[EMAIL PROTECTED] writes:
>
> >I'm having a problem with the \acciaccatura when used as the first note
> >of a measure in a PianoStaff. With the acciaccatura in, I get a treble
> >staff that has a treble clef, key signature, time signature, the
> >acciaccatura, a time signature, then the start
On Wednesday March 10 2004 12:23, David Raleigh Arnold wrote:
> On Saturday 06 March 2004 02:53, Edward Sanford Sutton, III wrote:
> > Is there a preferred way to have two different dynamics in a
> > section of music to indicate that it is played at one level the first
> > time and at the next le
On Mon, 2004-03-08 at 23:39, Reuben Thomas wrote:
> > In general, it's a bad idea to split bars across lines but sometimes
> > there is no better solution. Note that LilyPond will only do it if the
> > user manually has inserted a \bar command.
>
> So is there a way of making \bar commands non-bre
On Sunday 07 March 2004 01:58, chip wrote:
> I am trying to get a measure like this -
> 8thRest 8thNote 8thNote 8thNote 4Note triplet8thNotes
> using this code
r8 a' csharp'' e'' = 2 beats
csharp''4 = 1 beat
\times 4/3 {gsharp''8[ gsharp'' gsharp'']} =
(4 x 1.5/3) = 2 beats
5 beats?
Try \
Matthias,
You can specify two \score blocks, one for the paper output and the other
for the midi.
I do this often since I do not want the standard tempo markings on my paper
output, but do want the tempo changes in my midi. Here for my paper output
I use as an alternative markup text to show, fo
Wanting to add a "ritt." mark to a piece, I have encountered a problem. I have
already done it in some piese earlier, but it was long ago and I am quite
sure the ancient version of LilyPond I used printed this "ritt." in nice
italics. Now, I get only a normal roman (and ugly) "ritt." and seem n
When numbering measures at the beginning of a line, if there be a line
break in the middle of the measure, the number should be that of the
*following* measure, not the current measure which is broken. I should
have pointed that out.
That's because it is not possible to number measures, because a
On Tuesday 09 March 2004 08:25, Mats Bengtsson wrote:
> > The only real inconvenience is the inability to send .pngs, since
> > .ly files can simply be the text or part of it.
> >
> > For those who don't have a website, Would it be possible to provide
> > a separate subdirectory somewhere so .pngs
On Mar 3, 2004, at 6:25 PM, Roland Goretzki wrote:
Hello list, hello Matthew,
<< { \skip 2. #(set-octavation 1) \acciaccatura cis'
cis''4
\acciaccatura fis fis'2 #(set-octavation 0) } \\ { < fis, cis, >2.~ <
fis, cis, >2. } >>
Is it possible, that You made a typing error?
Perhaps i
On Saturday 06 March 2004 02:53, Edward Sanford Sutton, III wrote:
> Is there a preferred way to have two different dynamics in a
> section of music to indicate that it is played at one level the first
> time and at the next level the second time?
fp is common, and I've seen pf. I've never seen
After a bit of a steep learning curve (getting to
grips with Linux, emacs and Lilypond all at once...)
I've almost got the point-and-click thing working in
emacs. If I click on a note in xdvik now, emacs
jumps
to the right line in the .ly file, but I can't seem to
get it jumping to the right column
> "David" == David Bobroff <[EMAIL PROTECTED]> writes:
David> The manual warns about starting a piece with grace notes if
David> there is more than one staff. I have to do this. I've got
David> time changes occuring at the same time I have grace notes
David> at the beginnings
David Bobroff wrote:
The manual warns about starting a piece with grace notes if there is
more than one staff. I have to do this. I've got time changes occuring
at the same time I have grace notes at the beginnings of measures.
Sure enough, it is giving undesired results. Is there a workaroun
Greetings,
Is there any way to specify what files lilypond should output? For
instance, I want lilypond to only keep around .pdfs and .midis.
Everything else should be deleted. Also, I'd like to be able to
specify the names of these files, specifically, I want midi files to
have the extensi
Sorry, I found the solution myself:
\override Beam #'auto-knee-gap = 2
--- Weitergeleitete Nachricht / Forwarded message ---
Von:Thomas Scharkowski <[EMAIL PROTECTED]>
An: [EMAIL PROTECTED]
Betreff:auto-knee-gap
Datum: Mon, 08
On Fri, 05 Mar 2004 17:17:59 +
Edwin Spector <[EMAIL PROTECTED]> wrote:
> I just ran through the installation of Cygwin/Lilypond. I downloaded the test.ly
> file, but it does not appear to have any association with Lilypond. The PC
> doesn't know what to open it with. I'm running Win2k. I do ha
You forgot to include the dot in lilypond.map, you wrote lilypondmap.
bad: dvips -Ppdf -u +lilypondmap lessonplan.dvi
good: dvips -Ppdf -u +lilypond.map lessonplan.dvi
Bert
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[EMAIL PROTECTED] writes:
> Version: 2.1.0-2
> Does that support the /lyricsto command?
No, it was introduced in 2.1.10.
> Here is what I have but cannot make the final bar a repeat or ||
The \bar command goes into the music line, not into the lyrics.
--
Feri.
___
Hello,
Am Freitag, 5. März 2004 18:17 schrieb Edwin Spector:
> Hello,
>
> I just ran through the installation of Cygwin/Lilypond. I downloaded the
> test.ly file, but it does not appear to have any association with Lilypond.
> The PC doesn't know what to open it with.
You can open *.ly-Files with
Message not delivered to the following:
etaoinNo matches to nameserver query
Error Detail (phquery V4.4 (uchicago), $Revision: 1.61 $):
The message, "No matches to nameserver query," is generated whenever
the ph nameserver fails to locate either a ph alias or na
On Friday 05 March 2004 22.51, [EMAIL PROTECTED] wrote:
> Hi,
>
> I am learning lyrics but with version:
>
> Version: 2.1.0-2
>
> Does that support the /lyricsto command?
No, you need one of the later development versions (the \lyricsto was
introduced somewhere around 2.1.12, I think).
> Here is
To whom it may concern,
Thank you for providing such a lovely musical typesetting system. I have one question
regarding the tutorial hosted at
http://olympus.het.brown.edu/doc/lilypond/html/Documentation/user/out-www/lilypond/Tutorial.html
. Is this tutorial available for download in postscript
Your mail to 'Info-lilypond' with the subject
^_^ meay-meay!
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David,
Try using StaffContext instead of LyricsContext, or add \set
Staff.minimumVerticalExtent = #'(0 . 0) to your score to eliminate the spacing around
the staff.
Using a positive value in the negative field, like Charles Collins was saying about
\set Staff.extraVerticalExtent = #'(1 . 0)
Start cygwin with the icon.
You get a console window.
Type lilypond --version.
You should get a message telling you which lilypond version you are using.
If you get the message "command not found", that means lilypond is not
installed. Run setup.exe again and ensure that the lilypond package in
Pub
GOLD MINE SWEEPSTAKES LOTTER
FROM:
THE DESK OF THE PROMOTIONS MANAGER,
INTERNATIONAL PROMOTIONS/PRIZE AWARD DEPARTMENT,
REF: GML/2551256003/08 BATCH: 14/0017/IPD
RE / AWARD NOTIFICATION; FINAL NOTICE
We are pleased to inform you of the announcement today 7TH MARCH 2004 of your
selection as one
★★令你心跳加速的激情交友:详见:
http://free.88pl.com/99/66.htm
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Tudo para divulgação de sites e homepages. Cadastramento em mecanismos de busca,
email marketing, publicidade online, campanhas online, cadastro de sites, sites
de busca, torne seu site um sucesso:
http://www.gueb.de/divulgueseusite
Tudo para divulgar seu site: Cadastramento em ferramentas de b
The only real inconvenience is the inability to send .pngs, since .ly
files can simply be the text or part of it.
For those who don't have a website, Would it be possible to provide a
separate subdirectory somewhere so .pngs could be sent separately and
posters could provide either a citation to se
David Raleigh Arnold <[EMAIL PROTECTED]> writes:
> The only real inconvenience is the inability to send
> .pngs, since .ly files can simply be the text or part of it.
>
> For those who don't have a website, Would it be possible
> to provide a separate subdirectory somewhere so .pngs
> could be sen
Reuben Thomas wrote:
In general, it's a bad idea to split bars across lines but sometimes
there is no better solution. Note that LilyPond will only do it if the
user manually has inserted a \bar command.
So is there a way of making \bar commands non-breaking? I only used \bar
because there was
Please read the instructions on setting and unsetting properties at
http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/Tuning-objects.html#Tuning%20objects
To unset an object property, just use the syntax:
\property context.objectname \revert symbol
/Mats
Zbynìk Burget wrote:
.29 is listed as having fixed some MIDI bugs, but doesn't elaborate on
that. What specifically was fixed? Are ties back in? Will my MIDI no
longer sound like a 15 piano ensemble?
If so, I hope Mr. Neerarcher finishes the fink .29 package posthaste. :)
Best,
Will
- Original Message -
From: "Mats Bengtsson" <[EMAIL PROTECTED]>
Sent: Monday, March 08, 2004 1:02 PM
> The \voiceOne, \voiceTwo, ... commands (which implicitly are applied
> to the voices if you use the <<{...} \\ {...} >> construct) set the
> staff-position property of MultiMeasureRest d
Any idea what new features & capabilities are being planned before 2.2 is
released or what time frame 2.2 is expected.
I have seen some amazing advances in Lilypond lately and I'm itching to use
the new features, syntax and capabilities in 'production'. In my case,
production is reproducing a
> In general, it's a bad idea to split bars across lines but sometimes
> there is no better solution. Note that LilyPond will only do it if the
> user manually has inserted a \bar command.
So is there a way of making \bar commands non-breaking? I only used \bar
because there was a dotted barline i
After a bit of a steep learning curve (getting to
grips with Linux, emacs and Lilypond all at once...)
I've almost got the point-and-click thing working in
emacs. If I click on a note in xdvik now, emacs jumps
to the right line in the .ly file, but I can't seem to
get it jumping to the right column
Your mail to 'Info-lilypond' with the subject
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Hello,
shouldn't all fingering numbers have the same size?
The ones entered with \markup \finger are bigger.
Can I change this?
--
\notes {
\relative c' {
\set fingeringOrientations = #'(left down)
g4_\markup {"\\textcircled{\\small 3}"}
\set fingeringOrientation
Hallo Roland,
a few examples from Schubert, Lieder, Neue Ausgabe, Peters:
Die Schöne Müllerin, Ungeduld
bar 16: "hei - ßen Drang"
bar 17: "wei - ßen Zettel"
Winterreise, Erstarrung
bar 29/30:
"hei - ßen Tränen"
Grü - ße,
Thomas
:-)
> Hallo Thomas,
>
> Du schriebst:
> > According to "Duden Rech
Hi.
Inside a DrumStaff or a DrumVoice, both Slurs and PhrasingSlurs don't
work: they result in "Junking event" warnings.
This also means that appoggiaturas die too. Drummers use these alot
(we call them flams or ruffs)
I submitted both these issues to bug-lilypond but they
Is it possible to do something like:
G7 / / / | D7 / G7 / | etc?
currently I have written:
G7 G7 G7 G7 | D7 D7 G7 G7 |
and it looks kinda busy.
Oh, one other thing in regards to chords, when you have a repeat, the
chord names are ontop of the repeat marks...
+--G7--B7--A7-- +--A7--B7--C7
As indicated in the manual, you can change the breathe sign by
redefining the text property. Then, you can read the section on
text markup to find out an apropriate value. For example, you may
want to try this
\property Score.BreathingSign \override #'text = \markup{ \musicglyph
#"accidentals-left
Hello list, hello Thomas,
You wrote:
> Hallo Roland,
>
> a few examples from Schubert, Lieder, Neue Ausgabe, Peters:
>
> Die schöne Müllerin, Ungeduld, bar 16:
> "hei - ßen Drang"
> bar 17:
> "wei - ßen Zettel"
>
> Winterreise, Erstarrung, bar 29/30:
> "hei - ßen Tränen"
Well, I looked it up
Hello,
I want to get kneed beaming in this bar:
--
\notes
{
\time 6/8
\clef "G_8"
\key d \minor
{
\relative c' {
\override Beam #'auto-knee-gap = #'(2)
d d, d' d,
}
}
}
--
My "\override" setting dos not wor
Hi Will,
Forcing a line break can be done using \bar "empty" \break
Bye,
Ruud
>-- Oorspronkelijk bericht --
>To: [EMAIL PROTECTED]
>From: Will Oram <[EMAIL PROTECTED]>
>Subject: Cadenza Breaks
>Date: Wed, 3 Mar 2004 16:32:51 -0500
>
>
>I'm not on the lilypond list for the time being, due to the
As a musician, I would find if very confusing if a bar number was
printed in the middle of a bar. Imagine an orchestra rehearsal, where
the conductor says a bar number and half the orchestra starts a half
bar off, since they don't realize that half the bar is printed at the
bottom of the previous p
Hallo Roland,
a few examples from Schubert, Lieder, Neue Ausgabe, Peters:
Die schöne Müllerin, Ungeduld, bar 16:
"hei - ßen Drang"
bar 17:
"wei - ßen Zettel"
Winterreise, Erstarrung, bar 29/30:
"hei - ßen Tränen"
> Hallo Thomas,
>
> Du schriebst:
> > According to "Duden Rechtschreibung 1961 a
I recommend that you actually start using a program before you
send an offer like this.
One of the first things you will discover about LilyPond is that
there are no menus to translate, actually there is no graphical
user interface at all. On the other hand, if you have set the
locale correctly, yo
Use text markup, see
http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/Text-markup.html#Text%20markup
/Mats
Alex Shultz wrote:
Is there a way to show a change of dynamics on a repeat?
In the following example the first note in the repeated phrase is indicated
to be played fort
If you read the section on text markup in the manual, you will
find a \fingering markup command.
/Mats
Thomas Scharkowski wrote:
Hello,
how can I use the font used for fingerings for \markup?
I tried:
\markup { \number \tiny 3 }
but the resulting number is much too big.
Thank you,
Thom
Change the minimumVerticalExtent of the Staff contexts, see
http://lilypond.org/doc/v2.1/Documentation/user/out-www/lilypond/Vertical-spacing.html#Vertical%20spacing
or any of the numerous answers on the mailing list on closely related
questions.
/Mats
Ruven Gottlieb wrote:
Hi,
I'm using 2.1.2
See http://mail.gnu.org/archive/html/lilypond-user/2003-11/msg00147.html
/Mats
Will Oram wrote:
I'm lilyponding a violin cadenza that spans a full page. It's
unmeasured, so no barlines. Consequently, \break doesn't work anymore. I
can't use \partial anymore, either. How can I break one megala
David Raleigh Arnold wrote:
On Thursday 04 March 2004 05:14, Mats Bengtsson wrote:
The question is what is the correct typesetting practice.
As a musician, how can I know if the ottava applies only to
the upper voice or to the full stave
That's easy. It only applies to the voices that are mar
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