On Tue, Jan 23, 2007 at 10:48:28PM -0800, Ted Walther wrote:
Thank you, that worked very nicely. Results here:
http://hymns.reactor-core.org/SacredHarp/Pilgrim.pdf
And of course, you can hear the music by changing the pdf extension to
mp3:
http://hymns.reactor-core.org/SacredHarp/Pilgrim.mp3
Mats Bengtsson wrote:
> How about
> < g g>\breve
Nice one :)
However, in the output the two notes seem to overlap (not only the
vertical bars around them but also the noteheads). This also happens
with "normal" whole notes but not with half notes or shorter durations.
Is this intended or is it a
Thank you, that worked very nicely. Results here:
http://hymns.reactor-core.org/SacredHarp/Pilgrim.pdf
Ted
On Tue, Jan 23, 2007 at 10:08:03PM -0600, Walter Hofmeister wrote:
On 1/23/07 9:42 PM, "Ted Walther" <[EMAIL PROTECTED]> wrote:
I put orientation = "landscape" in my \paper { } section
On 1/23/07 9:42 PM, "Ted Walther" <[EMAIL PROTECTED]> wrote:
> I put orientation = "landscape" in my \paper { } section, but lilypond
> is ignoring it when it makes the Postscript and PDF files. What am I
> doing wrong?
>
> Here is the minimal example as requested:
>
> %%% start of example
> \v
I put orientation = "landscape" in my \paper { } section, but lilypond
is ignoring it when it makes the Postscript and PDF files. What am I
doing wrong?
Here is the minimal example as requested:
%%% start of example
\version "2.10.11"
\paper { orientation = "landscape" }
soprano = \relative g
Steve D escreveu:
> As illustrated in Figure 1 (attached PNG), LilyPond's default placement
> of the tie between the top notes of chords 2 and 3 of the illustration
> is so short (to avoid the flat symbol on the 3rd chord) that it is
> invisible, unless the chords (and measures that contain the ch
On Tue, Jan 23, 2007 at 06:21:53PM -0700, Steve D wrote:
>
> Issue 3:
> I tried to manually configure the ties between the second and third
> chords using--
>
> 8~ \once \override Score.TieColumn #'tie-configuration =
> #'( (4 . 1) #t ) 4
>
> --However, as is illustrated in Figure 3 (attache
LilyPond 2.11.13, Linux
This message pertains to ties between single and multiple voice sections
of notation of polyphonic instruments, using a technique suggested by
Joe Neeman of moving the Tie_engraver from the default Voice context to
the Staff context instead.
A Goal
--
Piano (and presum
Hi, Yota:
Does anybody know a trick to un-bold the "subito" in the first
solution
I use:
pocoF = #(make-dynamic-script (markup #:line(#:normal-text #:italic
"poco" #:hspace -0.3 #:dynamic "f" )))
Hope this helps!
Kieren.
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lilypond-user mai
Maximilian Albert escreveu:
> On to my questions:
>
> 1) Is it correct that all I need to do in order to create a new glyph is
> to modify the metafont source file of the corresponding font? That is,
> are all the other files (*.otf, *.svg, etc.) created during the
> compilation process of lilypon
> I've got three sets of tags ( letter/a4/bigprint, part/score, and
> original/edit ). What I want to do is something like \keepWithTag #'letter
> #'part #'edit, but \keepWithTag doesn't take multiple values, and
> \keepWithTag #'value1{ \keepWithTag #'value2 } doesn't work, because the
> inne
Surfing around I found two ways to do almost the same thing : display a
complex dynamics mark, like a Piano Subito.
In each I found something satisfying and another annoying
psubito = #(make-dynamic-script (markup #:hspace 1 #:translate (cons 5 0)
#:line( #:dynamic "p" #:text #:italic "subito" )
Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> lilypond-book is a separate program that you have to run from the
> command line.
Thank you, and everybody else. This is a bit strange for me since I do
not use Terminal all that much ... but you got me started.
I´m trying not to be a nuisance but I´ll
Graham Percival <[EMAIL PROTECTED]> wrote:
> http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Running-LilyPond
Thank you - this is one page I haven´t seen before...
--
My new CD "Know Greed":
http://cdbaby.com/cd/rogge
___
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Valentin Villenave <[EMAIL PROTECTED]> wrote:
> I assume you know how to use command line on Mac OSX ?
It´s not something I use on a daily basis - but I have tried.
--
My new CD "Know Greed":
http://cdbaby.com/cd/rogge
___
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I've got three sets of tags ( letter/a4/bigprint, part/score, and
original/edit ). What I want to do is something like \keepWithTag #'letter
#'part #'edit, but \keepWithTag doesn't take multiple values, and
\keepWithTag #'value1{ \keepWithTag #'value2 } doesn't work, because the
inner \keep st
Mats Bengtsson ee.kth.se> writes:
> One possible trick is to move the mark engraver from the score level to each
> stave and then include the ordinary rehearsal marks as well as the
> fermata above
> the system only in the top stave of the score and the downwards fermata
> only in
> the bottom
Is your .ly file UTF-8 encoded?
Uwe Nagel
David Gippner wrote:
>
> Dear list,
>
> I've got problems with german umlauts in Lilypond 2.11.13-1. Wherever
> there is one, I just get blanks.
> What can I do against that?
>
> Yours sincerely
>
> David Gippner
>
> P.S.: If this is useful, I ca
¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡
[EMAIL PROTECTED]@[EMAIL PROTECTED]@[EMAIL PROTECTED]
[EMAIL PROTECTED]@[EMAIL PROTECTED]@[EMAIL PROTECTED]@[EMAIL
PROTECTED]@fEflülnZuà½ÝÐII
¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡
[EMAI
Dear list,
I've got problems with german umlauts in Lilypond 2.11.13-1. Wherever
there is one, I just get blanks.
What can I do against that?
Yours sincerely
David Gippner
P.S.: If this is useful, I can provide a PDF of what I mean. Requests to
[EMAIL PROTECTED] please.
_
Hi everyone,
a couple of days ago Trevor asked for help with regard to a certain
special note head (a black diamond of 'harmonic' style, where a white
one already existed). Since Trevor sent his initial request on the
lilypond-user list but I feel that -devel is the right place to get the
informat
2007/1/23, Graham Percival <[EMAIL PROTECTED]>:
Claus Rogge wrote:
> Believe me, I have searched the manuals and the mailing history - there
> is some basic thing I just haven´t understood.
I assume you know how to use command line on Mac OSX ?
If you do not, here's the way: in your Finder, ope
On 1/23/07, v!ctor [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
Trevor,
I suppose you thought of just changing the size of the black diamond, like
this:
%%% BEGIN %%%
%\version "2.11.7"
\layout { ragged-right = ##t }
\new Staff {
\override NoteHead #'font-size = #3
\once \overrid
Am 23/01/2007 um 13:03 schrieb Mats Bengtsson:
Please always tell what LilyPond version you use and on what operating
system (here I guess from your error message that you use MacOS).
/Mats
Yes, it is version 2.10.0 on Mac OS 10.4.8
Manuel
Manuel wrote:
Whenever I work with somewhat
Please always tell what LilyPond version you use and on what operating
system (here I guess from your error message that you use MacOS).
/Mats
Manuel wrote:
Whenever I work with somewhat large files, LilyPond takes either an
extremely long time to compile or just stops working. The last time
Whenever I work with somewhat large files, LilyPond takes either an
extremely long time to compile or just stops working. The last time
it happened, a new window opened with this information:
(error: NSInternalInconsistencyException - Error (1000) creating
CGSWindow)
See the Console for a
Claus Rogge wrote:
Believe me, I have searched the manuals and the mailing history - there
is some basic thing I just haven´t understood.
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Running-LilyPond
- Graham
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Did you read Section "Notes for the MacOS X app" in the manual?
lilypond-book is a separate program that you have to run from the
command line. Since I don't use Mac myself, I cannot provide more
detailed explanation than that, but I'm sure someone else can fill in
even more details if you wish. A
I would be very happy if someone could point me in a direction - where
do I start lilypond-book? Is it a seperate program I have to start or do
I type "lilypond-book" into the code somewhere? I´m on MacOS X and start
LP by doubleclicking the app.
Believe me, I have searched the manuals and the mai
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