If you try the following example on 2.1.27:
\score {
\notes {
s1^\markup "Verylongtext"\f
a'1^\markup "Verylongtext"\f
}
}
you find that in the first bar, the f and "Verylongtext" are centred on
each other, whereas in the second bar, they are left aligned.
This causes me problems whe
Hello:
I have what is probably a very simple question, but I can't seem to work
it out. Below you can find the source for one bar from the Concierto De
Aranjuez; if you compile it, you'll see that the eight note after the
second group of 64th notes is a little close to the last 64th note. I
wa
I am inserting gaps in lyrics, and I need to use
\skip 1 \skip 1 ...
repeatedly. If I enter \skip 1*5, it behaves the same as \skip 1*2.
I'm using 2.1.27.
--
http://www.mupsych.org/~rrt/ | art, n. romanticized mundanity
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Does anyone know of a list where general music typesetting questions are
discussed? I have a number of questions that are not Lilypond specific and
am not sure whther this would be the right forum.
For example, I am working on copying a book that is now PD (copyright 1882).
A number of pieces
On Tue, Feb 24, 2004 at 11:27:48PM +0100, Han-Wen Nienhuys wrote:
> [EMAIL PROTECTED] writes:
> > I was experimenting with the example file 'lyric-combine-new.ly' and I
>
> this should now be fixed in CVS.
I have been lurking on this list for a while now, and I must say that
the LilyPond develo
Sorry but I forgot to mention any system information.
Mac System 10.3.2
Lilypond 2.1.26
Thanks
Walter
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I'm not very strong on this sort of thing, so correct me if I'm wrong (I
checked at
http://ourworld.compuserve.com/homepages/Neil_Hawes/theory10.htm), but in
old scores, 4/2 time is often marked with a c-with-vertical-bar (same as
2/2). I just tried setting mensural time signatures in 2.1.26, but t
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How can I make a change such as
\override Staff.TimeSignature #'style = #'mensural
apply to every staff in a piece without having to repeat it everywhere?
I'd like something I can just put once at the top of a file.
--
http://www.mupsych.org/~rrt/
partisan, n. an adherent without sense
I had a look through the manual, but I can't seem to find a \longa with a
longer tail, such as I have often seen. Also, one whose tail follows the
usual rules (i.e. on the bottom line, I'd expect the tail to go up; or is
that wrong? I'm copying from a handwritten score, so it might be at
fault...).
[EMAIL PROTECTED] writes:
> I was experimenting with the example file 'lyric-combine-new.ly' and I
> noticed something strange. If you add extender lines to the lyrics
> under the melismata, the extender lines do not show up after the lyrics
> on the stanzas where the "\set ignoreMelismata = ##t"
Hello,
I am trying to change the distance between the clef and the key
signature as I like the look if they are closer together. In the past I have
used this tweak:
\override Staff.Clef #'space-alist = #'( (staff-bar minimum-space . 3.7)
(key-signature minimum-space . 3.0))
This no longer s
Hello,
I am having problems getting both alternative ending brackets to line
up. Here is the problem:
harmonies = \chords {
\override ChordName #'font-family =#'roman
%A section
\partial 4
r4
\repeat volta 2 {
d2. d d d d
d2. g a d d
d2. d d d a
d2.
}
Mon, 23 Feb 2004 23:55:32 +0100 (CET), Reuben a dit :
> OK, I'm nearly there, my remaining problems are Scheme problems I think (I
> know a bit of elisp, but no Scheme up to now).
> I have the following:
> #(def-markup-command (fictasharp) () "Foo" (#:musicglyph "accidentals-2"))
> which
See
http://mail.gnu.org/archive/html/lilypond-user/2003-08/msg00191.html
/Mats
GoochRules! wrote:
On Feb 23, 2004, at 3:50 PM, Stan Sanderson wrote:
Matthew--
I believe Lilypond is doing exactly what you have told it
to. See the example in the documentation for multiple rest
Am Dienstag, 24. Februar 2004 14:54 schrieb Jan Kohnert:
> Am Dienstag, 24. Februar 2004 13:44 schrieb Guenter Buehrle:
> > 4 all lily-experts,
> > Urgent call for help!
> >
> > I have a tricky problem, when using lyrics with syllables terminated by
> > commas as shown in the appended files. The up
Am Dienstag, 24. Februar 2004 13:44 schrieb Guenter Buehrle:
> 4 all lily-experts,
> Urgent call for help!
>
> I have a tricky problem, when using lyrics with syllables terminated by
> commas as shown in the appended files. The upper text uses commas while the
> lower voice doesnt, with the result
You don't say what LilyPond version you use, but from your
example I guess it's a 2.0.x version. I just tried it (minor
modifications necessary) with the latest development version
where it seems to work well. So, if nobody comes with a better
suggestion, one solution is to upgrade to a recent deve
Thanks alot for your help and time ;)
though i still not fully understand the syntax and all
about the context proporties, i'll try to experiment
with them (seems to me there are so many statments and
syntax that u can use to do the same thing-for example
using \once \override &\revert and some ot
Cool... Something for me to try and use :)
btw is importing MusicXML supported here?
hmm 1 more thing, how do get on the mailing list? i
thought i joined, but i'm not receiving any emails
from this group.
Joshua
--Orginal Message--
Cygwin binary packages of LilyPond 2.1.26 are
available from my
4 all lily-experts,
Urgent call for help!
I have a tricky problem, when using lyrics with syllables terminated by
commas as shown in the appended files. The upper text uses commas while the
lower voice doesnt, with the result of a displaced syllabel resp. not?!?
Thank You
guenter
--
(flup to list)
[EMAIL PROTECTED] writes:
> Dear Han Wen:
>
> I was asked to help a musicologist (PhD student) with some music typesetting
> aspects of her research, for which I am considering using lilypond. Because
> I am as of yet unfamiliar with your package, I'd like, if possible, to ask
>
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