> I think it would be hard to write macros to approximate strokes with
> lines.
Well, right now I'm rewriting the parmesan stuff to make it work with
mf2pt1 (the feta stuff has already be done two years ago). After this
has been finished, only `fill' and `unfill' is used, and `draw' and
`drawdot
Hi, Steve:
\score {
\new StaffGroup <<
\new Staff = men { <<
\clef bass
\new Voice = ten { \global \Three }
\new Voice = bar { \global \Two }
\new Voice = bas { \global \One }
>>
}
\new Lyrics = "l3" \lyricsto "bas" \words
>>
\layout {
\context { \Score \
Hi,
Just to clarify this, VerticalAlignment no longer has the property
forced-distance in v 2.11. The lilypond score I am processing was
written by a relative who unfortunately died last year and I am not sure
exactly what effect he was trying to achieve. Getting it to work at all
was a bit of a s
Below is a lilypond file that is typical of some hymn settings i'm trying (the
core of this is from hymn.ly from the snippet repository). Basically, the
soprano and alto are on a stave together the tenor and bass are on seperate
staves, corresponding to RH, LH, and pedal for organ. It's no big
I must admit to being quite confused about the proper setup of \score
and \layout for vocal music. I am trying to typeset a 3-part men's
vocal piece and the composer has drawn it out on a single bass clef
staff ... i.e. 3 parts sharing the same staff.
My method for using Lilypond to typeset
2007/4/23, Joe Neeman <[EMAIL PROTECTED]>:
Here is an example of a treble clef. I only need the outermost curves traced,
but it doesn't matter if some other curves are. I don't know exactly what the
resolution needs to be, but it should distinguish between, for example, the
stem and the bottom of
Kieren MacMillan wrote:
Hi, Graham:
Anything in particular other than this?
Here are three screenshots from my "COA" reed part (sorry: no time to
make minimal examples right now, so I can't be sure how many of these
are easily reproducible, or are artifacts of my particular score and
engra
\version "2.11.20"
Given this piece of the titling scheme
scoreTitleMarkup = \markup {
\column {
\on-the-fly #print-all-headers { \bookTitleMarkup \hspace #1 }
\line {
\fromproperty #'header:piece
}
}
}
I would like to display the piece name as small caps.
Damian leGassick wrote:
I've seen that this crops up from time to time, but was there ever a fix
to stop the bounding box being set too small?
I'm not certain, but a quick check of the bug tracker shows that there's
no archived bugs for this. Could you please send a minimal example of
this p
Hi all
version 2.11.22
I've seen that this crops up from time to time, but was there ever a
fix to stop the bounding box being set too small? I still lose
something from the bottom of the image. I don't really want to set
them by hand in the .eps file - there are about a hundred of them
Hi list,
for unmetered music, I'm using \cadenzaOn \cadenzaOff but \set
score.currentBarNumber seems not working.
I'm pretty sure I'm missin' something but what?
This is my lily-file:
--
% code start
\version "2.11.21"
\include "english.ly"
\header {
title="test"
On 4/24/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
p.s. I'd be using something beyond 2.11.12, but every version I've
tried has fontconfig problems, which none of the tips on the list(s)
have solved for me... =\
Hi Kieren,
You're on a Mac under OS X, yes?
I had fontconfig drama right a
In message <[EMAIL PROTECTED]>, madhg <[EMAIL PROTECTED]>
writes
Michael Lauer wrote:
See the end of the section on "grace notes" in the manual.
Thank you very much. I learn that I should always look for the "bugs"
section at the end of a manual page.
That's normal practice on Unix. Pre
Hi all,
What is the equivalent of:
\context {
\PianoStaff
\override VerticalAlignment #'forced-distance = #9
}
in version 2.11.15?
Thanks,
Bernard
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Michael Lauer wrote:
>
> See the end of the section on "grace notes" in the manual.
>
Thank you very much. I learn that I should always look for the "bugs"
section at the end of a manual page.
--
View this message in context:
http://www.nabble.com/gracenote-producing-wrong-clef-tf3638828.
madhg bris.ac.uk> writes:
>
>
> In keyboard music, an appoggiatura for the first note in the treble staff
> interferes with the clefs in the lower staff. It makes the bass staff start
> with a treble clef folllowed immediately by the correct bass clef.
>
> Removing the appogg gets rid of t
Hi, Graham:
Could you make up a minimal example (perhaps with some of the stuff
below)
Will do.
Anything in particular other than this?
Here are three screenshots from my "COA" reed part (sorry: no time to
make minimal examples right now, so I can't be sure how many of these
are easil
I too would like to know how to fix this.
Thanks,
Joe
On 22/04/07, Dominic Neumann <[EMAIL PROTECTED]> wrote:
Hi,
I´m trying to typeset songs with different verses. When the refrain
comes before the verses, the stanza numbers don´t get enough place.
They are printed right onto the last syllab
In keyboard music, an appoggiatura for the first note in the treble staff
interferes with the clefs in the lower staff. It makes the bass staff start
with a treble clef folllowed immediately by the correct bass clef.
Removing the appogg gets rid of the problem: lower staff starts with the
bas
[EMAIL PROTECTED]:
> You might find the postings at http://partoches.bearteam.org/ useful. There
> is a link to ly source files near the bottom of the page.
That link (http://partoches.bearteam.org/jazz.tar.gz) gives
$ wget -x http://partoches.bearteam.org/jazz.tar.gz
--09:34:09-- http://partoc
I don't know anything about the typesetting of harmonic analysis, but
you can
insert any symbol or combination of symbols or whatever into a lyrics line
using text markup commands, \markup{...}. See the section on Text markup
in the manual.
/Mats
beng wrote:
Hi all.
I have been trying to s
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