Simon Dahlbacka wrote:
> How hard would it be to put together something like that myself, (a person
> knowing close to nothing about scheme, but programmer by profession).
> That is, is it feasible, or should I just forget it right away?
It depends. If you can grok the functional programming parad
Great! This topic was brought up right in time. I was about to post one
similar. In the past I had sent the attachment (shapednotesnew.pdf) to
Han-Wen, and I would like to request some changes to the shaped notes
design:
-> The half-notes (minims) in many shaped notes songbooks have one or more
Monk Panteleimon wrote:
Dear Lilypond users,
Somehow the SacredHarpHeads have gotten very small in 2.8. The regular
notehead (the one called #f in property-init.ly) is normally sized, of
course, so one can't simply globally adjust notehead size or one ends up
with big fat "sol" noteheads. Is the
I've been wanting something like \chordcombine, i.e. combine multiple voices into chords if they occur at the same time and same duration (possible edge cases not taken into account right now)How hard would it be to put together something like that myself, (a person knowing close to nothing about s
Dear Lilypond users,
Somehow the SacredHarpHeads have gotten very small in 2.8. The regular
notehead (the one called #f in property-init.ly) is normally sized, of
course, so one can't simply globally adjust notehead size or one ends up
with big fat "sol" noteheads. Is there a way to get the shaped
At Mon, 19 Jun 2006 21:21:07 -0700,
Graham Percival <[EMAIL PROTECTED]> wrote:
> > How can I superscript text, like footnotemarkers, in lyrics mode?
> > Footnotemarkers are part of Unicode, but they should be superscripted
> > to improve the output. Alternatively, I guess one can use the
> > super
On Tuesday 20 June 2006 12:59, Han-Wen Nienhuys wrote:
> Erik Sandberg schreef:
> > I'm not quite sure what the proper solution is. The attached patch solves
> > the problem by renaming EVENT_IDENTIFIER to ARTICULATION_IDENTIFIER. The
> > solution is easy and it works AFAICT, but it relies on music
Shamus schreef:
Meeting Han-Wen last time I asked him how the name `Nieuwenhuizen'
actually does sound. To make it short: I'll stay with `Jan' and
`Han-Wen'.
I'll take a stab at it, though I'm no expert at this kind of thing (the
words nine, when, and zen are the American English pronunciation
Erik Sandberg schreef:
I'm not quite sure what the proper solution is. The attached patch solves the
problem by renaming EVENT_IDENTIFIER to ARTICULATION_IDENTIFIER. The solution
is easy and it works AFAICT, but it relies on music-classes, whose fate is
uncertain. I did consider the following
How other score formats i can create from my lily scores. It should be
openable in other score editors (finale or capella).
It is possible ? I can't see it in docs.
Regards
Tomasz
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For a long "cadenza" passage I want to beam all notes together, but
do not succeed: there is the a subdivision before last 16th note, and
this note has a small beam in the wrong direction.
code:
--
\version "2.9.9"
#(ly:set-option 'point-and-click #f)
\score {
\relative c'' {
\k
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