Re: \partial after \cadenzaOff

2010-04-06 Thread Graham Percival
On Tue, Apr 06, 2010 at 06:59:30PM +0200, Mats Bengtsson wrote: > > Werner wrote: >> I got problems with \partial after \cadenzaOff, which is ignored for three of >> four voices. >> In the DOC i found: >> >> The \partial command is intended to be used only at the beginning of a >> piece. If >> you

bracket for una corda

2010-04-06 Thread Stefan Thomas
Dear community, is it possible to get a bracket, like one can have whith \sustainOn and \sustainOff, but for the una corda pedal? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: \partial after \cadenzaOff

2010-04-06 Thread Mats Bengtsson
Werner wrote: I got problems with \partial after \cadenzaOff, which is ignored for three of four voices. In the DOC i found: The \partial command is intended to be used only at the beginning of a piece. If you use it after the beginning, some odd warnings may occur. I have tried hard over

Re: Major version: LilyPond 2.14.0 released!

2010-04-06 Thread Han-Wen Nienhuys
On Thu, Apr 1, 2010 at 8:11 PM, Graham Percival wrote: > On Thu, Apr 01, 2010 at 04:15:18PM +0200, Nils Gey wrote: >> It seems the real joke is "Release Early, Release Often" in the >> same sentence as lilypond. > > Yeah, well, screw you too.  In the past 5 months, we've had an > average of one re

Re: Mensural breve in Tempus perfectum

2010-04-06 Thread Francisco Vila
2010/4/5 Neil Puttock : > On 5 April 2010 20:59, Francisco Vila wrote: >> Hello. Does anyone know what's wrong here? see >> http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Typesetting-mensural-music#Mensural-time-signatures > > The parser creates a new duration from the duration identifi

normal vs. piano-centered dynamics

2010-04-06 Thread Martin Tarenskeen
Hi, I just discovered that with the current versions of Lilypond it is now much easier to get piano-centered-dynamics than in older versions thanks to a Dynamics context. Apparently I had missed the introduction of this nice feature, but a late thanks anyway ! I do have a question: Why is

Re: Special metronome marks

2010-04-06 Thread Xavier Scheuer
On 5 April 2010 12:19, Graham Percival wrote: > An example of this is in LSR.  Try searching for "jazz tempo" or > something ilke that. Rhythm marks / play style indication http://lsr.dsi.unimi.it/LSR/Item?id=204 Cheers, Xavier -- Xavier Scheuer __

Re: \mergeDifferentlyHeadedOn + \change Staff ?

2010-04-06 Thread Mark Polesky
Mats Bengtsson wrote: > or use \mergeDifferentlyHeadedOn in both staves. Thanks Mats! - Mark ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: \mergeDifferentlyHeadedOn + \change Staff ?

2010-04-06 Thread Mats Bengtsson
If you look in ly/property-init.ly, you will see that \mergeDifferentlyHeadedOn is just a shortcut defined as mergeDifferentlyHeadedOn = \override Staff.NoteCollision #'merge-differently-headed = ##t Since you want the setting to affect both staves, you can try \override Score.NoteCollision #'me