Hi,
I have a problem with lilypond 2.10.33 on Debian Gnu 4.0 and LateX
I like to add additional vertical space to my systems
and used therefore
\overrideProperty
#"Score.NonMusicalPaperColumn"
#'line-break-system-details
#'((next-padding . 10))
this works fine if I used it
Hi Dimitris,
You are welcome to get get in touch with me in regards to using
Lilypond to notate Turkish makam music. I'm very busy with it these
days notating Peşrevs and Saz Semaisis and some vocal repertoire
though i hope to do more of that soon.
All key sigs for any makams are possible
I tried to compile lilypond with the help of macports today and I don't
have much good news.
1) The guile in macports didn't seem to compile for me due to some errors
related to open64 and such. A downloaded guile had the same problem but I
hacked my way around that and got guile to compile.
2)
Hi John,
If anyone has seen anything like this
I have... and it's always a duration problem.
I'm surprised your bar checks haven't turned up anything.
I would be happy to know how to work around it.
Well, without the code, it's impossible for anyone on the list to
diagnose, never mind fi
It isn't easy to search the archive for this bizarre
problem. Everything was
working fine until the moment it stopped working.
Before, everything lived up
to the hype and I was happy, after, I just keep trying
things without anything
working. The first line of this piece, lilypond
prints 5 meas
> >> I read "Divisi Lyrics" over and over but I'am afraid I don't
> >> understand it.
Now that you know how it works it would be a great help for us if you
tell us what exactly have missed in the docs which prevented you from
understanding it.
Werner
I have interest to know your system. I've been using Lilypond-book for a
while to create books with music examples. Maybe your system may ease my
life...
Hugo
Dominic Neumann escreveu:
Additionally I wrote a system (with Perl+Catalyst ...) for managing
the creation of songbooks (with lilypond-
thank you very much for the example, now I see how to use it and it
works fine
best
ole
Am 01.11.2007 um 22:56 schrieb Mats Bengtsson:
Ole Schmidt wrote:
I read "Divisi Lyrics" over and over but I'am afraid I don't
understand it. There are two different voices at one point and on
Ole Schmidt wrote:
I read "Divisi Lyrics" over and over but I'am afraid I don't
understand it. There are two different voices at one point and on
this point there are two different lyrics assigned. How can I use it
for my problem?
What I primarily had in mind was the second example in t
I read "Divisi Lyrics" over and over but I'am afraid I don't
understand it. There are two different voices at one point and on
this point there are two different lyrics assigned. How can I use it
for my problem?
ole
Am 01.11.2007 um 22:18 schrieb Mats Bengtsson:
One solution is describe
Am 2007-11-01 um 21:57 schrieb Dominic Neumann:
Additionally I wrote a system (with Perl+Catalyst ...) for managing
the creation of songbooks (with lilypond-book and LaTeX).
Looking at your homepage I see that you're "much more professional"
WRT music publishing than me. ;-)
I don't know w
One solution is described in section "Divisi Lyrics",
namely to use different Voice contexts for the different
parts of music. Notice that you have to keep the
original Voice context alive over the 6 measures
using s1*6.
/Mats
Ole Schmidt wrote:
I have to typeset lyrics for the first time. I'
I have to typeset lyrics for the first time. I've studied the manual
and everything work until now. Now I have six bars without lyrics and
than lyrics again. So how can I achive lyric-free notes (bars) in
between?
Thank you for a hint
best,
ole
___
Additionally I wrote a system (with Perl+Catalyst ...) for managing
the creation of songbooks (with lilypond-book and LaTeX).
2007/11/1, fiëé visuëlle <[EMAIL PROTECTED]>:
> Am 2007-11-01 um 06:53 schrieb Dominic Neumann:
>
> > I use LilyPond for commercial projects. I typeset songbooks and song
On Fri, 2 Nov 2007 01:47:43 Monk Panteleimon wrote:
> > Am Mittwoch, 31. Oktober 2007 schrieb Till Rettig:
> > > I actually LIKE the 2.11 system!
>
> I have no problem with it insofar as it redistributes the systems over a
> different number of pages and solves some problems with the header. But
>
Am 2007-11-01 um 06:53 schrieb Dominic Neumann:
I use LilyPond for commercial projects. I typeset songbooks and song
sheets primarily for church use.
Me similar: I'm typesetting an Unitarian church magazine that
features one song in every issue (LilyPond PDF placed in InDesign
document) an
Le 1 nov. 07 à 15:47, Monk Panteleimon a écrit :
And Reinhold Kainhofer (observantly) says:
I just tried one of my choir scores (ChoirStaff with two stanzas
written
between the two staves for SA and TB) with the current git version.
The
lyrics are tied to the S voice, but in 2.10.x, the l
Hi Benedict,
Would you consider the 2.11 branch stable enough for general daily
use?
I *only* use the development branch for *all* my engraving -- and I'm
talking about production of scores for commissions I'm getting as a
working composer! For example, this past summer, I composed the mu
On Thursday, November 01, 2007, at 08:07AM, "Kieren MacMillan" <[EMAIL
PROTECTED]> wrote:
>Hi Benedict,
>
>> having to do with music elements too close to or overlapping with
>> bar lines
>
>If you check the archives, you'll see that I had been complaining
>about this for a long time -- I'm q
Monk Panteleimon holycrosskliros.org> writes:
>> between the two staves. Now in 2.11, the lyrics seem to be glued to the
>> SA
>> staff (when using ragged-bottom=##f and ragged-last-bottom=##f), so they
>> are
>> quite far away from the TB, which make the scores absolutely unusable for
>> ch
Speaking of poor thinking, I meant to say "Vertical* spacing in 2.11"
ga-hernk.
Fr.P
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Hi Benedict,
having to do with music elements too close to or overlapping with
bar lines
If you check the archives, you'll see that I had been complaining
about this for a long time -- I'm quite happy with the fix(es) in
2.11.31+, so I've stopped griping! =)
This problem could be solv
> Am Mittwoch, 31. Oktober 2007 schrieb Till Rettig:
> > I actually LIKE the 2.11 system!
I have no problem with it insofar as it redistributes the systems over a
different number of pages and solves some problems with the header. But
it doesn't really take lyrics into account (yet).
And Reinh
On Thu, 1 Nov 2007 18:13:40 sdfgsdhdshd wrote:
> The attached file is the beginning of a vocal.
> lilypond 2.11.34, win XP
>
> Compare the spaces between systems on page 1 and page 2 of the pdf!!
> I expect all systems to be on page 1, because there is enough space for
> them.
>
> What is wrong in
See the section on "Setting automatic beam behavior" in the manual.
In your example, you can do
\relative c' {
\time 3/4
c8 d e f e d
#(override-auto-beam-setting '(end 1 8 3 4) 1 4)
#(override-auto-beam-setting '(end 1 8 3 4) 2 4)
c8 d e f e d
Is there a way for Lilypond, in 3/4 meter, to join automatically the beams
each pair of eights? Because in this meter, if the measure there is only
eights, Lilypond join all the beams together, and to split them I have to do
it manualy. In a small music I can do it, but in a big score it is a hard
Hello,
I have seen an older discussion between Adam Good and Han-Wen
(http://lists.gnu.org/archive/html/lilypond-user/2005-10/msg00028.html) about
implementing microtone support more completely.
The latest lilypond documentation (2.11.33) doesn't tell about significant
steps on this issue.
As
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