Hi everyone...
How we can extract parts from a orchestral score like the scores from
mutopia project (I'm trying the Beethoven Romanze op. 50). I have checked
all documentation in the lilypond site... in the mailing-list and I can't
believe that it's so hard to do that in lilypond? Someone could h
Hi all,
LilyKDE 0.6.0 has been released, you can get it here:
http://lilykde.googlecode.com/files/lilykde-0.6.0.tar.gz
Homepage: http://lilykde.googlecode.com/
New features since 0.6.0 beta:
* The PDF preview window can be detached.
* An option has been added to save the document (if modified)
2008/6/9 Joe Neeman <[EMAIL PROTECTED]>:
> This is a bug that has been fixed in git. Please try 2.11.49 when it is
> released.
>
I just download the git version and it (the minimal example) works for
me! Now I just need to go and check some of my scores and see if it
works in the wild...
--
Ma
Thanks for the report, but this is for the 2.10.12 docs. We have
rewritten a huge amount of docs for 2.12, so typos in 2.10 are not
a major concern.
As for the 2.12 docs, we have not yet rewritten this section, but
we will bear this in mind when we do. Carl: it's in Rhythms.
Cheers,
- Graham
O
Hallo Mats,
Mats Bengtsson schreef / wrote / skribis:
If you show how you combine these two lines of music
in the same stave, it's easier to provide a relevant
answer.
The relevant part of the code can be found below.
However, in the meantime I figured out how to do double noteheads: using
'
Hi Peter,
Now I just need to figure out how to straightforwardly
adjust staff sizes between the different movements.
See 4.2.1 in the docs (v2.11).
As for "straightforwardly"... Does anyone know why it is that "layout-
set-staff-size does not change the distance between the staff
lines"??
I noticed a typo in the LSR doc pages ; 6.4.5 Bar lines :
http://lsr.dsi.unimi.it/LSR/html/doc/Documentation/user/lilypond/Bar-lines.html#Bar-lines
One can read in the middle of the page :
In scores with many staves, a \bar command in one staff is automatically
applied to all staves. The resul
Greetings everybody,
A new issue is out:
http://valentin.villenave.info/The-LilyPond-Report-11
This week we'll see what is going on on the development mailing list;
we will also talk about Free Culture, silly contests, paper sizes and
cross-compiling, and have a look at the upcoming next stable
Valentin Villenave wrote:
BTW:
I read, lilypond originally was written in C++, but during the developing
process
the authors hdecided schema is more suitable for this task.
No. LilyPond was originally written in some other language (I don't
know... Python? TeX?)
No, the main part
Dear Luis,
I had the same problem! But there is a solution (not my idea) available. I
changed Your snippet o the following:
%%% BEGIN %%
\version "2.11.42"
quintolbeam = { \once \set beatLength = #(ly:make-moment 1 20) }
\relative c'
{
\times 4/5 { f8 f16 f16 f16 } r4
\times 4/5 { f16 f
2008/6/9 Michael Pozhidaev <[EMAIL PROTECTED]>:
> So, if I put dynamics in the melody variable, they will be placed near
> right hand stave and there is no way to move them to the center?
Actually, there is a way to use your "right hand" variable in the
Dynamics context:
since the Dynamics contex
2008/6/9 hhpmusic <[EMAIL PROTECTED]>:
> I don't know how the remove empty staff function works. I added rehearsal
> marks only above piccolo and violin I parts, but I don't know whether the
> marks will let the parts appear during their silence. If no, the rehearsal
> marks will disappear from
2008/6/9 Michael Pozhidaev <[EMAIL PROTECTED]>:
> Hello, everybody!
Greetings, and welcome on the list!
> There is one thing I cannot understand . In many examples
> notes are not written in "\new Staff" block directly,
> but placed in something like
> upper = \relative c'' {
>
13 matches
Mail list logo
