Trevor,
I suppose you thought of just changing the size of the black diamond, like
this:
%%% BEGIN %%%
%\version "2.11.7"
\layout { ragged-right = ##t }
\new Staff {
\override NoteHead #'font-size = #3
\once \override NoteHead #'style = #'harmonic
c'4
\override NoteHead #'font-si
First, on Wed, Jan 17, 2007 at 08:15:24AM +0200, Joe Neeman wrote:
> We've had a few questions about ties between voices (especially ties from
> polyphony to chords). It seems that you can get this behaviour simply by
> moving the Tie_engraver form the Voice context to the Staff context. Note
> tha
Steve D escreveu:
> On Wed, Jan 17, 2007 at 08:15:24AM +0200, Joe Neeman wrote:
>> We've had a few questions about ties between voices (especially ties from
>> polyphony to chords). It seems that you can get this behaviour simply by
>> moving the Tie_engraver form the Voice context to the Staff con
On Wed, Jan 17, 2007 at 08:15:24AM +0200, Joe Neeman wrote:
> We've had a few questions about ties between voices (especially ties from
> polyphony to chords). It seems that you can get this behaviour simply by
> moving the Tie_engraver form the Voice context to the Staff context. Note
> that the T
Murilo de Lima gmail.com> writes:
>
> Hi,
>
> I want to know if is there any project for implementing a way to convert
> Encore
> files for Lilypond, like there is for Finale. I want to stop using Windows,
> but
> most of the scores I get are for Encore.
>
Encore 4.6 (not yet released) will
Murilo de Lima gmail.com> writes:
> Also, in the documentation, it's not clear how to use Segno and Coda, e.g.,
> how
> to put a "D. S. al Coda" or "To Coda".
>
> Thanks,
> Murilo
>
In section 8.1.3 Text Marks, it describes how to place these marks.
Section 8.2.3 Rehearsal marks describes h
Hi.
[Better to use 2 separate posts for 2 different questions.]
> Also, in the documentation, it's not clear how to use Segno and Coda, e.g.,
> how
> to put a "D. S. al Coda" or "To Coda".
>
Maybe something like
a^"D. S. al Coda"
Best,
Gilles
_
When I removed the midi { } block I could compile it, and the tempo sign
was also shown. So it is the midi block...
Bert
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Oh, sorry. I just have understood it.
So, I removed the TimeSig magic, and the tempo got displayed. So there
may be a connection...
Bert
Bertalan Fodor írta:
(Keep the discussion on list)
Actually I cannot compile, because I don't have 2.11 right here. But I
still don't understand why yo
Hi,
I want to know if is there any project for implementing a way to convert Encore
files for Lilypond, like there is for Finale. I want to stop using Windows, but
most of the scores I get are for Encore.
Also, in the documentation, it's not clear how to use Segno and Coda, e.g., how
to put a "D.
(Keep the discussion on list)
Actually I cannot compile, because I don't have 2.11 right here. But I
still don't understand why you need the create a new context for time
signatures.
Bert
I copy that from a template in the tips&tricks sektion of the manual.
Because there are many changes in
What's all that magic with TimeSig context? Do you really need it?
Bert
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\override TimeSignature #'transparent = ##t
?
Bert
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Hi,
I'am a beginner and need some help:
When I put a \tempo 4 = 72 in my score, I don't see it back in the
pdf. I assume that its overwritten by some \override command. But
which one?
thank you for a hint,
best
ole
-
One possible trick is to move the mark engraver from the score level to each
stave and then include the ordinary rehearsal marks as well as the
fermata above
the system only in the top stave of the score and the downwards fermata
only in
the bottom stave of the score. Example:
\version "2.10.0
On Mon, Jan 22, 2007 at 10:16:21AM +0100, Mats Bengtsson wrote:
> It's much easier to answer such a question if you include a short example
> of what you are trying to do. I'm not sure I understand what you mean,
> since a TabVoice doesn't print any fingerings by default.
>
> If you search the ind
It's much easier to answer such a question if you include a short example
of what you are trying to do. I'm not sure I understand what you mean,
since a TabVoice doesn't print any fingerings by default.
If you search the index of the manual for
"Transparent objects" or "Invisible objects", you wi
You get it for free:
triplet = #(define-music-function (parser location music) (ly:music?)
#{ \times 2/3 $music #})
/Mats
Valentin Villenave wrote:
Hi everybody,
for years I've been looking for missing features to be sponsored, or
any other way I could support LilyPond besides using
How about
< g g>\breve
/Mats
Bertalan Fodor wrote:
I think I've found a better solution. THat is, something like this:
{
\once \override Voice.NoteHead #'stencil = #ly:text-interface::print %
override the default method of printing a notehead
\once \override Voice.NoteHead #'text = #(markup
Ted Walther wrote:
Although I had the impression that \tempo was deprecated and didn't work
anymore? These days I use
\set Score.tempoWholesPerMinute = #(ly:make-moment 100 4)
instead of
\tempo 4=100
Was \tempo fixed to work again?
\tempo has always worked within the music and result
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