Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> As I already pointed out, you may be able to get even better help from
> the mailing list, if you include some examples of
> LilyPond code where you have trouble.
OK I´ll cut it down ...
\version "2.11.14"
\paper{#(set-default-paper-size "a4") top-mar
Please always send bus error or segmentation fault problems directly
to the bug-lilypond mailing list (I have done it for this email, as you
can see).
It seems that the problem is that the code that handles the tuplets
needs to have stems available. The solution is to use
\layout{
\context{
\
As I already pointed out, you may be able to get even better help from
the mailing list, if you include some examples of
LilyPond code where you have trouble.
For the voice where you want the rest to stay in the middle of the
stave, you can use
\revert Rest #'direction
/Mats
Quoting Claus Rog
Hi Benjamin,
First off, I have a situation like this:
\relative c'' {
<< { f8 e ~ } \\
{ c4 s4 } >>
}
where I need the c4 tied to the c in the first —in other words, I
have
a chord where one note needs to be tied to a note in the same voice and
the
other note is tied to a note fro
\relative c'' {
<< { f8 e ~ } \\
{ c4 s4 } >>
}
[...] I need an
arpeggio to the left of the first notes (the c and the f). How can I
accomplish this?
The problem with the arpeggio in 2 separate voices, has just been resolved
in the french list yesterday !
And a LSR has been added
I have a violin part which, for some bars, split into two voices.
I first tried this :
- create a violin_voice_a
- add a violin_voice_b, containing rests everywhere except on those few bars
where there is two voices
- stack the two vioces using a hara_kiri context for the second one in order
to h
Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> If you want the two upper voice to have stems up, then
> you could use
> <<{ \A } \\ { \B } \\ \\ { \D } >>
Thank you, also to Zoltan, this helped me understanding that. Depending
on the order of my voice, I have 32 or more "Warning(s): too many
collid
