Is there any lilypond analog to latexit:
http://www.apple.com/downloads/macosx/math_science/latexit.html
Googling
lilypondit
and
lilypond latexit
didn't yield anything too promising. For longer documents,
lilypond-book looks like it would be fantastic, but if I want to throw
one or two quick
I'm looking for a good way to write intermittent lyrics for a choral
part. I'm working on a piece with a repetitive bass figure, so after
the first repetition, there is no need to keep writing out the words.
However, I'd like to write more words at the beginning of the next
section.
An obvious w
hello,
is there any way to have the clef only appear in the first line of a part?
i couldn't find anything about that in the 'clef' section in the
documentation, and searching the archives for 'clef' produced no results
(!?).
thanks,
-steve
___
lilypo
ok, then, how about this small examples?
the group 1 - of horn and bassoon:
%%
% horn_1.ly in F
horn = {
\clef treble
\time 4/4
c'4 d' e' f'
g'1
}
%%
%%
% bassoon_1.ly in C
bassoon = {
\clef bass
\time 4/4
c'4 d' e' f'
g'1
}
%%
%%
% flute_1.ly in C
flu
Hi,
As far as I can say, alea can be notated in thousand ways.
You should provide an example of the desidered notation output so
that people can suggest solutions. "Rhythmically independent" is too
vague...
Best
-a-
On 2 Apr 2007, at 00:49, Neuro wrote:
Dear list,
How do I write al
Dear list,
How do I write aleatoric music in Lilypond?
Actually, I am writing a woodwind quintet, intending to have two group for
aleatoric:
"Horn & bassoon" is one group playing thythmically together, while f"lute,
clarinet, and oboe" is another group playing thythmically together;
yet each
Thanks a lot Victor,
I'm working with your method 2. Really nice, to be included in docs.
I was thinking. Premise: I know nothing of lily's internals and about
scheme.
But:
As all the trick is to exactly calculate the offset of the noteheads,
wouldn't be possible to add such a calculation as
Kevin Dalley wrote:
Is this worth mentioning somewhere in the Music Functions section of
the documentation. Does that mean I have to write it.
Yes please; my eyes glazed over during this discussion. For hints, see
http://lilypond.org/web/devel/participating/documentation-adding
Cheers,
- Gr
Here is the page for downloading the fonts:
http://dejavu.sourceforge.net/wiki/index.php/Download
If you have windows, this is the direct linc to the ttf's on a zip:
http://prdownloads.sourceforge.net/dejavu/dejavu-ttf-2.16.zip?download
I extracted the fonts to the c:\windows\fonts folder (wher
Dear lilypond List
I have something like
\version "2.11.20"
\score {
\new StaffGroup <<
\new Staff {
\voiceA
}
\new Staff {
\voiceB
}
\new Staff {
\voiceC
}
>>
\layout { \context { \removeEmptyStaffContext } }
}
\pa
hi,
try to put the setting directly after the \version tag. This works fine for me:
%%% BEGIN OF CODE %%%
\version "2.10.20"
#(set-global-staff-size 40)
\score
{\relative c'
% Intro
{ \set Score.markFormatter = #format-mark-box-barnumbers
{\set Staff.instrumentName = "T
I am preparing a series of typeset manuscripts for both formal
publication and my thesis. I cannot do this until I figure out how to
typeset lyric ties (http://huge-url/#Entering-lyrics). The problem, as
the documentation states, is that you need a font that correctly encodes
U+203F. What the do
Thanks. That was the part I was missing. I didn't realize that all
of the items must be combined, and I didn't know how to combine them anyway.
Is this worth mentioning somewhere in the Music Functions section of
the documentation. Does that mean I have to write it.
Nicolas Sceaux <[EMAIL PROT
Please provide us an example code to play with it.
Dominic
2007/4/1, [EMAIL PROTECTED] <[EMAIL PROTECTED]>:
I am trying to add lyrics to a tune which has a note tied across two
measures. The usual method of adding a double underscore after the word
doesn't work. Since all the examples given h
You also need to describe where to attach the stems. A few sentences
on this would be nice for the documentation. I managed to do it once,
but I'm not ready to describe the process myself.
Maximilian Albert <[EMAIL PROTECTED]> writes:
> It's a fun experience to learn metafont, so if you have th
Nicolas Sceaux schrieb:
> The music expression that is finally inserted into the surrounding music
> is what is *returned* by the music function, that is, the last form.
Ah, that's point. Thanks for the hint! I'm sure this will help me quite
a few times in the future (when I finally find the time
Maximilian Albert <[EMAIL PROTECTED]> writes:
> Nicolas Sceaux schrieb:
>
>> Here is the structure of your function:
>>
>> setAltStaff =
>> #(define-music-function (parser location style lowerOctave upperOctave)
>> (string? number? number?)
>> (if #t
>> #{ ..foo.. #})
hello; enjoying learning this program!
i want to enlarge the size of my trumpet chart, as we are all getting older
and must apparently continue to play in poorly-lit venues :-(.
what's the easiest way to do this? i've tried
\layout
{#(set-global-staff-size 20)}
but this only generates an
Nicolas Sceaux schrieb:
> Here is the structure of your function:
>
> setAltStaff =
> #(define-music-function (parser location style lowerOctave upperOctave)
> (string? number? number?)
> (if #t
> #{ ..foo.. #})
> #{ ..baz.. #})
>
> The function return the last form
Hello,
I was senging this question a couple weeks ago but didn't got any answer.
Please don't be angry for repetition.
-- Forwarded message --
From: Antanas Budriūnas <[EMAIL PROTECTED]>
Date: 2007.03.20 12:19
Subject: cadenza and accidentals
To: lilypond-user@gnu.org
Hello,
us
I am trying to add lyrics to a tune which has a note tied across two measures. The usual method of adding a double underscore after the word doesn't work. Since all the examples given happen entirely within one measure, perhaps the command doesn't apply here. I tried using \melisma and \melismaE
Klaus Muth schrieb:
> How can I - if at all - design my own noteheads?
Of course you can. Note, however, that it requires a knowledge of
metafont, and you need to recompile lilypond to actually use the new glyphs.
Metafont was written by Donald Knuth almost thirty years ago (as a
counterpart to
>From the description of your problem it sounds like you need to check
the section in the manual about single staff polyphony.
-David
Don Hauht wrote:
> I have been using Lilypond to transfer a peice of existing sheet music for
> about 3 weeks and i am almost 100% done except for one problem whi
I have been using Lilypond to transfer a peice of existing sheet music for
about 3 weeks and i am almost 100% done except for one problem which 1s: How
to code the following example : In 3/4 time an alto note 'e' for two beats
while the soprano notes 'g' and upper 'c' are slurred. The last note
Hi!
How can I - if at all - design my own noteheads?
--
Klaus Muth privat [EMAIL PROTECTED]
geschaeftlich [EMAIL PROTECTED]
--
Kevin Dalley <[EMAIL PROTECTED]> writes:
> This doesn't work. The if block appears to be skipped.
>
> setAltStaff = #(define-music-function (parser location style lowerOctave
> upperOctave)
> (string? number? number?)
>
> (if #t
> #{
> \s
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