Re: outside-staff-priority with slur and hairpin

--- On Thu, 9/17/09, Trevor Daniels wrote: > From: Trevor Daniels > Subject: Re: outside-staff-priority with slur and hairpin > To: "Jonathan Wilkes" , lilypond-user@gnu.org > Date: Thursday, September 17, 2009, 10:08 AM > > Jonathan Wilkes wrote Thursday, September 17, 2009 1:38 AM > > > > 

Re: Snippets

2009/9/16 Mark Austin : > There are two problems. The first is that this generates two sets of > snippets, one for each line of music. Is there any way to generate a > snippet covering both lines. You'll have to force both systems you want to clip into one long system, either by preventing breaks

Fine-tuning of markup positions

Hello, I have some kind of ornamental "matrix" a b c d e f g h i I want to display at the end of each \bookpart (I use different symbols, but this doesn't matter here). The matrix should be placed centered, and in order to align the symbols properly,I defined matrix = \markup { \override #'(

Re: Treble clef with optional octavation?

Alexander Kobel schrieb: Hi, all, anyone knows how to write a G clef, like in \clef "treble_8" but with the octavation "8" in parentheses? (It's for a staff with a solo voice sung by either alto or baritone, and thus the octavation is optional.) This solution (with a callback created by N

Re: Chords with multiple glissandos

David Stocker schrieb: Thanks Kieren. I actually do need the chords expressed as one "voice". I'll look through the list archives and see if I can use your solution. Thanks, David Kieren MacMillan wrote: Hi David, Is there any way to make this work, so that both sets of notes are connect

Treble clef with optional octavation?

Hi, all, anyone knows how to write a G clef, like in \clef "treble_8" but with the octavation "8" in parentheses? (It's for a staff with a solo voice sung by either alto or baritone, and thus the octavation is optional.) Thanks, Alexander ___

Re: Chords with multiple glissandos

Thanks Kieren. I actually do need the chords expressed as one "voice". I'll look through the list archives and see if I can use your solution. Thanks, David Kieren MacMillan wrote: Hi David, Is there any way to make this work, so that both sets of notes are connected with glissandos? If

Re: Chords with multiple glissandos

Hi David, Is there any way to make this work, so that both sets of notes are connected with glissandos? If you correct your polyphonic code, it works fine: \version "2.13.3" \include "english.ly" \paper { ragged-right = ##f } \relative c'' { cs1 << { \voiceOne cs4 \glissando b \glissan

Chords with multiple glissandos

Is there any way to make this work, so that both sets of notes are connected with glissandos? **minimal example** \version "2.13" \include "english.ly" \paper { ragged-right = ##f } \relative c'' { cs1 << {cs4 \glissando b \glissando cs2} {gs4 \glissando fs \glissando gs2} >> } **

Re: emacs on Ubuntu

Okay. If you still want to enable lilypond-mode in Emacs, go to /home/yourusername/.emacs.d and edit the file called "init.el" If the directory or the file (or both) don't exist, then create them. In init.el, paste in the following: **begin copy and paste section** (setq load-path (append (

Re: outside-staff-priority with slur and hairpin

Jonathan Wilkes wrote Thursday, September 17, 2009 1:38 AM I did a quick exercise typsetting a Schumann score, and I'm puzzled because to get the hairpin under the slur I had to turn up 'outside-staff-priority for the slur to be greater than 250. Otherwise, the snippet below doesn't wor