I completed a cheat sheet for the drum staff
and noticed that middle b is used for most
instruments. I would like to alter the
line an instrument prints on say to distinguish
mute hi conga from low conga.
Another drum staff question:
lilypond version 2.3.10
I tried combining two drum instruments o
W. C. wrote:
Is there a way to attach an explicit accidental beside a note, even though it is covered by a key signature? In all the paper engravings of Liszt's Liebestraum that I have encountered, some notes have explicit flats even though they are already part of the key signature. Is this poss
On 6-Aug-04, at 2:22 PM, W. C. wrote:
Is there a way to attach an explicit accidental beside a note, even
though it is covered by a key signature? In all the paper engravings
of Liszt's Liebestraum that I have encountered, some notes have
explicit flats even though they are already part of the
Is there a way to attach an explicit accidental beside a note, even though it is
covered by a key signature? In all the paper engravings of Liszt's Liebestraum that I
have encountered, some notes have explicit flats even though they are already part of
the key signature. Is this possible to do
David Raleigh Arnold wrote:
On Friday 06 August 2004 03:43 pm, Benjamin Esham wrote:
I am typesetting a piece which has some "swing" sections. In these
sections, two eighth notes should be played as a tripletted quarter
note and eighth note.
A swing or jazz 8th is far less different from a
On Aug 6, 2004, at 1:33 PM, David Raleigh Arnold wrote:
A swing or jazz 8th is far less different from an 8th
than a triplet, or even than a quintuplet 3:2. Experiment
with very small time values now, it will save you time.
What you say is true. However, the original poster is asking for a way
t
On Friday 06 August 2004 03:43 pm, Benjamin Esham wrote:
> I am typesetting a piece which has some "swing" sections. In these
> sections, two eighth notes should be played as a tripletted quarter
> note and eighth note.
A swing or jazz 8th is far less different from an 8th
than a triplet, or even
I am typesetting a piece which has some "swing" sections. In these
sections, two eighth notes should be played as a tripletted quarter note
and eighth note. I'm trying to typeset an indication of this; usually,
it
appears as two beamed eighth notes, an equals sign, and then a quarter
and
an eig
Good!
I have the 2.2.4 working and with metronome marks. Thank you all.
By the way, I just want to share one little experience: Lilypond, via
etf2ly, is compatible with Ircam's Openmusic, the lisp-based software
for computer-assisted composition; in Openmusic there's a module called
"Voice" that
I got it to work. \alternative seems to be in conflict with my notes
block dedicated to spacing bars (s1*x \break, etc). If I comment out
\spacing, then the alternative boxes appear as they should. This
explains why, by itself, the code I sent works on your machine and
mine.
Will
On Aug 6, 200
On Aug 6, 2004, at 7:19 AM, Libero Mureddu wrote:
Il giorno 06/ago/04, alle 11:21, Mats Bengtsson ha scritto:
Unfortunately, you have found a bug that was introduced in version
2.2.5. If you have the possibility to install version 2.2.4 the
metronome markings should work correctly. I will send a bu
On Aug 6, 2004, at 5:59 AM, Mats Bengtsson wrote:
Your example works fine here with version 2.3.11
(I just added a \score{\relative c'' ... } around it). I can't see
anything in the ChangeLog that should make a difference from 2.3.10,
but you never know. You can see a copy of the result at
http://w
W. C. wrote:
I wanted to put a small piece of text ("ten") right beneath a note. However, I needed the text to appear over the staff, but \translate seems to stop as soon as the text begins to cover the staff. Is there any way to do this?
You can use the extra-offset property (see the mailing li
Hello, all!
I am typesetting the Mendelssohn octet for Project Gutenberg
and I have a problem with forced pagebreaks. \newpage at the bar line where
I want a page break induces the appropriate line break, but a page break
only after the NEXT line.
I am using lilypond 2.2 on cygwin.
Thanks for you
Jan Nieuwenhuizen wrote:
Mats Bengtsson writes:
(I just added a \score{\relative c'' ... } around it)
(Why?)
Since I'm one of these old-fashioned guys who haven't learnt the
new features of 2.3.x yet. :-)
/Mats
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In general, I wouldn't expect a development version to be as stable as
the "stable" one, even though you have managed to find one example
of the opposite. There have been quite some changes in 2.3.x related
to the paper layout handling and some changes to the input syntax, but
convert-ly should tak
Just try to rerun the setup.exe program once more and make sure
that the package tetex-bin is selected in the "Select Packages" view
(it should be by default, but sometimes the installation doesn't work
correctly). What Windows version do you use?
(If you have more questions, please keep them on t
I downloaded lylipond as you tell to do, but when i launch the software, i have a
strange window that tell :
bash: kpsexpand: command not found
and there is an email address with my name
and then i don't know what to do.
test ly doesn't work and i don't find test.log but i'm sure that i had choose
Mats Bengtsson writes:
> (I just added a \score{\relative c'' ... } around it)
(Why?)
--
Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter
http://www.xs4all.nl/~jantien | http://www.lilypond.org
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lilypond-user mail
Unfortunately, it seems that via fink is not possible to install the
previous version, fink doesn't find the 2.2.4. Do you think that the
unstable version is stable enough at the moment? I'm not so expert to
valuate this.
Thank you
Libero
Il giorno 06/ago/04, alle 11:21, Mats Bengtsson ha scrit
Your example works fine here with version 2.3.11
(I just added a \score{\relative c'' ... } around it). I can't see
anything in the ChangeLog that should make a difference from 2.3.10,
but you never know. You can see a copy of the result at
http://www.s3.kth.se/~mabe/oram.pdf (or maybe I should cal
Did you try the gap property?
\override VoiceFollower #'gap = #1.0
(default: 0.5)
/Mats
Shelagh wrote:
Did this get through before?
I sent it a couple of days ago.
How would you go about tweaking voice follower lines?
I want them to be not as attached to the noteheads (eg shorter).
I tried s
Unfortunately, you have found a bug that was introduced in version
2.2.5. If you have the possibility to install version 2.2.4 the
metronome markings should work correctly. I will send a bug report.
/Mats
Libero Mureddu wrote:
Hi!
Can you help me to understand why the metronome marking doesn't a
On 1-Aug-04, at 1:31 AM, Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
I know how to display the new tuning for a stringed instrument. Can
Lilypond (almost certainly via scheme) print the noteheads correctly?
I mean, can the lilypond input file be written in C, and have
Lilypond/scheme transpo
On 5-Aug-04, at 9:27 AM, Libero Mureddu wrote:
Can you help me to understand why the metronome marking doesn't appear
in the following example?
This doesn't really help you, but I just tried your file in Lilypond
2.3.11 (after doing convert-ly), and the metronome marking appeared.
Ibook g3 800
m
I'm sorry...? What are you talking about? We're not mind-readers; you
have to tell us what you're trying to do and how it isn't working.
- Graham
On 5-Aug-04, at 12:11 AM, JimmyThePage wrote:
How it doesn't work it?please help me it's very important...
Anticipate tnx...___
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