Hello,
Vallentin ever helped me to get a stemBoth function when I wrote the full
score of my song for attending the CCTV piano competition:
stemBoth = #(define-music-function (parser location m) (ly:music?)
#{ << \voiceOne $m \new Voice { \voiceTwo $m } >> \oneVoice #})
Now I'm orchestrating D
Behnam Rassi wrote:
What I'm not clear about is that you don't need just a font containing
two glyphs for Sori and Koron right? You need a font containing all
necessary glyphs for music writing, including Sori and Koron. So I have
to add them to an existing font. Did I understand it correctly?
Really all that's lacking is the koron and sori. A small o is fine for the
tahrir, we have that already.
Kees
- Original Message -
From: Behnam Rassi
Date: Monday, February 2, 2009 4:48 pm
Subject: Re: Persian musical koron and sori
To: Kees van den Doel
Cc: Hans Aberg , Graham Breed ,
If you want to support more Persian notation the most important (and
universal) is probably the symbol for tahrir, which is a small o above (if
stems up) or below (if stems down) and in the middle of two equal notes.
Something like
o o<- tahrir
O O O
|| |
|| |
William Yeater wrote:
we then typed in: sh lilypond-X.Y.Z.linux-x86.sh
We got the no such command.
Just type sh lil and press the TAB key -- the shell will complete the
correct file name for you.
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2009/2/1 John Mandereau :
> IIRC it should have started at 15.00 CET, so the premiere is most probably
> finished. I hope this was a great success and the two other will go well
> too.
Greetings everybody,
the past couple of weeks has been exhausting and has almost been
preventing me from follo
> On 2 Feb 2009, at 20:58, Kees van den Doel wrote:
>
> > I have several shelves of Persian music books and I have never
> seen
> > that "variation".
> > The sori is always a rotated = with an > on it, and the koron
> akways
> > has the '>' body.
>
> That is good to know - I think what you
kentaku_sama wrote:
>
>
> lower = \relative c, {
>
> C:/Users/W J/Desktop/cc sleep.ly:31:5: error: syntax error, unexpected
> \score
>
> \score {
>
if this is a coherent part of the log then obviously your lines have been
shuffled: the line starting with +lower = …+ does not
On 2 Feb 2009, at 20:58, Kees van den Doel wrote:
I have several shelves of Persian music books and I have never seen
that "variation".
The sori is always a rotated = with an > on it, and the koron akways
has the '>' body.
That is good to know - I think what you say is best, being most
di
> > standard fonts I'd have thought if we're only talking two new
> glyphs.
> Though there are some variations, I think they semantically the
> same.
> The variation used by Farhat is for koron like an inverted flat
> b, but
> with the loop have the form >, and for the sori, a sharp # but
In message <4984fcb5.6010...@gmail.com>, William Yeater
writes
We have an EEE pc with xantros linux on.
I've got an Acer Aspire ... with Linpus (Fedora 7 derivative)
We figured out how to go into advanced mode.we were able to get a
command shell by typing ctrl-alt-T/
The Aspire has a way
Thanks for your great idea.
So, I can continue my work.
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> The name is "Affaire étrangère"; how would you translate it, Valentin? :-)
"Foreign affair" surely sounds odd :-)
Arthur
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We have an EEE pc with xantros linux on.
We figured out how to go into advanced mode.we were able to get a
command shell by typing ctrl-alt-T/
we then typed in: sh lilypond-X.Y.Z.linux-x86.sh
We got the no such command.
Help?
/
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Thanks Kees.
Is this for tuning a key or marking a specific note? or both?
Behnam
On 1-Feb-09, at 6:07 PM, Kees van den Doel wrote:
Here's an example from a Persian music book.
Kees
- Original Message -
From: Hans Aberg
Date: Sunday, February 1, 2009 2:14 pm
Subject: Re: Persian musica
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
On Montag, 2. Februar 2009 07:12:59 Joe Neeman wrote:
> > > Right, but it only uses the 10% buffer to decide how much to stretch
> > > the systems. The actual layout of the systems, once they've been
> > > stretched, is done in space-systems, which use
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
On Montag, 2. Februar 2009 10:09:55 今井雄治 wrote:
> Hi users.
>
> I want to customize rest by its duration, as following
> r4 --> black circle
> r8 --> black circle with under line
Attached is a scheme example how to do this (it checks the durat
Andrew Wilson wrote:
2009/1/31 Rob Canning :
#!/usr/bin/perl
sub InsertNotes {
my ($num, $form, @notes) = @_;
my ($output, @temp);
while (@notes) {
(@temp[0..$num-1], @notes) = @notes;
$output .= sprintf $form, (@temp);
}
return $output;
}
my @list = qw"a b c d a b c d a f
On 2 Feb 2009, at 12:34, Graham Breed wrote:
Do you what types of fonts that LilyPond can use? - Behnam Rassi he
says he only knows how to make music fonts.
There are two ways Lilypond loads its fonts: music fonts and Pango
fonts. The music fonts start out as Metafont and get converted to
Hans Aberg wrote:
Graham,
Do you what types of fonts that LilyPond can use? - Behnam Rassi he says
he only knows how to make music fonts.
There are two ways Lilypond loads its fonts: music fonts and
Pango fonts. The music fonts start out as Metafont and get
converted to OTF along with some
On 2 Feb 2009, at 08:55, Graham Breed wrote:
I think that koron and sori may not be in Unicode, which LilyPond
uses for fonts. So some special implementation might be needed.
There'll be a code point in the font file. You can get it using
FontForge (which I had to use for Sagittal because
Strange, it shouldn't happen, I thought I had removed that code.
nick.pa...@internode.on.net wrote:
I updated to this version of LPT a few days ago. It fixes the problem
with jPedal and jEdit locking up if jPedal is not showing the first
page of the PDF when rebuilding the ly file, but although
Hi users.
I want to customize rest by its duration, as following
r4 --> black circle
r8 --> black circle with under line
I tried following code.
RestIV = {
\once \override Rest #'stencil = #ly:text-interface::print
\once \override Rest #'text = \markup {
\halign
Am 02.02.2009 um 09:56 schrieb Simon Bailey:
hi,
On Feb 2, 2009, at 9:52 AM, James E. Bailey wrote:
given how well it works, defining a variable like
PhrasingAdjustment = {s1*32 \grace s8 } and then just including
that in all parts doesn't seem to be too much of a hassle. And
wouldn't re
This reminds me, I still haven't heard anything
from my feature request on -devel on this topic.
Anyone?
http://lists.gnu.org/archive/html/lilypond-devel/2008-12/msg00403.html
http://lists.gnu.org/archive/html/lilypond-devel/2008-12/msg00404.html
- Mark
_
hi,
On Feb 2, 2009, at 9:52 AM, James E. Bailey wrote:
given how well it works, defining a variable like PhrasingAdjustment
= {s1*32 \grace s8 } and then just including that in all parts
doesn't seem to be too much of a hassle. And wouldn't really wreak
havoc.
wreak havoc may have been an
Am 02.02.2009 um 09:46 schrieb Simon Bailey:
hi,
On Feb 2, 2009, at 12:25 AM, Robin Bannister wrote:
Well, \repeatTie doesn't take you very far into the ensuing
phrase. And it doesn't swoop properly.
A fairly easy way in this case is to add a hidden grace note:
{ \hideNotes \grace b16\( \u
hi,
On Feb 2, 2009, at 12:25 AM, Robin Bannister wrote:
Well, \repeatTie doesn't take you very far into the ensuing phrase.
And it doesn't swoop properly.
A fairly easy way in this case is to add a hidden grace note:
{ \hideNotes \grace b16\( \unHideNotes c8 g8 c8 \) | }
And you can use the
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