Thanks, Mats, but I wish it were super thick and right on the edge of the
noteheads.
Qian
On Sun, 10 Apr 2005, Mats Bengtsson wrote:
> Have you seen the example called arpeggio-bracket.ly in the Regression Tests
> document. Maybe that layout will work for you?
>
___
I am trying to prepare a text with pdflatex which incorporates a
lilypond file. I'm working in cygwin. Lilypond-book runs fine, but
when I run pdflatex on the final .tex file, I get a lot of "non-PDF
special ignored" messages during the process. The resulting PDF looks
fine except for the fa
See section 2.19 of the user manual
/Bernard
benoit farley wrote:
> Hello,
>
> I have a piece of music for 4 harps, and I would like to know how to
> produce outputs
> for each separate part: one output set of files (pdf, ps, etc.) for
> Harp 1,
> another set for Harp2, etc.
___
On Thursday 05 May 2005 23.11, Georges Roux wrote:
> How grace notes can take part at start of the music?
>
> I know that partial command does not take into account grace notes at start
>
> \grace a8\glissando \partial 4 c8-4 c8 \bar "||" %1
>
> Have some problem with it, how can I do that?
> Thank
Jennifer!
That's it!
Thanks very much,
Robert
At 10:25 PM +0100 5/5/05, Jennifer Clark wrote:
Robert T Wyatt wrote:
(It yields Co7 instead of Co/, if you know what I mean.)
Any ideas?
How about:-
c:m7.5-
Jennifer
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lilypond-
Robert T Wyatt wrote:
(It yields Co7 instead of Co/, if you know what I mean.)
Any ideas?
How about:-
c:m7.5-
Jennifer
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How grace notes can take part at start of the music?
I know that partial command does not take into account grace notes at start
\grace a8\glissando \partial 4 c8-4 c8 \bar "||" %1
Have some problem with it, how can I do that?
Thanks
Georges
\version "2.5.21"
\header {
title = "Maria"
sub
Robert T Wyatt wrote:
> (now, about that half-diminished \chord notation...)
Found it!
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Chord-name-chart.html
Well, no, that is not quite what I want I'm afraid. Yes, the 13th
example is a half-diminished chord, and yes I want the de
> (now, about that half-diminished \chord notation...)
Found it!
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Chord-name-chart.html#Chord-name-chart
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> (now, about that half-diminished \chord notation...)
Found it!
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Chord-name-chart.html#Chord-name-chart
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My tempo marker is being placed too close to the staff lines - it interferes
with some of the stems on the beginning notes. Is there any way to control the
amount of space below the tempo marker?
rjd
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The
Hi--
I tried to install Lily Pond today on my PC running Windows 2000 Professional.
It seemed to run ok, but when i double clicked on the test file rest.ly, I got
a little command prompt box that gave an error message as follows:
/usr/bin/bash: Line 1: kpsexpand: command not found
Any ideas wh
Hello,
I have a piece of music for 4 harps, and I would
like to know how to produce outputs
for each separate part: one output set of files
(pdf, ps, etc.) for Harp 1,
another set for Harp2, etc. I could do it by
commenting out all but one
part, but each time, I had to make sure to rename
Hi, I just started playing with Lilypond today (version 2.4.5, on
Debian/x86), and was following nicely along the tutorial. However, I ran
into a snag when I tried to combine both lyrics and polyphony... once I
specified polyphony with the "\\" operator as described in the tutorial,
\addlyrics gav
This is a WinXP installation. I reinstalled on top of the first install
and got the same error. Then I went to the /fonts directory but,
unfortunately, I don't know how to deal with the packages.
GNU LilyPond 2.4.3
Processing `test.ly'
Parsing...
Interpreting music... error: can't find `ecrm10
Hello,
When using TabStaff, fret numbers are written over a line staff. It's
still readable, but I think the result would be better if the line staff
could be locally erased (and in the magazine, tablatures are displayed
this way)
The most obvious way to me would be to draw a solid white box
(
Fairchild,
I'm not sure exactly what your question is, but if you want to use the cmr10
font, or another font in your markup, just add:
\override #'(font-name . "cmr10")
to your markup statement.
Or if you are trying to use the cmr10 in your postscript, maybe you need to use
cmr10.pfb instead
Hello everyone,
I tried to use the hideNotes unHideNotes and *1/2 trick to have a tie
and a slur attack to the 2nd alternative of a repeat. However, the
output dropped the beams (it was an 8th note and two 16th notes).
I was using Lilypond 2.4.3 for Windows XP (my iBook with 2.4.5 was at
home -
Dear lilypond users,
I noticed that in the discussion log, there is quite a lot already about
lyrics and alignment but I quite didn't see the problem I am having now. I
believe it is a bug.
When using repeat percent, the lyrics do not get aligned with the
"//"(repeat) sign according to the numb
By jove, I think I've got it now!
You are beautiful people!
You have no idea how happy this composer will be to see his song so
beautifully engraved!
I've included it below and am open to suggestions for improvement on the
lilypond entry part.
Really!
Thank you,
Robert
(now, about that half-diminis
By jove, I think I've got it now!
You are beautiful people!
You have no idea how happy this composer will be to see his song so
beautifully engraved!
I've included it below and am open to suggestions for improvement on the
lilypond entry part.
Really!
Thank you,
Robert
(now, about that half-dim
Check how to specify the duration of a chord at
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Combining-notes-into-chords.html#Combining-notes-into-chords
/Mats
Robert T Wyatt wrote:
Thank you Mats! This worked perfectly. --rtw
Now a follow-up question, the answer to which will
Okay, first of all a huge thank you to Han-Wen and everyone else that
makes lilypond work! This is pretty awesome to be able to do this so easily.
Now, I have a few questions:
1) Is the default papersize A4? How do I change it to US letter (the pdf
says the paper size isn't right and do I want to s
Okay, first of all a huge thank you to Han-Wen and everyone else that
makes lilypond work! This is pretty awesome to be able to do this so easily.
Now, I have a few questions:
1) Is the default papersize A4? How do I change it to US letter (the pdf
says the paper size isn't right and do I want t
Graham,
Thanks! I tried this and it works also! (More than one way to do it!)
--Robert
Graham Percival wrote:
On 4-May-05, at 9:57 PM, Robert T Wyatt wrote:
I'm using 2.4.5 on MacOS 10.3.9. Why is there a second staff?
You used << and >> , that means "do these things at the same time". In
particu
Thank you Mats! This worked perfectly. --rtw
Now a follow-up question, the answer to which will probably get me
through the remainder of this straightforward piece:
This works just fine (yes, there are more chords than music so far, but
that will change):
<<
\chords {
d1:m | bes1 | a1:7 | d2:m
Since it's possible to have different key signatures on different
staves in a score (for example if you have transposing instruments),
you have to specify the key signature in every Staff context.
You want one line of chords and one staff with key signature and
music, so just include the key signat
Did you build the ec-fonts-mftraced yourself? I would guess so,
since you have problems both with the feta fonts in LilyPond and
the ec-font used for the title.
In that case, it must be something wrong with your mftrace (or
some of the programs it uses).
If you want to verify that a certain font fi
Hi, I recently got the solution from Mats Bengtsson.
We should search the list before sending too many questions.
It is easier to search if you are very careful with the subject,
like "adjusting \tempo position" (my suggestions, anyway).
Solution (I have my tempo in the piano right
Ferenc Wagner <[EMAIL PROTECTED]> writes:
http://article.gmane.org/gmane.comp.gnu.lilypond.general/14591/
> Notice the ugly clef and the title.
>
> I used the 1.0.12 version of ec-fonts-mftraced. Living on
> Debian Woody has its quirks concerning updmap, but I did
> my best. Any hints where the
On 4-May-05, at 5:57 AM, David Bobroff wrote:
I have a small orchestral score. I have a global section which
contains
things like rehearsal letters, repeats and tempo markings. There is
only a single tempo marking at the beginning. How can I adjust its
position in individual parts?
Adjusting th
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