On Wednesday 20 September 2006 22:55, Ted Walther wrote:
> On Wed, Sep 20, 2006 at 11:34:33AM -0500, David Greene wrote:
> >>If you want to do something more generic (something you can apply on
> >>any existing ly score), then you may want to consider using music
> >>streams. Music streams are a ne
No, I mean mean a black version of noteheads.s0harmonic.
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OnionRingOfDoom wrote:
When I added the title of the piece in what used to be a single page of
music, lilypond decided to split the piece into two pages with each line of
music being spaced very far apart. Previously I had been using this code in
order to squeeze as much as I could onto one page
When I added the title of the piece in what used to be a single page of
music, lilypond decided to split the piece into two pages with each line of
music being spaced very far apart. Previously I had been using this code in
order to squeeze as much as I could onto one page without being too crowde
[ Lilypond 2.9.18 ]
Hello, all --
I'm trying to force a Slur to go through some Stems, but I'm having a
terrible time.
Even overriding the Stem #'positions doesn't seem to work!
Anyone know how to solve this?
Thanks,
Kieren.
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Thanks,
In my book thats a bug because I surely dont want to be using \break in all
my music because I print the same songs on many different paper sizes. So I
need the line breaks to occur naturally, within a system count limit and
system spacing limit that is appropriate for whatever paper I'm
Hi Rick,
Hi just had a look at your code and it seems that the system-count = #2 in
the main document layout block is the problem. If your remove the
'system-count' and replace with a \break where the system-count function was
providing the break (end of bar 5) and re-run both bars of the ossi
Libero Mureddu wrote:
Hi,
I tried to go deeper in my problem, trying to understand where it
starts to do not work, and it seems that as soon as I \remove the
"Timing_translator" from the Score context, I lose the possibility to
break lines. On the other side, I cannot have it in the Score contex
Sounds more like a problem with LaTeX than Lilypond.
Try setting \parindent=0in
I'm not saying that's definitely right but it might be :)
Mark
- Original Message
From: James Cownie <[EMAIL PROTECTED]>
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MIME-Version: 1.0 (Apple Message framework v752.2)
To: lilypond-
Hi,
I tried to go deeper in my problem, trying to understand where it
starts to do not work, and it seems that as soon as I \remove the
"Timing_translator" from the Score context, I lose the possibility to
break lines. On the other side, I cannot have it in the Score context,
and only remove the
v2.9.17
I believe I have uncovered a bug when using the \markup { \score { ... } }
capability. In the following example I assign a markup score of 2 measures
to a variable called "varFreeFormOssia". Then in the main music I apply
that markup variable to a note. I would expect 2 measures of mar
Hello,
I'm starting to use Lilypond (version 2.8.6-1) and I'm having problems
with non-ASCII characters used on lyrics.
I use Emacs as editor and configured it for UTF-8.
I searched in the 2.8.x manual for issues on encoding and followed
section 10.1.4 (Text encoding) and used the suggested comm
I hope you have checked the list of font symbols in
http://lilypond.org/doc/v2.9/Documentation/user/lilypond/The-Feta-font.html
Do you mean a black version of noteheads.s0diamond ?
/Mats
Vít Reichel wrote:
As far as I know, the Feta font doesn't have a glyph for black harmonic notehead
that
On Wed, Sep 20, 2006 at 11:34:33AM -0500, David Greene wrote:
If you want to do something more generic (something you can apply on
any existing ly score), then you may want to consider using music
streams. Music streams are a new concept in 2.9, and nobody has used
them yet AFAIK. However, I can
As far as I know, the Feta font doesn't have a glyph for black harmonic notehead
that is needed in guitar notation. Does anyone know of a workaround? VR
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I get what you are doing here, but I am constantly moving players around in
sections, especially clarinet and flute going in and out of sax section for
example, hiding/showing certain percussion instruments like Marimba that are
not used on every song, etc. So I like to see my entire band reflect
As has already been mentioned, the current implementation
of partcombine has several problems and limitations and
there are plans to rewrite it completely. Therefore, none
of the main hackers has any interest in tweaking the current
implementation any more, so unless you want to do the
modificatio
Good thing I'm not a full-time programmer. The only blocks I'm splitting
across files are the \Score, \ChoirStaff and \StaffGroup all the others
(paper, header layout, etc), are self contained in their .ly files. It's
worked well in that I do need to print on various kinds of paper mostly 9x12
a
Windows XP Lilypond 2.8.6
Hello,
I use lilypond a lot and recently have started to want to use lily-pond
book. Unfortunately I cannot manage to generate a pdf file as I would like. I
manage to generate a dvi file but when I try to convert to a pdf file the
notation held in the eps files disap
David Greene wrote:
This is a more structured approach than splitting the syntax across
files. Perhaps it is already possible to do this -- I haven't tried.
Try it! You will be positively surprised.
/Mats
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Erik Sandberg wrote:
If you want to do something more generic (something you can apply on any
existing ly score), then you may want to consider using music streams. Music
streams are a new concept in 2.9, and nobody has used them yet AFAIK.
However, I can try to guide you if you're interested.
Rick Hansen (aka RickH) wrote:
\include CommonHeader.ly% contains header block and begins a
score block and begins a nested choir staff block
\include AltoSax1.ly % generic template for alto
sax and transposes for Eb
\include AltoSax2.ly
Sorry for not editing the Subject in my reply...
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Trevor Ba?a <[EMAIL PROTECTED]> wrote:
> On 9/20/06, Henrik Frisk <[EMAIL PROTECTED]> wrote:
> > > Hi,
> > >
> > > Still working on edge-text adjustments ...
> > >
> > > In the snippet be
On 9/20/06, Markus Schneider <[EMAIL PROTECTED]> wrote:
Hi Trevor,
your request was immune to most approaches I used so far, but I found a
solution.
You can now alter your paddings independently (look for the "i"s).
For regular use, I recommend to turn this into a function.
Beware, this is "dee
On 9/20/06, Henrik Frisk <[EMAIL PROTECTED]> wrote:
> Hi,
>
> Still working on edge-text adjustments ...
>
> In the snippet below, I've got exactly what I want -- thanks to much
> help from the list -- with the one exception that the padding of the
> two vertical spanners is off-center relative t
Hello list,
I'm looking for a function that doubles every duration.
Here's a short example:
Turn { c1 c2 c4 c16 c16 c16 c16 }
into { c1 ~ c1 c1 c2 c8 c8 c8 c8 }
I digged around, but I think this is still beyond my limited scheme
understanding.
If someone did somthing like this already
> Hi,
>
> Still working on edge-text adjustments ...
>
> In the snippet below, I've got exactly what I want -- thanks to much
> help from the list -- with the one exception that the padding of the
> two vertical spanners is off-center relative to each piece of edge
> text. Notice that the solid h
Does \partcombine yield a music expression? I tried doing this:
\partcombine \partcombine \foo \bar \baz
The results were ugly. Lilypond complained a lot too.
warning: ignoring too many clashing note columns
The reason I ask is that Sacred Harp music from the Denson book has
three voices tog
A bug in 2.8 is still present in 2.9.17. I quote a mail from 4 months
ago:
Subject: shape note heads
From: Monk Panteleimon
Date: Wed, 21 Jun 2006 16:10:19 -0700
Thought I might as well report these as bugs:
Shape-note heads in 2.8 are abnormally small. They were fine (I thought)
in
2.7.
Also
Hi Trevor,
your request was immune to most approaches I used so far, but I found a
solution.
You can now alter your paddings independently (look for the "i"s).
For regular use, I recommend to turn this into a function.
Beware, this is "deep-hack" mode!
Cheers,
Markus
%%% BEGIN BOUND PADDING SNI
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