How can I reduce vertical spacing between stanzas?
- Mark
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Francisco Vila wrote:
2008/12/3 Jonathan Kulp <[EMAIL PROTECTED]>:
I've just discovered the new (sort of) command \numericTimeSignature and
wanted to thank whoever implemented this.
Graham made it for 2.11.43-2
Thanks Graham!
Jon
--
Jonathan Kulp
http://www.jonathankulp.com
__
As has been pointed out in previous answers, one solution is to
make a separate \score block for each movement (this is probably
the most common way to typeset several moments). However, if
the movements go attacca and should be typeset like that, you
can use \partial commands to handle all your p
Le 4 déc. 08 à 21:25, james a écrit :
I'm having some difficulty. So far, in a score that compiles fine
without \bookpart, I only get bus errors when I try to use
\bookpart. I've tried having just one \score in the \bookpart, I've
tried having all of them in \bookparts. The example from elu
Le 4 déc. 08 à 12:52, Graham Percival a écrit :
On Thu, Dec 04, 2008 at 11:58:48AM +0100, Mats Bengtsson wrote:
With the new book parts feature, is it possible to restart the page
numbering for each book part.
Surprisingly,
\paper{ first-page-number = #1 }
doesn't do this!
Indeed, first-p
Am 03.12.2008 um 22:59 schrieb Neil Puttock:
2008/12/3 james <[EMAIL PROTECTED]>:
I'm sorry, \bookpart is new to me, and I don't find it when I
search for it
in the one big page option. Where can I learn more about this?
It's hot off the press. :)
Here are some links from the 2.11.65 doc
Am 04.12.2008 um 18:24 schrieb -Eluze:
james bailey-2 wrote:
I wanted to have a title page before the music begins. I assumed I'd
does this about what you're looking for?
Sadly, no. My title page consisted of just markups organised on the
page. I just decided to scrap the pre-designe
james bailey-2 wrote:
>
> I wanted to have a title page before the music begins. I assumed I'd
>
does this about what you're looking for?
\version "2.11.65"
\paper {
ragged-bottom = ##t
ragged-last-bottom = ##t
}
\book {
\header {
title =
Gilles Sadowski wrote Thursday, December 04, 2008 12:34 PM
Hi.
I would like to print on the same staff two parts of wind instruments
(flutes, clarinettes...) but if I use << { \partI } \\ { \partII } >> or
\partcombine { \partI } { \partII }, the dynamics are not merged when
they are the sam
Johan Vromans wrote:
While at the subject...
To change the default fonts for a document, the advised code is:
\paper {
myStaffSize = #20
#(define fonts
(make-pango-font-tree "Times New Roman"
"Nimbus Sans"
"Luxi Mono"
I wanted to have a title page before the music begins. I assumed I'd
set up my title page, have breakbefore=##t in my \header, and have my
title page on the first page, the header information on the second
page. I see that is not the case. Whent does breakbefore work? The
documentation ment
After much searching, I found it. Fontbook installs user-installed
fonts to a directory that isn't indexed by fontconfig ~/Library/
Fonts. After I realised that, I knew to tell fontbook to install my
fonts system-wide, apparently, osx doesn't use ~/.fonts/ which
fontconfig does index.
___
> Well, to be completely explicit, it lists the fonts that lilypond
> installs by name, and then the directories for the system fonts.
This is not correct. It lists all fonts which have been registered by
fontconfig (plus the OTF and PFB fonts from lilypond).
> I just don't know what name to cal
Oops, I looked more closely at the list, and it does name all the
system fonts. I just don't see palatino in the list.
Am 04.12.2008 um 12:01 schrieb Mats Bengtsson:
Did you read
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/
Fonts#Fonts-explained
In particular, it explains how
Well, to be completely explicit, it lists the fonts that lilypond
installs by name, and then the directories for the system fonts. I
just don't know what name to call the system fonts by.
I've tried the file name and the name that shows up in fontbook, but
nothing so far works.
Am 04.12.200
I did. I have the list of all the fonts. Well, I have the directories
that the available fonts are in. If that actually listed font names
accepted, it would be perfect! Is there another option to do this?
Am 04.12.2008 um 12:01 schrieb Mats Bengtsson:
Did you read
http://lilypond.org/doc/v2.
Hi.
> I would like to print on the same staff two parts of wind instruments
> (flutes, clarinettes...) but if I use << { \partI } \\ { \partII } >> or
> \partcombine { \partI } { \partII }, the dynamics are not merged when
> they are the same. I get the same crescendo et decrescendo above an
I would like to print on the same staff two parts of wind instruments
(flutes, clarinettes...) but if I use << { \partI } \\ { \partII } >> or
\partcombine { \partI } { \partII }, the dynamics are not merged when
they are the same. I get the same crescendo et decrescendo above and
below the sta
On Thu, Dec 04, 2008 at 11:58:48AM +0100, Mats Bengtsson wrote:
> With the new book parts feature, is it possible to restart the page
> numbering for each book part.
Surprisingly,
\paper{ first-page-number = #1 }
doesn't do this! I agree, this would be nice.
Cheers,
- Graham
__
Am 04.12.2008 um 01:02 schrieb Neil Puttock:
Hi James,
2008/12/3 james <[EMAIL PROTECTED]>:
I'm not understanding how font switching in a \markup block works.
I thought
that I could just do \markup \override #'(fontname . #'Courier)
{test} and
it would work, but it doesn't. Is there some o
Did you read
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Fonts#Fonts-explained
In particular, it explains how to obtain a list over all fonts on your
system that are available
to LilyPond.
/Mats
james wrote:
Am 04.12.2008 um 06:41 schrieb Jan van Dijk:
Op Thursday 04 Dece
Hi,
With the new book parts feature, is it possible to restart the page
numbering for each book
part. In that case, it would be an ideal solution if you want to typeset
a number of orchestral
parts, where all the resulting parts are output into the same PDF file,
but with individual
page numbe
"Neil Puttock" <[EMAIL PROTECTED]> writes:
> http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Fonts#Single-entry-fonts
While at the subject...
To change the default fonts for a document, the advised code is:
\paper {
myStaffSize = #20
#(define fonts
(make-pango-font-tr
Am 04.12.2008 um 06:41 schrieb Jan van Dijk:
Op Thursday 04 December 2008 00:47:52 schreef james:
I'm not understanding how font switching in a \markup block works. I
thought that I could just do \markup \override #'(fontname .
#'Courier) {test} and it would work, but it doesn't. Is there some
where can i reset or recover my password for the login to the snippet
repository "lsr.dsi.unimi.it"
tiafyh!
Eluze
--
View this message in context:
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I wondered: Why do you only use the finale examples for comparison?
Well, I think because Finale is one of the most popular and at the same
time worst softwares.
With Sibelius for example (the one I know better) there would have been
less trivial differences.
Bert
Which LilyPond version do you use? Several related problems have been
fixed in
the latest 2.11.x releases.
Regards
/Mats
Marcos di Silva wrote:
Dear all,
My eps files generated by lilypond-book have wrong superior margin.
The metronome marks and some bar numbers are cut.
How do I adjust ve
2008/12/3 Jonathan Kulp <[EMAIL PROTECTED]>:
> I've just discovered the new (sort of) command \numericTimeSignature and
> wanted to thank whoever implemented this.
Graham made it for 2.11.43-2
--
Francisco Vila. Badajoz (Spain)
http://www.paconet.org
Am 04.12.2008 um 06:41 schrieb Jan van Dijk:
Op Thursday 04 December 2008 00:47:52 schreef james:
I'm not understanding how font switching in a \markup block works. I
thought that I could just do \markup \override #'(fontname .
#'Courier) {test} and it would work, but it doesn't. Is there some
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