Hi Luis,
I got the brackets to go inside the staff with this code. If you fiddle
with the markup (change font size, spacing, whatever) and the values
inside the parentheses you can probably get it to look like you want.
Jon
\version "2.11.51"
\relative c'' {
\override TextScript #'sta
hello list,
i'd need to place brackets around a rest in the score. something like
\parenthesize but square brackets [ ].
i tried using a \markup, but no matter what i try, i found no way to
place the brackets in the staff around the rest. i tried every tweak i
could find in the manual, but it s
A final point on this thread. These better functions now count the notes in
the tuplet, calculate durations and ratios, and lay it out. It's therefore
a way of filling a time span with a sequence of notes without having to
calculate possibly complex ratios. However, I can't work out why the "\o
Sébastien Gross wrote:
Hi there,
Just a few work about a small project I started a few months ago: a way
to convert guitar pro file to lilypond.
For the moment it parses and convert some GP4 files to Ly ones. A lot of
work still needs to be done...
You can find the git repository:
https://git
Hi there,
Just a few work about a small project I started a few months ago: a way
to convert guitar pro file to lilypond.
For the moment it parses and convert some GP4 files to Ly ones. A lot of
work still needs to be done...
You can find the git repository:
https://git.chezwam.org:446/?p=guita
a) if this is inside the inspirational header, do whatever you
want.
b) if this is inside a snippet, do whatever you want, subject to
it making sense to people on -user.
c) if this is inside the main text, I'll actually go and read the
below discussion (which I've totally ignored), but I suspect th
Many thanks, Trevor and Gilles!! Both of those solutions work
perfectly. Now the question is which one uses the syntax that would be
most appropriate to appear in the GDP docs. My instinct is to use the
one with #'(0.0 . 0.0) for the coordinates, since this is how I've seen
X-Y coordinates s
Better late than never!
You can try removing
the Note_performer, like this:
\midi {
\context {
\ChordNameVoice
\remove Note_performer
}
}
Trevor
- Original Message -
From: "99% Perspiration" <[EMAIL PROTECTED]>
To:
Sent: Thursday, July 03, 2008 11:22 PM
Subject: Ch
Am 09.07.2008 um 17:07 schrieb Francesco Spiga:
I'm sorry for my telegraph-style question: is it possible to start a
piece with, e.g. 3 staves ad add one more some measures later?
Thank you
F.
There are several ways, you can use \stopStaff and \startStaff or
search the manuals for french
Yes.
Francesco Spiga wrote:
I'm sorry for my telegraph-style question: is it possible to start a
piece with, e.g. 3 staves ad add one more some measures later?
Thank you
F.
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I'm sorry for my telegraph-style question: is it possible to start a
piece with, e.g. 3 staves ad add one more some measures later?
Thank you
F.
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I found that MusiXteX has single-digit with vertical slash time
signature glyphs - they are used in ancient music.
If Lilypond doesn't have them, could I add the vertical slash manually?
Thank you.
F.
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You're right (I think), I can't make dynamics work in the ChordMode context
either.
However, if all you want to do is to silent the chords you can try removing
the Note_performer, like this:
\midi {
\context {
\ChordNameVoice
\remove Note_performer
}
}
Writing a music fu
Jonathan
Try
\version "2.11.51"
fingerOffset =
#(define-music-function (parser location offsets) (pair?)
#{
\once \override Fingering #'extra-offset = #$offsets
#})
% \fingerOffset #'-0.2 #'-0.3 % moves fingering .2 spaces left and .3 down
\relative c''' {
\override Fingering #'
I couldn't figure out how
to use extra-offset in the function (I'm very new at this,
clearly...).
Not so easy with "extra-offset" indeed, because the syntax
#'extra-offset = #'($offsetX $offsetY ) doen't work .
(don't know why !?!)
It seems to work with the cons syntax
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