Hello, all --
I think I've almost answered my own question:
Is there any easy way to tweak the spacing of *just* the notes
which begin a measure and have an accidental on them
I'm using
\once \override Score.BarLine #'space-alist = #'((first- fixed-
space . 2.0))
at the end of the measur
Can LilyPond engrave an old-style F clef, such as the one in this
Wikipedia article?
http://en.wikipedia.org/wiki/Clef#The_F_clef
It doesn't look like it from 7.7.4 in the manual, but I thought I
might be missing something.
Geoff
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[ Lilypond 2.8 ]
Hello, all --
The default spacing of (i.e., padding before) notes which begin a
measure and which have an accidental is, to my eye, wonderful -- but
only as long as the measure begins a system, or the note is preceded
by "something special" (e.g., time signature, key signa
Original Message
From: - Tue Apr 11 00:06:33 2006
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Message-ID: <[EMAIL PROTECTED]>
Date: Tue, 11 Apr 2006 00:06:17 +1000
From: Cameron Horsburgh <[EMAIL PROTECTED]>
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To: K
I think you need to specify a \staff around the music parts, then specify the
\lyrics below the closing bracket of each staff. Here is what I am doing
and the \lyricsto is working fine for me: (I'm using 3 part polyphony
voices on a single staff, but in your case you should be able to put lyrics
Kieren Richard MacMillan kirjoitti:
> Hello, all --
>
> I'm trying to engrave a two-voice piece (a cappella), but I'm getting
> the warning
>
> warning: cannot find Voice `she'
>
> What am I doing wrong?
Your example is completely OK as soon as you put some music in
'sheNotes'; now there is no
Hello, all --
I'm trying to engrave a two-voice piece (a cappella), but I'm getting
the warning
warning: cannot find Voice `she'
What am I doing wrong? I've tried instantiating explict Staff
contexts, adding and removing quotes, using \new Lyrics or
\addlyrics, and nothing seems to s
[ Replies to Rick's two messages as well as Graydon's, all together. ]
Rick Hansen (aka RickH) <[EMAIL PROTECTED]> wrote on Mon, 10 Apr 2006
at 09:15:59 -0700 in <[EMAIL PROTECTED]>:
> From: "Rick Hansen (aka RickH)" <[EMAIL PROTECTED]>
> To: lilypond-user@gnu.org
...
> John,
A note on email sty
Thanks John,
I did figure out how to change paper.scm and made that change long ago, in
order to make "Concert" an available form (also Concert 9x12 is a valid form
in my WindowsXP installation for printer forms).
However the PDF header is still not correct, Adobe Reader still does not
think it
Hello,
one more attempt - after sending an attachement, I found a bug in it I'm
able to fix, so here it is again :-)))
Tomas Valusek napsal(a):
Oops, an attachement was forgotten, here it is.
Tomas Valusek napsal(a):
Hello,
Did you get a problem?
Well, I got repeated time signature. Sin
Oops, an attachement was forgotten, here it is.
Tomas Valusek napsal(a):
Hello,
Did you get a problem?
Well, I got repeated time signature. Since I'm unable to strip my
example, I've included it as an attachement. Log contains no warnings.
Tomas Valusek
%{ Templates
%%% Two voices al
Hello,
Did you get a problem?
Well, I got repeated time signature. Since I'm unable to strip my
example, I've included it as an attachement. Log contains no warnings.
Tomas Valusek
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On 10-Apr-06, at 11:00 AM, Tomas Valusek wrote:
I'm learning to use LilyPond and as a pianist I use template
introduced in section 3.2.4 of the User Manual. A piece I'm now trying
to copy begins with note grace in right hand. Section 6.4.7 says: "A
score that starts with a \grace section need
Hello,
I'm learning to use LilyPond and as a pianist I use template introduced
in section 3.2.4 of the User Manual. A piece I'm now trying to copy
begins with note grace in right hand. Section 6.4.7 says: "A score that
starts with a \grace section needs an explicit \new Voice declaration,
oth
Hello, Rick:
I try to keep as much as possible OUT of the notes list
Me, too! I've been thinking of using the new \parallelMusic feature
as a replacement mechanism, e.g.,
%% CODE BEGINS
\parallelMusic #'(notes dynamics)
{
g'4 g' g' g' |
s1\f |
g'4 g' g' g'
On Mon, Apr 10, 2006 at 09:15:59AM -0700, Rick Hansen (aka RickH)
scripsit:
> I really need to be able to print my work on standard 9x12 sheet music
> paper too. But I dont understand how to make the code changes you've
> done without breaking my installation. I'm presuming it works for you
> now
> My only want now is for a macro pre-processor that can write source code by
> doing string replacements of command patterns out of functions "myFunc(arg1,
> arg2, arg3...)" I write. Something that gets executed right after the
> \include files are processed but BEFORE compilation begins, that wo
John,
Is this change now available in any of the post 2.8.0 releases?
I really need to be able to print my work on standard 9x12 sheet music paper
too. But I dont understand how to make the code changes you've done without
breaking my installation. I'm presuming it works for you now and the PD
I try to keep as much as possible OUT of the notes list, I wish everything
could be targeted to the notes by some external targeting fashion instead of
embedding. It keeps my songs more maintainable, I think, and easier to
re-use my templates for new songs. I'm a newer user but I think LilyPond
Thanks,
As fo me contributing, my knowledge and confidence level are still too low
(2 weeks). but when I do learn it better I would be glad to help out, but
only at the end-user level. I think the manual is excellent and much better
than most manuals, great job! I was able to accomplish my goa
As a matter of practice, I put the dynamics directly in the note code,
even though my philosophical preference is to separate notes from
interpretation as much as possible. I'm not sure why--maybe to keep
down the number of independent music parts, I guess.
> In any case, I'm happy to be shown whe
Hello Tomas and users,
Take a look at this two examples that I think will further clarify Lilypond
capabilities in handling chords, slurs and different voices.
% This first situation is very common in songbooks:
\new Staff \relative c' { < e c >2^( ~ < f c >2) ^( ~ < e c >1) }
\layout { r
Hey, all!
Just wanted to take an informal survey...
How many 'Ponders put their dynamics directly in the "note code", e.g.,
notes = { a\pp b }
and why?
How many 'Ponders use a separate dynamics variable, e.g.,
notes = { a b }
dynamics = { \pp }
<< \notes \dynamics >>
and why?
How many
Opened Lilypond.app 2.8.2-4 for the first time today.
Saved the opening file, chose Compile > Typeset file , as instructed,
but received "unexpected" error
message: "(OSError: [Errno 8] Exec format error)"
What can I do?
Computer: Apple Powerbook G4, OS 10.4.5
Lilypond.app dragged to Applicat
You can find the definition of the \afterGrace function in
ly/music-functions.ly. If you know your LilyPond and Scheme,
it shouldn't be hard to make a version for acciaccaturas.
/Mats
josiah boothby wrote:
I seem to recall a question like mine coming up recently, but I can't
figure out how t
It turns out that Bernie's problems appear since he has a too old version
of ghostscript installed (to verify what version you have, run the
command 'gs --version'). Clearly, GNU Ghostscript version 7.07 is too old.
Version 8.15 should hopefully be new enough, but install the newest you can
find a
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