This puts a bar line after every note. Correct?
%
\version "2.4.6"
{\relative c''{c1 c2 c4 c8 c16 c c4 c c c}}
\layout {
raggedright = ##t
\context {
\Staff
whichBar = #"|"
}}
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- Bruce
-Original Message
Try opening it in wordpad once, then save it without making any changes,
close the files and open it in notepad.
Even though Wordpad is a Word Processor and not a Text Editor, when you open
a text file in it, it opens it in text mode, it won't add any unwanted
formating to the file. Still I us
Yes, and perhaps the implementation of such a "snap-to-grid" or
"metronomic-time" or "graph-paper" spacing could simply be some
routine, call it "uniform_spacing", noticed by the Spacing_engraver
and passed to the SpacingSpanner as the value of the
"spacing-procedure":
\set SpacingSpanner '#spacin
I took a look at your file and changed it a little. See if this is more of
what you were looking for. In the /score, I printed the chords first, then a
staff which combines both voices together, then the lyrics. I also added
/stemUp and /stemDown to your notes. This is more how I've been use
Sounds like what is wanted is a sort of a "snap-to-grid" feature, where
the grid is a one-dimension, uniform time (metronome time) sequence.
"Snap-to-grid" is a pretty common feature in graphic design systems, so
there ought to be some pretty good approaches to the problem in the
literature.
Hello Lily users,
Is it possible to ensure all measures exactly the same width
throughout a piece, *without the hidden voice workaround*?
What I'm finding is that the hidden voice workaround doesn't *exactly*
get it, especially at small staff sizes, with a large number of
measures per page, with
Hi there!
Please have look at the attached song:
I tried to get two voices with lyrics and chords (chord names) in one
staff;
it works so far, but the chords show up between staff and lyrics
instead of above the staff.
If I try the same without lyrics, the chord names are above the staff
like
