Hi,
Two questions on triplets. I typed in the following code:
{
\time 3/4
\key g \major
\times 2/3 { b''8[ b' g'] }
\times 2/3 { b''8[ b' g'] }
\times 2/3 { b''8[ b' g'] }
}
Now, the figure "3" above each triplet is too close to the beam. How c
Hello comunity,
At first place I would like to present myself because this is the first
time I write here and I'm so glad to be part of this comunity. My name
is Pedro, I have study Musicology and I didn't know the existence of
lilypond until a few days ago that I finded it casually at the net; I
Hello.
[Sorry for starting a new thread on the same problem, but I fear that
the old one now is deeply buried in the Lily experts' mailbox, since
my own comments/infos on the issue didn't elicit any reply.]
I think that I'm zeroing on the problem.
Here attached a screenshot of two "gv" zoom windo
Dnia wtorek, 6 grudnia 2005 23:23, napisałeś:
> Tomasz Bojczuk wrote:
> >I prepeared some scores, and i feel that i need something like code
> > completion (f. egz. aviable in editors for developers). I use Kate editor
> > for "typing" notes and hilghting is nice, but it's not enought.
> >It is pos
Hi Mats,
I looked around and I do have gettext 0.14.5 installed on this machine,
and ports have nothing for msgfmt. If that is indeed part of gettext,
then it should be doing the right thing (I would think). Still no
farther ahead, though. What could I try?
Blessings,
Fr. Gordon
Hi Fr. Gord
Kris Shaffer wrote:
To accomplish something like what you referred to, I put this in the
header:
tsMarkup = \markup {
\override #'(baseline-skip . 0.5)
\number {
\column { "2" "4" }
\musicglyph #"scripts.stopped"
\column { "3" "4" }
}
there is a + symbol in the number font
Erik Sandberg wrote:
I guess Guile was chosen partly because that Scheme implementation existed and
integrated well with C++ and with lily's parser.
the reasons were political and practical. Political, because GUILE
Scheme was supposed to be The One True GNU extension language, and
practical
dax2 wrote:
When I read such stuff I wonder why a message isn't an object. And
how do they propose to cut a string ... (enough said;-)
the Scheme standard is in R5RS, and IIRC, it doesn't specify how strings
should behave in detail. Different implementations may have different
methods. In any
Andrzej Kopec wrote:
Hi to all,
What is format of arguments to "bezier-sandwich" stencil in expression:
...
(ly:make-stencil (list 'bezier-sandwich [WHAT HERE?]) '(0 . 0) '(0 . 0))
...
They are 2x 4 control points, in a special order. Have a look at
Lookup::slur (Bezier curve, Real curve
To accomplish something like what you referred to, I put this in the
header:
tsMarkup = \markup {
\override #'(baseline-skip . 0.5)
\number {
\column { "2" "4" }
\musicglyph #"scripts.stopped"
\column { "3" "4" }
}
and this in the score (note the tsMarkup):
% Variation VI
%
Hi Everyone,
I have just started using lilypond recently (2.7.16 on Mac 10.4) and
am amazed at the results, especially the midi output, so I'd like to
thank the author for the great job!
I am trying to create a C minor chord in the first inversion using
chord mode but am having difficulti
On Tuesday 06 December 2005 20.49, dax2 wrote:
> On Tue, 6 Dec 2005 19:48:34 +0100
>
> Erik wrote:
> > On Monday 05 December 2005 18.17, Mehmet Okonsar wrote:
> > > Hello users and creators of the best music notation program in
> > > the world!
> > >
> > > What can you suggest for learning Scheme?
I prepeared some scores, and i feel that i need something like code completion
(f. egz. aviable in editors for developers). I use Kate editor for "typing"
notes and hilghting is nice, but it's not enought.
It is possibile in any editor ??
Tomasz
___
> Hi Mats,
>
>
> I looked around and I do have gettext 0.14.5 installed on this machine,
> and ports have nothing for msgfmt. If that is indeed part of gettext,
> then it should be doing the right thing (I would think). Still no
> farther ahead, though. What could I try?
>
> Blessings,
>
>
> Fr.
Hi to all,
What is format of arguments to "bezier-sandwich" stencil in expression:
...
(ly:make-stencil (list 'bezier-sandwich [WHAT HERE?]) '(0 . 0) '(0 . 0))
...
Thanks in advance,
Regards,
/ak/
___
lilypond-user mailing list
lilypond-user@gnu.o
I have a little special case where I need to enter music as two voices.
The thing is that the second voice is not a real voice but just a layer
that shows a pitch with a parenthesized note-head. I have made
everything but noteheads transparent in this voice.
But sometimes there's a rest in the fi
On Tue, 06 Dec 2005 08:45:19 +
David Bobroff <[EMAIL PROTECTED]> wrote:
> I'd like to do this:
>
> http://notendur.centrum.is/~bobroff/lily/vartime.png
>
> Now, I figure I can handle the "invisible" changes between 9/8 and 3/4
> by using \compressMusic or \times as necessary. I'm guessing t
On Tue, 6 Dec 2005 19:48:34 +0100
Erik wrote:
> On Monday 05 December 2005 18.17, Mehmet Okonsar wrote:
> > Hello users and creators of the best music notation program in
> > the world!
> >
> > What can you suggest for learning Scheme?
> > A set of few links for getting from almost 0 up to Lilypon
A better solution is to tell LilyPond to automatically beam the
triplets this way, see "8.6.2 Setting automatic beam behavior" for
more details. For Jutta's example, just add
#(override-auto-beam-setting '(end 1 12 3 4) 1 4)
#(override-auto-beam-setting '(end 1 12 3 4) 2 4)
before the triplets s
Hi everybody,
I'm the author of the old "xml2ly". I followed in the shadow the recent
thread about MusicXML import, and I'd like to tell what happened to my
work on xml2ly.
First of all, the website http://www.nongnu.org/xml2ly is unmaintained,
both because I missed to do the update procedure af
On 12/6/05, jutta <[EMAIL PROTECTED]> wrote:
> Hi,
> I need some help with triplets. I want to have 3 triplets in one measure. Each
> triplet consists of bbg (example below). So each triplet should be beamed
> individually. But: what happens is that all 3 triplets are connected by one
> lang beam.
Hi,
I need some help with triplets. I want to have 3 triplets in one measure. Each
triplet consists of bbg (example below). So each triplet should be beamed
individually. But: what happens is that all 3 triplets are connected by one
lang beam. What can I do?
Jutta
{
\time 3/4
\key g \major
On Monday 05 December 2005 18.17, Mehmet Okonsar wrote:
> Hello users and creators of the best music notation program in the world!
>
> What can you suggest for learning Scheme?
> A set of few links for getting from almost 0 up to Lilypond source.
> Recommended readings textbooks and on-line tutori
The conclusion is that you should look at the manual for version 2.6 if
you use that version and the manual for version 2.7 if you use that.
The original answer provided a link to the version 2.7 manual.
/Mats
Thomas Ruedas wrote:
On Monday 05 December 2005 19:22, David Rogers wrote:
On
I would start the other way around, namely in the LSR or (more or less
equivalently)
with the Regression Tests and Tips and Tricks documents.
For Scheme, see "Appendix B Scheme tutorial" and the links therein.
See also http://mitpress.mit.edu/sicp/ for a book that's a standard
reference
in com
Take a look at the example called tuplet-properties.ly in the Regression
Tests
document to see how to turn off triplet brackets and do other fine tuning.
/Mats
Graham Percival wrote:
On 5-Dec-05, at 5:50 AM, Homrighausen wrote:
Hi Graham,
one more question:
the triplets in the attachment
I'd like to do this:
http://notendur.centrum.is/~bobroff/lily/vartime.png
Now, I figure I can handle the "invisible" changes between 9/8 and 3/4
by using \compressMusic or \times as necessary. I'm guessing that the
compound time signature hack could serve as a model for the displaying
the time s
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