I'm transposing an orchestral part. I'm preserving the original cues
etc. I've set up definitions for different "layers" so that I can leave
the cues at there original pitches when I transpose the instrument
part. The cues are, of course, in a separate definition block. The
very first measure i
Begin forwarded message:
From: Damian leGassick <[EMAIL PROTECTED]>
Date: 4 May 2007 21:44:04 BDT
To: Joyce Wilson <[EMAIL PROTECTED]>
Subject: Re: Making tails of 1/8-notes invisible?
\override Stem #'flag-style = #'no-flag
is what you need.
Damian
On 4 May 2007, at 20:54, Joyce Wilson w
using \cadenzaOn feature I can't get automatic accidentals working
correctly.
After \cadenzaOff accidentals aren't resetted.
Isn't the bug? How to workaround this?
See simple example attached.
Here's a workaround for this problem (I don't know if it's a bug - but I tend
to hope so):
\cadenzaO
>Is there a way to make the tails of un-beamed 1/8-notes invisible
>in Lilypond?
You can always change the space a note occupies by multiplying its
duration with some value. E.g.
c4*0.5
would make a quarter note that takes up the space of an 1/8th
note, i.e. an 1/8th note without a flag.
N
I downloaded a file from mutopia but when I try t open in lilypond I
get:
An unexpected error has occurred: (UnicodeDecodeError: 'utf8' codec
can't decode bytes in position 204-206: invalid data)
The file in question is
http://www.mutopiaproject.org/ftp/ChopinFF/O69/w10-h-moll-cfi/w10-h-
I found (#set-octavation 1) to be useless in 2.8.7 because it's at staff
level instead of voice level. Why? In polyphony it nearly always has
to be at voice level, and if there is only one voice on the stave
it doesn't matter. Is it better in 2.10?
Example: http://www.openguitar.com/pdf/campa
