David Rogers wrote:
Once you ask "But which software might be slightly better to have in
the future?", nobody can give a good answer, because too many
assumptions are required. All of the software choices carry huge
risks, when you compare them to keeping a physical human-readable
archive.
I ag
On Sat, 7 Apr 2007 16:40:01 -0400, Jason Merrill wrote:
> Thanks for the interesting comments so far. I want to refocus the
> discussion slightly. I didn't mean to get into a discussion about the
> relative merits of lilypond as an entry tool, exactly, so take as a
> temporary supposition that I
Sorry if this has been asked a lot, but looking in the archives didn't
seem like it was going to help, I did try! =)
I would like to know if Lilypond allows the following for jazz lead
sheets:
- control over bar spacing, regardless of the note content
- use of various different jazz chord symbols
Jason Merrill wrote:
You can turn anything else
into lilypond via MusicXML, but once you've worked on it in lilypond,
there's no obvious way to get it back into a different editable
format.
See "to-xml.ly" and "song-*.ly" in the regression tests.
Luckily, this problem could be entirely addre
Jason Merrill wrote:
>> There is not now, nor ever will be, some universal music language.
>> MusicXML is an option, but not one everybody will choose. One could ask
>> the exact same question by replacing 'lilypond' with 'MusicXML'. The
>> issue with archival (it seems to me) is a format whose s
There is not now, nor ever will be, some universal music language.
MusicXML is an option, but not one everybody will choose. One could ask
the exact same question by replacing 'lilypond' with 'MusicXML'. The
issue with archival (it seems to me) is a format whose source will
"always" be readable
Hello list, hello Tim,
You wrote:
> Roland asked: I wonder what the typical note-entry-time/layout-tweak-time
> ratio is amongst LilyPond users.
It was Tom, not Roland. :-)
Best Regards Roland
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Valentin wrote:
>To my mind, LilyPond should be able to automatically "group" rests,
I could see the utility of that, but I think it should have a "switch" in
case one wants the
c4 r r r
to show a quarter note and three quarter rests.
Tim Reeves__
I must comment my own email. What I see when it prints out is different
from viewing it in a PDF format. What is see is that KPDF opens the
sheet at 200%. When I set it to 100% I see that its much smaller. What I
was wondering if I need to set the page size to say that I would like to
print out on
I tried to use the blank sheet example found in the documentation. While
I like the fact I see the treble and tab staffs I would like the page to
have at least a 5mm border around the page. I have tried to change the
line-width variable in the paper definition. I see that the line-width =
160mm - 2
Alexander Hanysz wrote:
Below is a patch for what on my system is the file
/usr/local/lilypond/usr/bin/midi2ly (I'm using version 2.10.20).
Fixed (?): the --key command line argument is recognised; key signatures
and time signatures now appear correctly; rests are visible.
Do you have a test
Peter Mogensen wrote:
However... this editing of the score file is tedious. Why not add a
feature to lilypond where you can select to "mute" certain staffs or
voices with a command line switch?
If by "mute" you mean "only include certain staffs", then this is
already done. The basic idea is
El lun, 09 de abr de 2007, a las 06:50:40 +0200, Peter Mogensen dijo:
>
> I usually maintain a seperate section defining the score from the
> different voice, which I edit when I need a different extract.
>
> However... this editing of the score file is tedious. Why not add a
> feature to lilyp
The page breaking routines have been completely reworked in the latest
development release, 2.11.x. It seems that a few bugs are
left in 2.11.21, but you may want to try it anyway.
/Mats
Quoting Jay Hamilton <[EMAIL PROTECTED]>:
Hello- Below is first movement of a String Quartet.
When I com
Roland asked: I wonder what the typical note-entry-time/layout-tweak-time
ratio is amongst LilyPond users.
For me, lilypond works quite well "out of the box" and my ratio is
probably about 90/10.
Then again, I'm mostly working on just horn parts for myself - not piano
or choir or orchestral sc
Thanks Anthony. I have solved the problem by separating the voices and
using two "relative" commands based on different octaves. Thus the notes
are all right now.
Having said that, your recommendation seems very interesting and I'll
save it for another document Im working on.
--
Jesús Guillermo A
I usually maintain a seperate section defining the score from the
different voice, which I edit when I need a different extract.
However... this editing of the score file is tedious. Why not add a
feature to lilypond where you can select to "mute" certain staffs or
voices with a command line
Hello everyone,
Talking about merging rests and typography automation, I've often been
wondering if it could be possible for LilyPond to automatically
correct rests typography, even inside a single Voice context.
Let me explain myself: I don't know if I'm the only one here to have
bad typographi
[ Lilypond 2.11.12 ; Mac OS X 10.4.9 ]
Hello, all!
In recent versions of Lilypond, I find that the first element of
every measure is generally too close to the preceding barline for my
taste -- i.e., there isn't enough left-padding on the first note or
rest or whatever (n.b., the spacing i
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