Michael Haynie wrote:
I would be embarrassed to not have found that, except that it never
occurred to me to look at the root node of the section, which doesn't
suggest that it deals with such an odd topic. I've wondered if it might
be a good idea to collect settings which have global formattin
Christopher Culver wrote:
I've played at the top of \score{... the example in the manual for
line breaking every x beats so that I could have Lilypond place no
more than 7 bars on each page of my orchestral score, but when I run
Lilypond, it complains that it cannot provide such line breaking
bec
Hi again,
The glissando below appears by default between the upper notes of the
two chords, ie, upwards from b' to c''. Is there a way to gliss
instead downwards from d' to c'?
%%% BEGIN %%%
\version "2.9.13"
\new Staff {
<
d'
g'
b'
>4
\glissando
<
c'
g'
c
Hi,
Is it possible to tie only one note of a chord? This snippet using the
tie-configuration property of the TieColumn is basically what I'm
looking for, except that the tie prints three times, giving too heavy
a weight.
%%% BEGIN %%%
\version "2.9.13"
\new Staff {
<
c'
e'
g'
Hi All,
This email is mainly directed at Han-Wen but if others have ideas and
suggestions then please don't hesitate.
I'm looking to sponsor two features:
1: Better support for Incipits: looking at the current way of preparing
incipits there isn't a way to restart the staff again e.g. to sho
Jon Wild wrote:
I'm having difficulty figuring out how I should implement a tweak. The
Accidental_engraver has a property called extraNatural, which for my
current purposes I'd like to set to false. (This suppresses the extra
natural when going directly from Gb to G#, for example.) Could some
I'm having difficulty figuring out how I should implement a tweak. The
Accidental_engraver has a property called extraNatural, which for my
current purposes I'd like to set to false. (This suppresses the extra
natural when going directly from Gb to G#, for example.) Could someone
demonstrate
Hi,
I'm trying to typeset a piece of renaissance music in neomensural
style and would like to use the neo-mensural time signature
glyphs. Unfortunately they are preset to decode 3/2 or 2/2 bars
although the tempus imperfectum or perfectum should get translated
into 2 or 3 semibrevis which means in
Jon Wild wrote:
On Wed, 26 Jul 2006, Paul Scott wrote:
Where should I insert the line
#(set-accidental-style 'no-reset)
in my .ly file, in order to have accidentals be remembered across
barlines?
I tried outside the /book block, inside the /book block but
outside the /score block, and ins
On Wed, 26 Jul 2006, Paul Scott wrote:
Where should I insert the line
#(set-accidental-style 'no-reset)
in my .ly file, in order to have accidentals be remembered across
barlines?
I tried outside the /book block, inside the /book block but outside the
/score block, and inside the /score bl
Hi, Jon:
Do you know anything about the set-accidental-style command and
where it should go in the .ly file? (see other thread)
Not specifically -- but why not just use \time 60*4 (or whatever you
need), since you're not showing the time-sig anyway...
Best,
Kieren.
_
Jon Wild wrote:
On Wed, 26 Jul 2006, Paul Scott wrote:
Where should I insert the line
#(set-accidental-style 'no-reset)
in my .ly file, in order to have accidentals be remembered across
barlines?
I tried outside the /book block, inside the /book block but outside
the /score block, and ins
On Wed, 26 Jul 2006, Kieren MacMillan wrote:
The "ragged-right" and no time signature, etc. Did it observe the /layout
block for you?
Yes:
Arg - I just double-checked and it works for me too, here at the office.
But the same .ly file at home didn't work...
Thank you Kieran. Do you know an
Hi, Jon:
The "ragged-right" and no time signature, etc. Did it observe the /
layout block for you?
Yes:
Picture 1.png
Description: application/applefile
FWIW, I'm using 2.9.13 on Mac OS X.
Cheers,
Kieren.___
lilypond-user mailing list
lilypond
On Wed, 26 Jul 2006, Paul Scott wrote:
Where should I insert the line
#(set-accidental-style 'no-reset)
in my .ly file, in order to have accidentals be remembered across barlines?
I tried outside the /book block, inside the /book block but outside the
/score block, and inside the /score bloc
Jon Wild wrote:
Where should I insert the line
#(set-accidental-style 'no-reset)
in my .ly file, in order to have accidentals be remembered across
barlines?
I tried outside the /book block, inside the /book block but outside
the /score block, and inside the /score block. Each time I got th
Where should I insert the line
#(set-accidental-style 'no-reset)
in my .ly file, in order to have accidentals be remembered across
barlines?
I tried outside the /book block, inside the /book block but outside the
/score block, and inside the /score block. Each time I got the error
"syntax
Paul Scott wrote:
Jon Wild wrote:
On Wed, 26 Jul 2006, Kieren MacMillan wrote:
That works fine for me...?
It works for me, in that it compiles and produces an output - just
not the output I wanted, since all the /layout instructions are
ignored. (The "ragged-right" and no time signature, e
Jon Wild wrote:
On Wed, 26 Jul 2006, Kieren MacMillan wrote:
That works fine for me...?
It works for me, in that it compiles and produces an output - just not
the output I wanted, since all the /layout instructions are ignored.
(The "ragged-right" and no time signature, etc.) Did it observe
On Wed, 26 Jul 2006, Kieren MacMillan wrote:
That works fine for me...?
It works for me, in that it compiles and produces an output - just not the
output I wanted, since all the /layout instructions are ignored. (The
"ragged-right" and no time signature, etc.) Did it observe the /layout
blo
I've played at the top of \score{... the example in the manual for
line breaking every x beats so that I could have Lilypond place no
more than 7 bars on each page of my orchestral score, but when I run
Lilypond, it complains that it cannot provide such line breaking
because of "constraints". The r
Hi, Jon:
That works fine for me...?
Best,
Kieren.
___
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http://lists.gnu.org/mailman/listinfo/lilypond-user
On Wed, 26 Jul 2006, Paul Scott wrote:
Jon Wild wrote:
How can I specify a layout block that applies to all scores in a book? I
wrote a program to generate musical examples, and each snippet is to go on
its own staff. So my program writes them in separate scores like this, each
with its own
Hi all,
As I prepare to start on my second major vocal piece, I'm wondering if there's
a nicer way to organize the lilypond file. My issue is that when I'm looking at
the score to make corrections or tweaks, I mentally reference things based off
the words. Lilypond, however, bases it off the no
Jon Wild wrote:
Please don't use "Reply" to start a new thread.
How can I specify a layout block that applies to all scores in a book?
I wrote a program to generate musical examples, and each snippet is to
go on its own staff. So my program writes them in separate scores like
this, each with i
Hi, y'all --
How 'bout the attached as a starting point?
Best,
Kieren.
\version "2.9.13"
\layout
{
ragged-right = ##t
}
metMark = \mark \markup
{
\line \vcenter
{
"Swing"
\hspace #0.5
\score
How can I specify a layout block that applies to all scores in a book? I
wrote a program to generate musical examples, and each snippet is to go on
its own staff. So my program writes them in separate scores like this,
each with its own layout block:
==begin .ly file==
\book {
\score {
[EMAIL PROTECTED] wrote:
I would like to be able to write a true Cmaj7 chord. This is a I
chord in the key of C major with an added scale tone 7th. There is no such
chord as a Cadd(#7) which is spelled out in the Lilypond documentation examples
as c e g b.
c:maj7
This is in the manual. If
Hi, Joe --
If you included Lily code in your post, the << and >> can sometimes
be misconstrued by the server as top-posting.
Try replacing them with other symbols.
Cheers,
Kieren.
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I tried to submit a bug regarding the documentation of chord symbols through
the documentation bug reporting system, but my message appears to be rejected
due to the false claim that I'm "top-posting" How can you "top post" when you
are writing an original message? This seems to be just anothe
I tried to submit a bug regarding the documentation of chord symbols through
the documentation bug reporting system, but my message appears to be rejected
due to the false claim that I'm "top-posting" How can you "top post" when you
are writing an original message? This seems to be just anothe
I would like to be able to write a true Cmaj7 chord. This is a I
chord in the key of C major with an added scale tone 7th. There is no such
chord as a Cadd(#7) which is spelled out in the Lilypond documentation examples
as c e g b. A #7 in
the key of C would be another C an octive above the roo
Thanks, this highlighter is making my work easier too and increased my
understanding of how lp language works.
> One question : Do you know how to use convert-ly under windows ? Is this a
> separate program I cannot find or it is a command to add with
> lilypond(-windows).exe I did not find ? The
I also had this problem recently. I got round it by having a hidden, smaller staff running the whole length of the piece and only inserting the "notes" that I needed around the barline of the tempo change (in that case \times 2/3 {c16 c c} s16^"=" c16 c c )Very clumsy but it did get the desired res
Hi -
Running LilyPond 2.8.4.1 under Windows XP SP2.
I'd like to notate a slide up to a note. The time, in the music, would
come out of the note following the slide notation. For those familiar
with ABC notation, this would be similar to prefixing the note with a
"J" in .abc. In this particular pi
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