Carl,
This is exactly what I was looking for.
Thank you very much.
Aloha,
Keith
On Wed, Apr 28, 2010 at 1:15 PM, Carl Sorensen wrote:
>
>
>
> On 4/28/10 2:34 PM, "keith Luke" wrote:
>
> > I'm using ^\markup \fret-diagram #"w:4;4-o;3-o;2-o;1-3;" but I would
> like to
> > use fret diagrams w
On 4/28/10 2:34 PM, "keith Luke" wrote:
> I'm using ^\markup \fret-diagram #"w:4;4-o;3-o;2-o;1-3;" but I would like to
> use fret diagrams with barre.
>
> I tried ^\markup \fret-diagram #"c:4-1-1;4-3;3-2;2-1;1-1;", but it shows
> "guitar" barre fret diagrams.
>
> How can I print ukulele cho
2010/4/28 bipll :
>
> Hi, list. I'm stuck with a symbol. On a piano staff there's a symbol, looking
> like square semibracket, suggesting that the note on a hand's staff should
> be played with another hand, actually (don't know how it is called in
> English, for, to begin with, I don't know how it
Perhaps the bracketed arpeggio?
On 28.04.2010, at 22:57, bipll wrote:
Hi, list. I'm stuck with a symbol. On a piano staff there's a
symbol, looking
like square semibracket, suggesting that the note on a hand's staff
should
be played with another hand, actually (don't know how it is called
Hi, list. I'm stuck with a symbol. On a piano staff there's a symbol, looking
like square semibracket, suggesting that the note on a hand's staff should
be played with another hand, actually (don't know how it is called in
English, for, to begin with, I don't know how it is called in Russian). Her
I'm using ^\markup \fret-diagram #"w:4;4-o;3-o;2-o;1-3;" but I would like
to use fret diagrams with barre.
I tried ^\markup \fret-diagram #"c:4-1-1;4-3;3-2;2-1;1-1;", but it shows
"guitar" barre fret diagrams.
How can I print ukulele chord fret diagrams that show only four strings?
I'm attachin
> I saw it in the docs for that engraver.
>
>
> http://lilypond.org/doc/v2.12/Documentation/user/lilypond-internals/Stem_005fengraver
> --
>
>
Thanks.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
2010/4/28 Bernardo Barros :
> Hum... I didn't get this yet. It has to be inside \Voice and not \Staff ...
I saw it in the docs for that engraver.
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-internals/Stem_005fengraver
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbada
Thanks!
Hum... I didn't get this yet. It has to be inside \Voice and not \Staff ...
hum...
Thanks again!
On 28 April 2010 15:15, Francisco Vila wrote:
> 2010/4/28 Bernardo Barros :
> > Hi all,
> >
> > A easy problem that I could not find a solution yet. Here it is: how to
> hide
> > the tremol
> Nosy question: why? It makes a difference in playing it, doesn't it?
>
Hi David,
Yes it does! But I want both Staff and TabStaff, so the musician can read
the notes and the posicions since it's a unusual tablature. A tremolo in
both staffs is not necessary, so I want to take off one of them. :
2010/4/28 Bernardo Barros :
> Hi all,
>
> A easy problem that I could not find a solution yet. Here it is: how to hide
> the tremolo slashes from the TabStaff? See the working example with the
> unwanted tremolo in the tabstaff, I tried everything to take this off! :-S
This works for me:
\layout
Bernardo Barros writes:
> Hi all,
>
> A easy problem that I could not find a solution yet. Here it is: how to hide
> the tremolo slashes from the TabStaff? See the working example with the
> unwanted tremolo in the tabstaff, I tried everything to take this off! :-S
>
>
> \version "2.12.3"
>
>
> m
Dear eluze,
I think, I've found my mistake:
I had the line
\paper { #(define page-breaking ly:minimal-breaking)}
in my score.
I think that was the reason, why page-count didn't work!
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.or
Hi all,
A easy problem that I could not find a solution yet. Here it is: how to hide
the tremolo slashes from the TabStaff? See the working example with the
unwanted tremolo in the tabstaff, I tried everything to take this off! :-S
\version "2.12.3"
music = {
\time 5/8
4:64
4.:64
}
Dear Eluze,
I would like You to send the score, the problem is:
it uses a lot of libraries with special commands and so on.
I've made relative links in the main score to these libraries.
I don't know how to make a -zip or -tar file which include the relative
links.
I will try it and then I would li
kontrapunktstefan wrote:
>
> Dear community,
> I have a problem with page-count.
> I have a score with 22 pages, but on the last page is only one system.
> So I put in the paper-block of the score
> page-count = 21
> Unfortunately it doesn't make any difference.
> I'm using version 2.12.2.
> Doe
Am Mittwoch, 28. April 2010 08:46:41 schrieb Martin Tarenskeen:
> Hi,
>
> I'm trying to this with Lilypond 2.13.19:
>
> \relative c' { c1\mf | d\cresc | e | f\ff }
>
> Nothing special I would say. But after compiling the "cresc." is placed
> below the e in the third bar instead of below th
On Wed, Apr 28, 2010 at 09:35:02AM +0200, Xavier Scheuer wrote:
> But then I was informed of Graham's #(make-dynamic-extra ...) function,
> which I use now and which has no drawback at all (to what I know).
>
> – the dynamic is considered as a dynamic (in MIDI output too);
> – the dynamic is c
2010/4/28 Reinhold Kainhofer :
> No, here you have a dynamic marking and some text markup, which do
> not have anything to do with each other, so they are positioned
> separately (examples are: "pizz" on the same note as a\p. You
> definitely don't want "pp pizz."!)
It won't happen. "pizz" will
Bernardo Barros schrieb:
Hi Carl, marc and others,
Did you manage to use \chordGlissando with dynamics?
I didn't use dynamics yet.
It creates a lot of dynamics, and if I try to create a hiden voice the
score becomes a mess. I'm not putting dynamics in those chords until I
know what to do.
Hm,
On Wed, Apr 28, 2010 at 08:46:41AM +0200, Martin Tarenskeen wrote:
>
> I'm trying to this with Lilypond 2.13.19:
>
> \relative c' { c1\mf | d\cresc | e | f\ff }
>
> Nothing special I would say. But after compiling the "cresc." is placed
> below the e in the third bar instead of below the d
21 matches
Mail list logo
