I was just browsing around in the LSR and found this very useful bit
that is just fantastic, I hadn't come across it in any docs - LM, NR, or
IR (I did a browser Edit/Find for output-suffix on all of those) -
#(define output-suffix "you-put-something-here")
It's for use in a multi-bookpart .l
> "hhpmusic" == hhpmusic writes:
>> And I've now fixed the permissions on the download link there.
>> Sorry for the bother before.
hhpmusic> Thank you very much, but I still can't access the "here"
hhpmusic> link. The web can't find the page, even though I
hhpmusic> registered. How to get
> "Hans" == Hans Aberg writes:
Hans> On 2 Jun 2009, at 01:29, Peter Chubb wrote:
>> I've put up a page on how to get more realistic sounding MIDI
>> output from current LilyPond, along with the scripts and scheme
>> code used, at http://www.nicta.com.au/people/chubbp/articulate
Hans> (Isn't
On 2 Jun 2009, at 01:29, Peter Chubb wrote:
I've put up a page on how to get more realistic sounding MIDI output
from current LilyPond, along with the scripts and scheme code used,
at
http://www.nicta.com.au/people/chubbp/articulate
(Isn't there a timing problem at the second triplet?)
Moin Helge,
thanks for the tip ... I'm still thinking about that
at least now I have some direction where to look for
the error
cheers
thomas
"Helge Kruse" schrieb im Newsbeitrag
news:4a237fba.4080...@gmx.net...
> Moin Thomas,
>
> Error codes are created by the operating system and reported
1) I had some difficulties to write the Alt chords (for me it's based
on the superlocrian scale 1 2- 2+ 3 4+ 6- (or 5+) 7-) because the
scale has two seconds. (Note that the diminished scale cannot be
written for now with the chord notation, if you ever want to write
a 8
note chord ;) ).
Th
This `good' Wikipedia article
http://de.wikipedia.org/wiki/Rechtsschutz_von_Schriftzeichen
also discusses printed music. Quite interesting to read...
This article should probably translated into English :-)
Werner
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lilypond-user mailing
Dear Peter:
> And I've now fixed the permissions on the download link there. Sorry for the
> bother before.
Thank you very much, but I still can't access the "here" link. The web can't
find the page, even though I registered. How to get the file?
Haipeng
On Jun 2, 2009, at 4:55 AM, Jean-Alexis Montignies wrote:
Hi there, as a jazz player I would like to share my input.
What I need in scores is really chord names.
The chord name denotes the intent of the composer and is much
subject to interpretation.
Some examples:
If you have a dominant c
I forgot to tell that this particular score was written in the old C clef :)
Anyway, a bit of fiddling around with the various solutions proposed, I
found that this gives the desired result:
\times 2/3 { \slurDashed a8[( \set stemRightBeamCount = #0 b \teeny c)]}
\normalsize d,4 fis |
Thanks fo
On 6/2/09 3:55 AM, "Jean-Alexis Montignies" wrote:
> Hi there, as a jazz player I would like to share my input.
Thanks for sharing, Jean-Alexis.
>
> What I need in scores is really chord names.
> The chord name denotes the intent of the composer and is much subject
> to interpretation.
>
>
Hey,
The piece is not from MIDI input, but rather was generated
algorithmically in Python (thus the rigidity of the layout that you picked
up on). All of the spaces are intentional. In my newest attempted compile
of the work (I killed the old one in a fit of self doubt), I removed the
beam en
Op dinsdag 02 juni 2009, schreef Jonathan Kulp:
> \version "2.12.1"
>
> \relative c'' {
>\override TupletBracket #'bracket-visibility = ##f
>\times 2/3{\slurDashed c8([ d] \set fontSize = #-2
>\set stemRightBeamCount = #0 e[])} \unset fontSize f,4
> }
this one has the small beam in the
Robert wrote:
The beam for between the 2nd and 3rd note is dashed, the 3rd note smaller
and the phrasing slur is dashed too.
This is not good enough but maybe it'll give some ideas. I have the
feeling that some scheme is necessary but I don't know how to do it. My
first thought on how to do
The beam for between the 2nd and 3rd note is dashed, the 3rd note smaller
and the phrasing slur is dashed too.
-Original Message-
From: lilypond-user-bounces+robert.64=dbmail@gnu.org
[mailto:lilypond-user-bounces+robert.64=dbmail@gnu.org] On Behalf Of
Jonathan Kulp
Sent: 02 June 20
Robert Querner wrote:
In the Menuet in chapter 7 of AM Bach's notebook from 1725 there is an
optional triolet
I don't seem to be able to work out how to get this into the score.
Any suggestions?
It's a bit hard to see in that image but it looks as if the first half
of the beam is solid
In the Menuet in chapter 7 of AM Bach's notebook from 1725 there is an
optional triolet
I don't seem to be able to work out how to get this into the score.
Any suggestions?
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lilypond-user@gnu.org
http://lists.gnu.org/
2009/6/2 Vivian Barty-Taylor :
> I can't get the SeparationItem spacing tweak to work in 2.12.2 (on OSX). See
> code and attached PNG. Does anyone have any suggestions as to an alternative
> workaround?
it is now called Score.NonMusicalPaperColumn
--
Francisco Vila. Badajoz (Spain)
www.paconet.or
I can't get the SeparationItem spacing tweak to work in 2.12.2 (on
OSX). See code and attached PNG. Does anyone have any suggestions as
to an alternative workaround?
Thanks,
Vivian.
> Begin Lilypond snippet
\include "header.ly"
\score {
<<
\new Staff { \override Score.SeparationIt
> "Peter" == Peter Chubb writes:
Peter> Hi,
Peter> I've put up a page on how to get more realistic sounding MIDI
Peter> output from current LilyPond, along with the scripts and scheme
Peter> code used, at http://www.nicta.com.au/people/chubbp/articulate
And I've now fixed the permissions
Hi there, as a jazz player I would like to share my input.
What I need in scores is really chord names.
The chord name denotes the intent of the composer and is much subject
to interpretation.
Some examples:
If you have a dominant chord, you write G7. Most of the time, the
pianist will not
2009/6/2 Akira :
> I'm afraid you can't understand this mail because of my poor English.
> Please look at the picture at:
> http://lh5.ggpht.com/_Rub71FvXx30/SiTo4l9iACI/ABI/7lYeF1QLflY/s800/ImageMovements.JPG
>
> I'm writing a suite that consists of 3 movements (Holst's First Suite) .
>
>
I'm afraid you can't understand this mail because of my poor English.
Please look at the picture at:
http://lh5.ggpht.com/_Rub71FvXx30/SiTo4l9iACI/ABI/7lYeF1QLflY/s800/ImageMovements.JPG
I'm writing a suite that consists of 3 movements (Holst's First Suite) .
I want to print the first mov
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