Not knowing the question to ask is often a problem for me to. You are
not alone with this experience.
Perhaps he is asking how docbook format works. I'm just guessing about
his query myself.
> > The html version's indeces. See above for general pointers, there
> > really is just one main thing t
Message: 5
Date: Sat, 9 Feb 2008 23:38:58 + (UTC)
From: Reinhold Kainhofer <[EMAIL PROTECTED]>
Subject: Re: musicxml2ly problems
To: lilypond-user@gnu.org
Message-ID: <[EMAIL PROTECTED]>
Content-Type: text/plain; charset=us-ascii
File "/Applications/LilyPond.app/Contents/Resources/bin/
mus
Can anyone reproduce this? I'm using lilypond 2.10.33
\override NoteColumn #'X-extent = #'(0 . 1)
\bendAfter #4 \grace c' a'
\bendAfter #4 \grace c' a'
Why does only the first bendAfter show up?
Thanks!
-cj
(NOTE: \glissando and \slur produce a similar notation that works, but
\bendAfter i
I'm running 2.11.38.
In reviewing the output, I see that in situations where the score
contains polyphonic voices, stems in opposing directions, and the upper
voice but not the lower has an augmentation dot, the placement of the
dot in the output is ambiguous. The source scores I have add horizon
I'm reducing the spacing-increment to #0.80 to get a tightly spaced
score. The notes are spaced to my liking except that they crowd the
barlines. Is there a way to give the barlines more space?
Steve
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Hi again,
I found a wonderful snippet in LSR that explained how to create rhythm
marks (http://lsr.dsi.unimi.it/LSR/Item?id=204). I tested it and found
out that it doesn't work that well with 2.11.(37). The space between
the mark and the staff is much bigger than in the example image. If
you have
> File "/Applications/LilyPond.app/Contents/Resources/bin/ musicxml2ly", line
> 1789, in print_ly_additional_definitions
> for a in set(needed_additional_definitions):
> NameError: global name 'set' is not defined
Hmm, that's weird. Which version of Python do you have installed?
The "set" data
Hello, I'm finding some old(er) files on my computer that I'd like to
work with again, but this time in Lilypond. I'm converting them from
Finale using musicxml. Unfortunately, the files don't convert and
this is what I get:
James-TiGERmac:/Applications/LilyPond.app/Contents/Resources/bin/
m
Hi Trevor,
You ever have the "tr." parts of your trill spanners start showing
up too far to the left?
[...] Ever seen this one before?
Yes!
Unfortunately, like your case, mine were in the middle of a large
score -- the chamber opera I wrote last year -- and so I never got
around to isol
Hi Risto,
Can anyone tell me if there's a way to print a lyrics extender line in
the beginning of the alternate ending?
See attached for a hint.
Hope this helps!
Kieren.
START
\version "2.11.37"
moveLE = \once \override LyricExtender #'extra-offset = #'(-0.8 . 0 )
\paper { ragged
2008/2/9, Libero Mureddu <[EMAIL PROTECTED]>:
> I forgot my username and password for LSR, is there a way to get those
> infos or should I open a new one?
Honestly, you'd better open a new one; it's gonna be faster and simpler :)
... unless Sebastiano can do anything. Seba?
Cheers,
Valentin
_
Hi Kieren,
You ever have the "tr." parts of your trill spanners start showing up too
far to the left?
The png attached gives an example from the middle of a large score that I'm
almost completely done with. No code snippet, alas, because the problem only
seems to show up in the middle of large sc
Hi,
Can anyone tell me if there's a way to print a lyrics extender line in
the beginning of the alternate ending? Please, have a look at the
image and the example to get a better view what I mean.
I tried to use underscores but they were not vertically aligned with
the extender line. It also seem
On 8 Feb 2008, at 15:02, Reinhold Kainhofer wrote:
Am Donnerstag, 17. Januar 2008 schrieb Hans Aberg:
A
half flat in Arabic music is displayed as a b but with a slash
across (It is
hard to describe the shape precisely). Is it possible to access
such a
symbol, and if not, is it possible to ad
On Sat, 9 Feb 2008 12:55:06 +0100
"Kess Vargavind" <[EMAIL PROTECTED]> wrote:
> First, I love indeces (indexes?) and use them everywhere.
Would you be willing to maintain the indeces/indexes? Some of the
doc writers (including myself) either aren't good, or aren't
interested, in trying to think
forgot to copy to list ...
calvin mitcham wrote 09 February 2008 00:44
> "LM 3 and LM 4 are quite hard going for
> anyone fairly new to LilyPond". thank you
> trevor! i am certainly a newbie, and
> although i have always found these sections
> very confusing, i never spoke up cause i had
>
Yes, it doesn't work. See issue 506 or 508 in the bug list.
Cheers,
- Graham
On Sat, 9 Feb 2008 08:56:08 -0600
Victor Eijkhout <[EMAIL PROTECTED]> wrote:
> I've just started Lilypond for the first time since upgrading to
> 10.5 and I only get the Apple menu and Lilypond, clicking on the
> latte
On Fri, 8 Feb 2008 13:47:29 + (UTC), Marco Pagliari wrote:
> I'm creating MIDI files for my choir. How can I set different volume levels
> for each section, to make one be in evidence among the others?
> What I understand by reading section 1.3 is that dynamics can only be
> attached
> to n
I've just started Lilypond for the first time since upgrading to 10.5
and I only get the Apple menu and Lilypond, clicking on the latter
produces no menu. Java problems? I had 2.10.something, but downloading
2.11.something made no difference.
Victor.
__
On Fri, 8 Feb 2008 19:44:02 -0500
"calvin mitcham" <[EMAIL PROTECTED]> wrote:
> now that i'm
> trying to help, i'll ramble out loud here a little... to just read
> these sections is confusing and boring. the tweaking is especially
> hard to read. i mean i hardly ever have an issue about how lilypo
I need to typeset a figured bass/organo part with the figures _above_
the bassline. I do this, by simply placing the FiguredBass context
between the two staves of the organo part. The problem is, however,
that the figures are still vertically aligned to the top. I tried
setting BassFigureAl
Hi Tim and list,
actually I just discovered that there are already articulation signs
for closed and open.
Here is an example with half positions in between.
However, the articulations are closer to the staff than the markups.
Is there a way to make them at the same distance from the staff?
I tried
Hi Trevor,
There's now a *much* better way of shortening one end of a trill
spanner manually:
using the new (as of 2.11.something) #'bound-details list.
[...] TrillSpanner implements all the goodies in the #'bound-
details list
Thanks for the update -- this is wonderful news!
Best regards
Thanks Tim, it works well,
however, if I try to put those signs as markup, the "plus" doesn't work.
Bug or I'm doing something wrong?
Libero
Example follows:
\version "2.11.38"
\include "english.ly"
\score
{\relative c'
{
g^\markup{\musicglyph #"scripts.flageolet"}
g^\markup{\musicglyph #"script
Hi,
I forgot my username and password for LSR, is there a way to get those
infos or should I open a new one?
ciao
libero
-
http://webusers.siba.fi/~limuredd/
http://www.myspace.com/liberomureddu
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http
Ho,
As a librarian-in-training I have to agree with Jay (it generally hurts more
omitting an entry than including it, especially in a open project like this
that/which doesn't really have page limits to think about). I've been
thinking on speaking up about the indeces for quite some while now but
2008/2/9, Trevor Bača <[EMAIL PROTECTED]>:
> [I can't remember if I've mailed this one out before or not, but as I had to
> spend a couple of minutes rediscovering it myself, I thought I'd share. Also
> mental note to check and add to LSR ...]
Sure. Feel free to comment the code that does not wor
2008/2/8, Graham Percival <[EMAIL PROTECTED]>:
> Of course, I famously never use the index, so I'm not the best
> person to judge whether certain index entries are helpful or not.
Neither am I :-) Anyone else?
Cheers,
Valentin
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