How do I make these measures?

Hi, all. I have attached 2 images of measures that I would like to make in the best way possible. Here is the code I'm currently using for sample 1: << { \setUpFingeringsDotted 2. } \\ { \setUpFingerings r4 2 } >> Here is sample 2: << { \setUpFingerings 4\< } \\ { \setUpFingeri

Re: Chords with cue notes inside

Hi Dominic, On 8/1/07, Dominic Neumann <[EMAIL PROTECTED]> wrote: > > Hi Neil, > > thanks, this works quite well. > Do you know a way to write a music function or something like that to > make a shortcut for this? I had a feeling you might ask that. :) I haven't a clue, unfortunately, though yo

Re: Chords with cue notes inside

2007/8/1, Dominic Neumann <[EMAIL PROTECTED]>: > how do I typeset a chord of notes with one of them being a smaller > sized notehead? You might want to see http://lsr.dsi.unimi.it/LSR/Item?id=283 Hope this helps! Valentin ___ lilypond-user mailing l

Re: Chords with cue notes inside

Am Mittwoch, 1. August 2007 schrieb Dominic Neumann: > Hi, > > how do I typeset a chord of notes with one of them being a smaller > sized notehead? reading documentation is really, really helpful with lilypond ;-) http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Selecting-notation-font-si

Re: Chords with cue notes inside

Hi Neil, thanks, this works quite well. Do you know a way to write a music function or something like that to make a shortcut for this? Half of the score (about three lines) will be typeset like this and it would help me much. Dominic 2007/8/1, Neil Puttock <[EMAIL PROTECTED]>: > Hi Dominic, > >

Re: Chords with cue notes inside

Hi Dominic, On 8/1/07, Dominic Neumann <[EMAIL PROTECTED]> wrote: > > Hi, > > how do I typeset a chord of notes with one of them being a smaller > sized notehead? You can use the \tweak function for this: 4 Regards, Neil ___ lilypond-user mailing lis

Chords with cue notes inside

Hi, how do I typeset a chord of notes with one of them being a smaller sized notehead? See the attachment for an example. Dominic <>___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Whatis on the fly

As an American, I have to say that with so many of these expressions, the meanings can change considerably based on the context. In this particular instance, the writer wants to be able to apply a single statement or rule and have the staves appear and disappear on their own without any further in

Re: Chord Font Size

On 8/1/07, Eric Knapp <[EMAIL PROTECTED]> wrote: > how do I change the font size for chord names? In another thread someone pointed me to this thread from the archive: http://lists.gnu.org/archive/html/lilypond-user/2006-03/msg00279.html >From that I am changing the size of the chord name fon

Re: Can I make this chord?

On 8/1/07, Dominic Neumann <[EMAIL PROTECTED]> wrote: > > Thanks, Dominic. That works fine. Does anyone know where this syntax > > is documented? I would love to have a cheat sheet of all the chords. > > This is documented in the manual. I just found it in the manual and I intend to make myself a

Re: Can I make this chord?

2007/8/1, Eric Knapp <[EMAIL PROTECTED]>: > On 8/1/07, Dominic Neumann <[EMAIL PROTECTED]> wrote: > > Hi, type > > > > c:6.9/d > > > > Thanks, Dominic. That works fine. Does anyone know where this syntax > is documented? I would love to have a cheat sheet of all the chords. This is documented in t

Re: Can I make this chord?

On 8/1/07, Dominic Neumann <[EMAIL PROTECTED]> wrote: > Hi, type > > c:6.9/d > Thanks, Dominic. That works fine. Does anyone know where this syntax is documented? I would love to have a cheat sheet of all the chords. Now if I could only figure out how to make the font size smaller for the chord n

Whatis on the fly

>> 2007/8/1, Francois Planiol-Auger : >> Yes I know, its a newby question. And I found nothing really helpful >> that defines it in relation with lilypond. >> Can somebody explain? > > 2007/8/1, Valentin Villenave : > If I understood correctly (English is not my native language), > something yo

RE: Whatis on the fly

Francois, you're close. In hunting terminology, "on the fly" means catching/killing a bird in the air vs. catching/killing a bird on the ground. In fishing terminology, catching a fish "on the fly" means using a fly bait which requires continuous activity and rhythm with the rod and reel. In this

Re: Double-flats used by Lilypond after transpose

Toine Schreurs wrote: > The transposition of the instrument does not depend on the key of the > music. On a B-flat sax a written C sounds as a B-flat. That's all > the information you need. > > So use \transpose bf c' {the music} > > And indeed, key E-major goes to F-sharp-major. The original >

Re: Can I make this chord?

Hi, type c:6.9/d i attached how it look likes in an PNG image. I don´t know, if there´s a way to remove this "add" let it only say 6/9 or sth like this. Dominic 2007/8/1, Eric Knapp <[EMAIL PROTECTED]>: > Hi, all. > > Is it possible to create this chord name? I have attached an image of > w

RE: Double-flats used by Lilypond after transpose

Yep sorry guys, I wrongly assumed that the sax player in our quartet would prefer reading 6-flats than 6-sharps (I would, but as a concert pitch player I'm used to reading things written in flat keys so that the horns aren't in tough keys). But I've just spoken to him and he's happier with the shar

Re: Double-flats used by Lilypond after transpose

The transposition of the instrument does not depend on the key of the music. On a B-flat sax a written C sounds as a B-flat. That's all the information you need. So use \transpose bf c' {the music} And indeed, key E-major goes to F-sharp-major. The original transposition from E-major to G-flat-

Re: Double-flats used by Lilypond after transpose

On Wed, Aug 01, 2007 at 10:20:53AM +, Jon wrote: > Hi there guys, > > I've been writing out a part for B-flat sax. I've written out the music in > concert pitch and so am using \transpose to display it in the right key for > the > B-flat sax. The part I'm writing is in E-major when in conce

Can I make this chord?

Hi, all. Is it possible to create this chord name? I have attached an image of what I want. Thanks, -Eric <>___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Chord Font Size

Hi, all. The more I learn about LilyPond the more I like it, thanks to all. My next questions is how do I change the font size for chord names? I am getting them to appear in the correct place and I have altered the maj7 symbol to my liking, so I'm making progress. Thanks, -Eric __

RE: Double-flats used by Lilypond after transpose

Ah that does look quite useful, thanks! -Original Message- From: Ole Schmidt [mailto:[EMAIL PROTECTED] Sent: 01 August 2007 13:32 To: Jon; lilypond-user@gnu.org Subject: Re: Double-flats used by Lilypond after transpose see also: http://lsr.dsi.unimi.it/LSR/Item?id=136 maybe that hel

Funny line breaking behavior with time signatures

I'm using lilypond 2.7.28 on OSX, and am trying to write some rhythm exercises. I'm trying to number the exercises using "\break \mark" (see code below) but when I try to force a time signature at the beginning of every line, I get an extra floating one at the end of every line, as shown here: ht

RE: Double-flats used by Lilypond after transpose

I have tried that but it transposes to F-sharp (6 sharps) and I'd rather it was in G-flat (6 flats). It doesn't put any double-accidentals when transposed to F# though, its true... If there's no work-around I guess I'll have to go the F# route, but this ought to be do-able somehow? Thanks -

Re: Double-flats used by Lilypond after transpose

see also: http://lsr.dsi.unimi.it/LSR/Item?id=136 maybe that helps best ole Am 01.08.2007 um 12:20 schrieb Jon: Hi there guys, I've been writing out a part for B-flat sax. I've written out the music in concert pitch and so am using \transpose to display it in the right key for the B-

Tonic Solfa notation

Hi, Can I use lilypond to typeset music using Tonic Solfa notation (Curwen notation)? If not, would you have any other suggestions about how to typeset it? Some information that I have found online about this notation: http://education.deakin.edu.au/music_ed/curwen_method/notation.html http:

Re: Double-flats used by Lilypond after transpose

2007/8/1, Jon <[EMAIL PROTECTED]>: > Hi there guys, > > I've been writing out a part for B-flat sax. I've written out the music in > concert pitch and so am using \transpose to display it in the right key for > the > B-flat sax. The part I'm writing is in E-major when in concert pitch, so this > b

Re: Whatis on the fly

2007/8/1, Francois Planiol-Auger <[EMAIL PROTECTED]>: > Yes I know, its a newby question. And I found nothing really helpful that > defines it in relation with lilypond. > Can somebody explain? If I understood correctly (English is not my native language), something you can change "on the fly" is

Double-flats used by Lilypond after transpose

Hi there guys, I've been writing out a part for B-flat sax. I've written out the music in concert pitch and so am using \transpose to display it in the right key for the B-flat sax. The part I'm writing is in E-major when in concert pitch, so this becomes G-flat-major when transposed for the B-

Whatis on the fly

Hi! Yes I know, its a newby question. And I found nothing really helpful that defines it in relation with lilypond. Can somebody explain? Thanks in advance Francois ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/li

Re: Adding / deleting staves on the fly

Hi Rune: Untested: Why not simply add an invisible note to each measure that you want to force to show? That works -- and is exactly what I did for my opera last year. But it's just *way* too much work for something that should be much simply accomplished in Lilypond... =) Thanks, Kieren

Re: Adding / deleting staves on the fly

Citat Kieren MacMillan <[EMAIL PROTECTED]>: > Is there any way to have \RemoveEmptyStaffContext in a layout, but > specifically choose one Staff (or, better yet, section of measures of > a Staff) that would still display regardless of content? Untested: Why not simply add an invisible note to ea