-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Montag, 25. August 2008 schrieb Rob Canning:
> Reinhold Kainhofer wrote:
> > At least the Debian and Kubuntu packages of lilypond-data have the
> > following requirement:
> > Pre-Depends: tetex-bin | texlive-base
> >
> > I suppose that this is not t
Hi Trevor,
Thanks for heading me in the right direction. I'll work on this and will
post a solution when I'm done.
Thanks again
Herbert
Trevor Daniels wrote:
I suspect no one answered earlier because there
doesn't seem to be an easy way to do this. There
should be.
The brew-chord-bracket rou
Reinhold Kainhofer wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Samstag, 23. August 2008 schrieb Mats Bengtsson:
Rob Canning wrote:
but at the moment we have found that lilypond pulls texlive as a
dependency
How come? This used to be true a very long time ago, but th
Michael Käppler wrote:
... for this great piece of software. I'm using LilyPond for about one
year now, since I've finally dropped my laptop's Windoze partition.
Capella, which I former used doesn't work properly with Wine. Honestly
I have to admit that it took me sometimes hours to figure out
That's awesome!! Thanks!
Jonathan
Gilles Sadowski wrote:
Hello.
I've been using Lilypond regularly for several years now with great
satisfaction. Recently, I've begun using lilypond generated png files in
powerpoint presentations and I'd like to know if there is a way to
generate these fi
Hello.
> I've been using Lilypond regularly for several years now with great
> satisfaction. Recently, I've begun using lilypond generated png files in
> powerpoint presentations and I'd like to know if there is a way to
> generate these files with a transparent (rather than white) background
Hello all,
I'm writing to express my frustration at the intermittent
availability of the LSR — since returning from Edinburgh (about two
weeks ago), I've tried nearly a dozen times to connect/search
(including just a few minutes ago), and was successful precisely once.
I want to submit my
Hello,
I've been using Lilypond regularly for several years now with great
satisfaction. Recently, I've begun using lilypond generated png files in
powerpoint presentations and I'd like to know if there is a way to
generate these files with a transparent (rather than white) background so
I ca
2008/8/25 Alexander Kobel <[EMAIL PROTECTED]>:
> Uah, and is it possible to leave the bar numbers at their usual place?
> Above the Marks context they look crappy, and adding the
> Bar_number_engraver to the topmost Marks is better, but not as good as
> the default.
You'll have to move the Bar_num
2008/8/25 Alexander Kobel <[EMAIL PROTECTED]>:
> Okay. I don't think I understand what this Staff_collecting_engraver is
> doing, but yes, this looks better. CENTER doesn't make sense, that's
> true, but the result looked almost like what I wanted.
>
> But still, if I comment out all #'direction l
Uah, and is it possible to leave the bar numbers at their usual place?
Above the Marks context they look crappy, and adding the
Bar_number_engraver to the topmost Marks is better, but not as good as
the default.
Cheers,
Alexander
___
lilypond-user mai
Neil Puttock wrote:
> Hi Alexander,
>
> 2008/8/25 Alexander Kobel <[EMAIL PROTECTED]>:
>> I tried to copy from the Piano-centered dynamics template and it's
>> Dynamics context, which seems to be similar. I ended up with the
>> attached output, which looks quite okay.
>>
>> However, during compila
James E. Bailey wrote:
> How does the output differ from what's suggested in 1.8.1.3, printing
> marks on every staff?
For one thing, Kieren's right, although I didn't notice this problem up
to now. Since those marks don't belong to a single voice, it doesn't
seem to make sense to put them there,
Hi Alexander,
2008/8/25 Alexander Kobel <[EMAIL PROTECTED]>:
> I tried to copy from the Piano-centered dynamics template and it's
> Dynamics context, which seems to be similar. I ended up with the
> attached output, which looks quite okay.
>
> However, during compilation Lily complains /a lot/ ab
Hi James,
How does the output differ from what's suggested in 1.8.1.3,
printing marks on every staff?
In a "French score" — i.e., using { \RemoveEmptyStaffContext } — you
may be missing the marks on certain systems.
Otherwise, the outputs are probably identical.
Cheers,
Kieren.
_
Michael, you wrote Monday, August 25, 2008 1:25 PM
I'm interested in contributing to the LilyPond project anyhow, maybe I
could help with german translations for the manual or the program itself?
I'm in the process of re-writing several sections in Chapter 5 Changing
defaults
of the Notation
How does the output differ from what's suggested in 1.8.1.3, printing
marks on every staff?
I get relatively similar output
\version "2.11.56"
markings = {
s1\mark \default
s1*3
s1\mark \default
s1*7
s1\mark \default
s1*3
\bar "|."
}
notes = {
\repeat unfold 16 {c'1}
}
In message <[EMAIL PROTECTED]>, Patrick
McCarty <[EMAIL PROTECTED]> writes
On Mon, Aug 25, 2008 at 12:56:11AM +0100, Anthony W. Youngman wrote:
It's not in the manual, and I can't search the LSR because it's down ...
I want time signatures of "Common" and "Cut Common" in my music. I know
they'r
Hi Alexander,
I want to typeset a piano reduction where the RehearsalMarks,
MetronomeMarks and some TextSpanners (like rit. etc.) are shown
once in
the Score context, but are additionally doubled above the
PianoStaff for
the piano player.
I've often wanted to do this, and have never gotte
Stefan Thomas wrote:
> Dear lilypond-users,
> I have a question concerniung the paper size. When I print a pdf-file
> with lpr, the top off the page is cut off. I think, the defualt paper
> size is not a4. But the same thing happens, when I include the line "
> #(set-default-paper-size "a4")" in th
Dear lilypond-users,
I have a question concerniung the paper size. When I print a pdf-file with
lpr, the top off the page is cut off. I think, the defualt paper size is not
a4. But the same thing happens, when I include the line "
#(set-default-paper-size "a4")" in the ly-file.
Does someone know, h
... for this great piece of software. I'm using LilyPond for about one
year now, since I've finally dropped my laptop's Windoze partition.
Capella, which I former used doesn't work properly with Wine. Honestly I
have to admit that it took me sometimes hours to figure out some syntax
/ layout i
You might be better served with \stopStaff and \startStaff.
Am 25.08.2008 um 13:24 schrieb Alexander Kobel:
Hi, all,
does anybody know whether/how it's possible to locally prevent staves
from hiding troughout a part of the piece? An example (and my best
up to
now) is attached...
By the way
Hi Alexander,
does anybody know whether/how it's possible to locally
prevent staves from hiding troughout a part of the piece?
See Neil's solution to the same question, which I posed almost
exactly a year ago:
http://lists.gnu.org/archive/html/lilypond-user/2007-08/
msg00366.html
Hope
Jonathan Kulp <[EMAIL PROTECTED]> writes:
> Yes, you can import MIDI into Finale but as Dominic notes, it doesn't
> have enough information embedded to get good results. Even very
> simple pieces are so badly messed up that it would be easier simply to
> enter all the notes again than try to fix
Yes, you can import MIDI into Finale but as Dominic notes, it doesn't
have enough information embedded to get good results. Even very simple
pieces are so badly messed up that it would be easier simply to enter
all the notes again than try to fix the MIDI import. At least this has
been my exp
I suspect no one answered earlier because there
doesn't seem to be an easy way to do this. There
should be.
The brew-chord-bracket routine uses the horizontal,
bracket stencil, which does have a means of modifying the
end heights when used as a horizontal bracket, but this
does not seem to have
On Mon, Aug 18, 2008 at 11:50 AM, Valentin Villenave
<[EMAIL PROTECTED]> wrote:
> 2008/8/18 Graham Percival <[EMAIL PROTECTED]>:
>
>> That seems trivial -- surely everybody knows this already -- so
>> let's discuss a specific example. I'll pick on Valentin since he
>> won't mind... and also since
You could also use MuseScore (www.musescore.com) which is available for linux
& windows and which runs via the command line as well. Therefore, converting
midi to musicXML goes really fast.
tabster wrote:
>
> I´m not a MIDI expert, but why use the MIDI way if you could import MIDI
> also direct
On Mon, Aug 25, 2008 at 9:44 AM, John Mandereau
<[EMAIL PROTECTED]> wrote:
> On 2008/08/23 09:30 -0700, Kurt Kroon wrote:
>> On 2008/08/23 12:13 AM, "Graham Percival" <[EMAIL PROTECTED]> wrote:
>>
>> > My thesis defense went very well, I've finished all
>> > corrections, and have submitted all the
I´m not a MIDI expert, but why use the MIDI way if you could import MIDI
also directly into Finale? [This is probably possible.]
As MIDI does not contain any layout information it is not well suited for
producing MusicXML output. Additionally, I don´t know the current features
of MIDI files, but is
On 2008/08/23 09:30 -0700, Kurt Kroon wrote:
> On 2008/08/23 12:13 AM, "Graham Percival" <[EMAIL PROTECTED]> wrote:
>
> > My thesis defense went very well, I've finished all
> > corrections, and have submitted all the paperwork.
Congratulations! Are you going on with a PhD?
> > I'll be fixing
Mats, you wrote Sunday, August 24, 2008 10:29 PM
Hold the horses, there seems to be a regression bug lurking
around here. I happened to have a copy of 2.11.34 installed
and using that, the two lyric lines in the following example
have the same alignment, whereas with 2.11.56 all syllables
of the
Hello,
I like to repost (and rephrase) this question:
I like to indicate to a piano player to play some notes with the
left hand and some with the right hand. All I found so far is the
snippet below. I changed it to better explain what I need:
I'd like the first bracket without the top horizonta
34 matches
Mail list logo
