obvious that noone on the
list is an expert for finding out a correct answer (if such a thing
exists at all in that case). What about continuing this discussion
off-list?
Werner
On Thursday 02 September 2010 20:17:01 David Rogers wrote:
> * David Raleigh Arnold [2010-09-02 19:36]:
> >On Thursday 02 September 2010 12:23:58 David Rogers wrote:
> >> Just for good measure (or bad measure :-) ), another possible
> >> meaning could be "lines resembling the ruling in a ledger bo
[repost to -user; I guess the attachments were too large. What's the
maximum message size for the mailing list?]
On 2010-09-03 10:47, Werner LEMBERG wrote:
will font's hyphen be acceptable for lyrics as a _minimally_
acceptable.
I think the answer is yes. However, this is my feeling and not
hi Ferran
please always try to keep your examples or your code very small - this
avoids running after problems that do not really exist! it is also good
practice not to change too many things at a time!
now, have you tried to compile my little example (including your music)?
what are the resul
29 matches
Mail list logo
