On Sat, Jan 27, 2007 at 01:56:45PM +, Roland wrote:
> I installed lilypond on Fedora Core 6. Well, it is there, but in no way does
> it
> show sumilar things as on my windows xp computer. How do I get it
> operational? I
> have some *.ly files, but how to make the pond work? where will the pd
Mats Bengtsson wrote:
> Please always tell what LilyPond version you use when sending questions
> to the mailing list.
well,yes, some info might help :) i run lilypond 2.6.3 on a 32 bit studio64
install of linux with kernel 2.6.14. a newer version of lilypond would cause me
to venture out
On 1/27/07, Orm Finnendahl <[EMAIL PROTECTED]> wrote:
Am 27. Januar 2007, 12:06 Uhr (-0600) schrieb Trevor Bača:
>
> Question: would it be possible to have access to *both* sets of
> glyphs? It seems to me that I've seen both types of glyphs mixed
> together in single scores; usually the existing
Hi,
This is another beginners question:
Between every System I put a \break, between every Page a \pageBreak
The first page is fine, the second is spread on two pages , why??
please help, thank you
best
ole
--
code-
Thanks a lot for lilly.
I am using it mostly to write simple scores for Irish Traditional music.
Joe
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I installed lilypond on Fedora Core 6. Well, it is there, but in no way does it
show sumilar things as on my windows xp computer. How do I get it operational? I
have some *.ly files, but how to make the pond work? where will the pdfs go?
Thanks for advice!
__
Quoting prince mathew <[EMAIL PROTECTED]>:
Dear Sir,
This is a mailing list read by lots of helpful users of LilyPond.
i download lilypond for windows and installed in my pc.
But when double clicking the icon it tells elow message.
i save that file in desktop and drag it to the icon of lilyp
Please always tell what LilyPond version you use when sending questions
to the mailing list. In this particular case, it may also be interesting
to know what operating system you use. I just tried a simple example
with 28pt size using one of the most recent versions and all
accidentals showed up
Am 27. Januar 2007, 12:06 Uhr (-0600) schrieb Trevor Bača:
>
> Question: would it be possible to have access to *both* sets of
> glyphs? It seems to me that I've seen both types of glyphs mixed
> together in single scores; usually the existing quartertone glyphs
> show exact quartertone alterations
On 1/8/07, Trevor Bača <[EMAIL PROTECTED]> wrote:
On 1/8/07, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> Trevor Bača escreveu:
> > Hi,
> >
> > Is there any way to shoren one end (the right end) of a trill spanner by
> > hand?
> >
> > Something like ...
> >
> > \once \override TrillSpanner #'sh
"Panteck" <[EMAIL PROTECTED]> writes:
> I've got three sets of tags ( letter/a4/bigprint, part/score, and
> original/edit ). What I want to do is something like \keepWithTag
> #'letter #'part #'edit, but \keepWithTag doesn't take multiple values,
> and \keepWithTag #'value1{ \keepWithTag #'value2
On 1/27/07, Orm Finnendahl <[EMAIL PROTECTED]> wrote:
Hi,
for a while I wanted to suggest adding the option of using a different
style for microtone accidentals. I personally prefer the use of up or
down arrows on extended vertical lines of the standard accidentals
(see attached example). The ad
So do I!
Martin
Original-Nachricht
Datum: Sat, 27 Jan 2007 18:00:30 +0100
Von: Ole Schmidt <[EMAIL PROTECTED]>
An: Orm Finnendahl <[EMAIL PROTECTED]>
Betreff: Re: proposal: second style for quartertone accidentals
> So I vote for them!
>
> best
>
> ole
>
> Am 27.01.2007 um
So I vote for them!
best
ole
Am 27.01.2007 um 17:52 schrieb Orm Finnendahl:
Am 27. Januar 2007, 15:33 Uhr (+0100) schrieb Ole Schmidt:
Hi,
I did not understand if these accidentals are already implemented so
that I can use them? If not, I'am interested strongly in using them,
they are inde
Dear list,
Sometimes the alignment of lyrics and notes can be very tricky for _any_ music
software.
Lilypond does a good job in solving the problem below. I'd like to hear comments
from users. For I know that there are different solutions.
Problem: How to cause the lyrics that belong to the tenor
Am 27. Januar 2007, 15:33 Uhr (+0100) schrieb Ole Schmidt:
> Hi,
>
> I did not understand if these accidentals are already implemented so
> that I can use them? If not, I'am interested strongly in using them,
> they are indeed much easier to read and to handle...
No, They aren't implemented
hello
is there a way to have automatic note splitting working on a tablature
stave? i've tried
\context TabStaff \with {
\remove "Note_heads_engraver"
\consists "Completion_heads_engraver"
} { a4. b c d e }
but it comes out as a mess of numbers and notehe
tremby wrote:
>
> i'm doing the override command before and after each muted note or
> passage, and this is a lot of override commands.
>
i've actually just noticed that i'm not getting crosses instead of numbers
on the tablature staves at all. i found a hack in the archive to make all
tab no
hi folks.
i'm fairly new to lilypond and am trying to write out some guitar music. i
haven't been able to find any information on representing palm muting
(http://en.wikipedia.org/wiki/Palm_mute) with lilypond -- is there a way? i
shouldn't think it would be hard to implement if not, since it's r
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Hello,
I have a piano piece for which the 2nd part is notated in seperat
staffes for the left and the right hand.
So I have two score blocks:
1st Part:
\score {
\new PianoStaff
<< \set PianoStaff.instrumentName = "Piano "
\new Staff =
Hi,
I did not understand if these accidentals are already implemented so
that I can use them? If not, I'am interested strongly in using them,
they are indeed much easier to read and to handle...
best
ole
Am 27.01.2007 um 15:03 schrieb Orm Finnendahl:
Hi,
for a while I wanted to sugge
Hi,
for a while I wanted to suggest adding the option of using a different
style for microtone accidentals. I personally prefer the use of up or
down arrows on extended vertical lines of the standard accidentals
(see attached example). The advantage of this style is a better
differentiation of enh
Am 23. Januar 2007, 23:55 Uhr (+0100) schrieb Han-Wen Nienhuys:
>
> A harmonic head is slightly bigger so it protudes through the staff
> lines, if printed in a space. AFAIK, they only exist in the open form,
> and Trevor's use of the black form is not canonical.
There are many things not canoni
Hi,
definitely interesting might be, that the autographs from Schönberg
himself doen't contain this special symbols, but he set a cross instead
of a notehead. Confer to
http://www.schoenberg.at/6_archiv/music/works/op/compositions_op21_sources_e.htm#
for instance page 12 of the cathegory B. I
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